Madonne Ashwin
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Maaveeran, starring Sivakarthikeyan, Aditi Shankar, Mysskin, etc., directed by Madonne Ashwin, was released on July 14, 2023 in Inde. It tells the story of Un dessinateur lâche commence à être "contrôlé" par une figurine de dessin animé et s'attaque à un politicien corrompu. This is an Action, Drame, Thriller film with a runtime of 163 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.4/10 from 6,610 viewers.
Madonne Ashwin
dans le rôle de Director
Sivakarthikeyan
dans le rôle de Sathya
Aditi Shankar
dans le rôle de Nila
Mysskin
dans le rôle de M. N. Jeyakodi
Yogi Babu
dans le rôle de Patch Work Kumar
Saritha
dans le rôle de Eshwari (Sathya's Mother)
Sunil
dans le rôle de Paramu (Jeyakodi's Secretary)
Monisha Blessy
dans le rôle de Raji
K S Krishnan
dans le rôle de ENT Doctor
Dileepan
dans le rôle de Selvam
Semmalar Annam
dans le rôle de Selvi
Balaji Sakthivel
dans le rôle de Chief Minister
Suresh Chakravarthi
dans le rôle de Doctor
Sunil
dans le rôle de Paramu
Minor Yogi
dans le rôle de Thannarasu
Vainavashri
dans le rôle de Devanesan's Kid
Yogi Babu
dans le rôle de Kumar
Vijayalakshmi Veeramani
dans le rôle de Devanesan's Wife
Saritha
dans le rôle de Easwari
Madhan Kumar Dhakshinamoorthy
dans le rôle de Dhanraj
Douglas Kumaramoorthy
dans le rôle de Junior Engineer
Palani Murugan
dans le rôle de Paguthi
Dileepan
dans le rôle de Devanesan
Suresh Chakravarthi
dans le rôle de Psychiatrist
Madonne Ashwin
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
বাংলা
Bon film !
India 🇮🇳
Opening comic strip of a giant man - copied from "Attack on the titans" (Shingeki no Kyoujin), along with the action in the comic. Rajinikanth's iconic pole fight before home in Baasha is also copied, only difference is Manikkam asked his sister to go in and here, the people are asked not to go in(!) I do not know what to say... Korean films "Tower", "The Exit" and "Agent Jun" were copied a lot in the second half, particularly in the climax. Throughout, "Agent Jun" also seems to have influenced a lot. The one star is for the comedy with Yogi Babu who pulls some serious faces here. (Some YouTubers are also funny for a few minutes) The heroine is more like a waste baggage character, although the actress tries to act sometimes and fails. The entire sister's problem arc is unresolved, which is deeply disappointing and the film just keeps following random tracks behind a thin concept. This is not a super hero film, as no explanations or super powers exist. Maybe the message is to kill off the dreams of anyone who tries to make anime in India. The film is not worth the watch time and the action is awful... Particularly in the climax. All scenes are predictable and characters are one-dimensional. I do not understand why "Mandela" director made such a disaster. Maybe to pamper the actor's fans with a delusion that this is "mass". The one scene where the princess is sketched as the heroine is an utter flop, as the heroine looks worse than the previous sketch. Moreover, such "Kanni theevu" styles of sketches were dead a long time ago and at least the opening animation could have been new age for this budget. Where did the 85 crores go?!
Apart from the comedy sequences featuring Yogi Babu in the first half, there is nothing of comparable quality.(The reason of 3star goes to him) The second half, in particular, suffers from extremely poor execution and storyline. The filmmakers attempted to create a superhero film, but it ultimately turned out to be incredibly disappointing. I am at a loss for words to describe just how bad it is; it's simply a waste. I feel sorry for the lead actor for being associated with this movie, and the role of the female lead is yet another unnecessary addition. In a twisted turn of events, Sathya, a comic writer, starts hearing a voice that prompts his future. Born coward - Sathya struggles to weild this new power and does not put that into good use until the very end.
Opening comic strip of a giant man - copied from "Attack on the titans" (Shingeki no Kyoujin), along with the action in the comic. Rajinikanth's iconic pole fight before home in Baasha is also copied, only difference is Manikkam asked his sister to go in and here, the people are asked not to go in(!) I do not know what to say... Korean film "Tower" was copied a lot in the second half, particularly in the climax. Throughout, "Agent Jun" also seems to have influenced a lot. The one star is for the comedy with Yogi Babu who pulls some serious faces here. (Some YouTubers are also funny for a few minutes) The heroine is more like a waste baggage character, although the actress tries to act sometimes and fails. The entire sister's problem arc is unresolved, which is deeply disappointing and the film just keeps following random tracks behind a thin concept. This is not a super hero film, as no explanations or super powers exist. Maybe the message is to kill off the dreams of anyone who tries to make anime in India. The film is not worth the watch time and the action is awful... Particularly in the climax. All scenes are predictable and characters are one-dimensional. I do not understand why "Mandela" director made such a disaster. Maybe to pamper the actor's fans with a delusion that this is "mass". The one scene where the princess is sketched as the heroine is an utter flop, as the heroine looks worse than the previous sketch. Moreover, such "Kanni theevu" styles of sketches were dead a long time ago and at least the opening animation could have been new age for this budget. Where did the 85 crores go?!
Opening comic strip of a giant man - copied from "Attack on the titans" (Shingeki no Kyoujin), along with the action in the comic. Rajinikanth's iconic pole fight before home in Baasha is also copied, only difference is Manikkam asked his sister to go in and here, the people are asked not to go in(!) I do not know what to say... Korean film "Tower" was copied a lot in the second half, particularly in the climax. Throughout, "Agent Jun" also seems to have influenced a lot. The one star is for the comedy with Yogi Babu who pulls some serious faces here. (Some YouTubers are also funny for a few minutes) The heroine is more like a waste baggage character, although the actress tries to act sometimes and fails. The entire sister's problem arc is unresolved, which is deeply disappointing and the film just keeps following random tracks behind a thin concept. This is not a super hero film, as no explanations or super powers exist. Maybe the message is to kill off the dreams of anyone who tries to make anime in India. The film is not worth the watch time and the action is awful... Particularly in the climax. All scenes are predictable and characters are one-dimensional. I do not understand why "Mandela" director made such a disaster. Maybe to pamper the actor's fans with a delusion that this is "mass". The one scene where the princess is sketched as the heroine is an utter flop, as the heroine looks worse than the previous sketch. Moreover, such "Kanni theevu" style of sketches were dead a long time ago and at least the opening animation could have been new age for this budget. Where did the 85 crores go?!
Worst music, no proper story. Waste of money n time spoiling the mood. People please don't waste your time by watching this worthless movie. First half is managed, second half is worthless.zero role for heroine that could help the story though she is a sub-editor. Viewers awaiting for any twist or turn till the end goes a waste as it's a plain story with no much content. Music adds up to the worst part. Villan role is also very pale. Comedian Yogi has done his part well when compared to the rest. Over all a worthless creation. Public pls be aware and spend you time money etc for something good.thanks.
Sathya is a cartoon artist, son of a social fighter. He uses all the bravery in the cartoon stories, but in reality he is a coward. The first half narrates his character, how they are moved to a new multi-story building built for slum people. They experience poor building quality with complaints piling up. Sathya uses this as content for his cartoon. Nila, sub-editor of a leading newspaper, gave the job of cartoonist to Sathya. When she realised the poor built quality of the building, she was not able to publish on the same due to political pressure. Once, the building engineer misbehaved with Sathya's sister, and with anger he would go for a fight, but in turn he would be teased and get a beating. His mother Saritha would scold him for his incapability. Not able to accept his cowardice, he decides to commit suicide. Thinking of his family, he decides not to die but, an accident will happen and he'll get a head injury. He will revive from death suddenly post accident with the voice in his ear. He'll experience auditory hallucinations with instructions about what to do. With this, how he saves the people from the building collapse, how he fights the politicians and rowdies, what happens to him in the end is the rest of the story. Overall, the storyline is a new concept. The first half was fast and engaging, the second half was a bit slow and dragging. Yogi Babu and Sivakarthikeyan managed to crack comedies throughout the film. Saritha and Myskin played well. The role of Aditi Shankar is less. Overall, this is a family comedy entertainer worth watching in the theatre.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.