Anucha Boonyawatana
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Malila: The Farewell Flower, starring Sukollawat Kanarot, Anuchit Sapanpong, Sumret Muengput, etc., directed by Anucha Boonyawatana, was released on November 30, 2020 in Thaïlande. It tells the story of Former lovers Shane and Pich reunite and try to heal the wounds of their past. Shane is haunted by the tragic death of his daughter, while Pich suffers a grave illness. As death approaches, Pich dedicates his remaining time to making Bai Sri, a ceremonial ornament. Meanwhile, Shane decides to become a Buddhist monk until one night at a graveyard, he encounters his lover in another form. This is a Drame film with a runtime of 94 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.5/10 from 583 viewers.
Anucha Boonyawatana
dans le rôle de Director
Sukollawat Kanarot
dans le rôle de Shane
Anuchit Sapanpong
dans le rôle de Pich
Sumret Muengput
dans le rôle de Monk Sangchai
Akekarad Khalong
dans le rôle de Ton
Prakasit Horwannapakorn
dans le rôle de Krit
Punthip Teekul
dans le rôle de Tee
Bodin Moomeensri
dans le rôle de Preceptor Monk
Veeravat Jamrensan
dans le rôle de Venerable Noi
Anucha Boonyawatana
dans le rôle de Writer
Wasuthep Ketpetch
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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This is not for everyone; you need to be in the right head space (mood) in order to truly appreciate this. Many may misunderstand or be unfamiliar w/the culture. Becoming a "monk" in Thailand is not the same to becoming a priest, taking "vows" and being a monk in Western culture. It can be something temporary and transient. There are rules ...but they are not mandatory. Like preparing for "Confirmation" in Catholicism (or the Bar mitzmah in Judaism), being "Buddhist" in Thailand means that EVERY MAN is required to become a monk for a period of time before the age of 20 (the majority of which is only about a few weeks). Young men do this in order to receive good karma and benefit. Having been raised as Catholic, I found this captivating and was fascinated by the Buddhist message that tries to show us to live in the "now," be "present," appreciate life ...and be try to be one with the universe. It's a beautiful and very "spiritual" film which gives us a rare glimpse into a non-western culture, beliefs and traditions. I originally found some of the scenes a bit morbid and quite odd. But in hindsight, I don't know if there was a better way to do it. This movie is timeless ...same thing could have happened hundreds of years ago and little would be changed. DO NOT watch this simply expecting a "gay" flick. The characters being "gay" is insignificant here. In Buddhism, one needs to be accepting of all living things; being "gay" is NOT wrong per the Buddhist philosophy (but still may not be fully embraced by Thai society).
The acting is just unbelievable, and you can see that this is more-or-less a director-driven film. The filming is just beautiful. There are hidden messages to life in this movie. I believe all the accolades it received spoke it all.
This is a story in 2 acts, that are almost separated from each other. Backstory: Shane and Pitch were lovers. Pitch left the village for the city, but Shane refused to follow. Instead, Shane married, saw his daughter die, and his wife left him because of his drinking. Now they reunite, with Pitch dying of cancer. Rejecting medical treatment as painful and ineffective, Pitch feels better when he creates structures of flowers and banana leaves. Meanwhile, Shane's offering is to become a Buddhist monk, to build karma for Pitch to either keep him alive or to help in his afterlife. Act 1 is the love story. Act 2 is Shane's learning to be a travelling monk, following a veteran in collecting alms, learning to concentrate in meditation, and spending nights in the forest, frequently suffering thru rainstorms. It may make better sense to someone who is Buddhist, who can better accept a philosophy of the impermanence of all things, but I just had trouble emotionally connecting the 2 parts.
This film should be viewed in a certain mood, and full attention should be paid, without distractions. First of all, I gave it a 10 because I wouldn't change anything - everything had a purpose, everything had meaning which slowly grew over time. Even as the film was finished I found myself holding onto little pieces of the film and understanding more of what was shown. This film was absolutely beautiful and spoke to me on so many levels and shows that there are many complexities to life, but living life in the present, and being aware of what is surrounding you, is a good way to get by. I wont dive much into the plot as it can speak for itself but I will say that this is a timeless film, that I will never forget about. The acting was superb, the filming was fresh yet nuanced and the directing could not be topped. Many may think that this film is slow, but everything has a reason and as I find with many Thai films, the pacing is simply unique and allows for ideas to develop. The pace is necessary to fully understand the film, and even though it isn't fast paced, there are many factors that would never have been thought of, particularly in western culture. I initially wanted to watch this film as the director had directed a series that I am currently watching that I really liked. Boonyawatana manages to find something new and bring an alternative view to everything she directs. I've never seen anything like this film, and I can't wait to see if she will direct another.
I agree with chong_an in many ways, but I found this film very beautiful and haunting. The flower creations are gorgeous, as is the actor playing Pitch. The problems of cancer treatment are very current, as is mindfulness (and for me, the reminder about eating in an aware manner was timely). As usual, I found some parts difficult to follow. What happened to the monk who was training Shane? Did he die, and if so, why/how? The love between Shane and Pitch was really credible, and the love-making scene very nicely done. Finally, kudos to the sound track.
Bon film !
Bon film !
Bon film !
Bon film !
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.