Michael Roberts
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The documentaire film Manolo: The Boy Who Made Shoes for Lizards, starring Manolo Blahnik, David Bailey, Mary Beard, etc., directed by Michael Roberts, was released on September 15, 2017 in Royaume-Uni. It tells the story of An in-depth portrait of MANOLO BLAHNIK, self-confessed 'cobbler' and the man regarded by most influential fashion figures as 'the best shoe-maker of the 20th and 21st centuries. A film for anyone who has ever looked longingly at a pair of... 'Manolos'. This is a Documentaire, Biographie, Drame film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 583 viewers.
Michael Roberts
dans le rôle de Director
Manolo Blahnik
dans le rôle de Self
David Bailey
dans le rôle de Self
Mary Beard
dans le rôle de Self
Lucy Burley
dans le rôle de Self
Joan Burstein
dans le rôle de Self
Carlos García Calvo
dans le rôle de Self
Naomi Campbell
dans le rôle de Self
Carlyne Cerf de Dudzeele
dans le rôle de Self
Sofia Coppola
dans le rôle de Self
Rupert Everett
dans le rôle de Self
Elsa Fernández Santos
dans le rôle de Self
John Galliano
dans le rôle de Self
Amanda Harlech
dans le rôle de Self
Anjelica Huston
dans le rôle de Self
Iman
dans le rôle de Self
Karlie Kloss
dans le rôle de Self
Gioacchino Lanza Tomasi di Lampedusa
dans le rôle de Self
George Malkemus
dans le rôle de Self
Michael Roberts
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
source: Manolo: The Boy Who Made Shoes for Lizards
"Manolo: The Boy Who Made Shoes for Lizards" is a Documentary - Biography movie in which we follow the life of Manolo Blahnik, the man who is considered by many people the most influential fashion figure and also the best shoe-maker of the 20th and 21st centuries. Since I didn't have high hopes or expectations from this movie I wasn't disappointed by it and I would consider this film as an average or even below average documentary. I believe that "Manolo: The Boy Who Made Shoes for Lizards" is a boring documentary in which we watch a lot of people talking about Manolo Blahnik and of course himself about his work but I felt that they really don't know anything about real life. I don't recommend this documentary to anyone and I believe that even if you are a fan of those fashion icons and a fan of Manolo Blahnik you will waste your time watching it.
BORING. While I enjoyed hearing about his interesting childhood, and he seems like a creative and nice person to know; I wanted to see more of his creative process. Not name dropping. They didn't even bother to label most of the people who appeared with their gushing testimonials after their first appearance--and if you blinked you missed it, apparently assuming we would all know who they were and where they fit in the fashion world. This was less a documentary about his shoes--or even him, and all too much about the people who know him--and wear his shoes. Given his lengthy career surely they could have discussed how he became so famous--how did he connect with so many well-known fashion designers early in his career? The basic problem was that like most "celebrities", they can only talk about themselves and not the person they are supposed to be talking about. The only person I remember who actually shared stories about Mnalo himself was Anna Wintour, and her interview was the most interesting. If there was indeed more substance to this biography, it was overwhelmed by the self-congratulatory "here I am"! tone of most of the interviews, in which it was obvious that they were only there for their own moment on camera, not to celebrate the man they were there to actually talk about. Overall the best part of the documentary was the clever animation. To put it bluntly this could have been far more interesting. While there was a segment showing him hands on in the factory, I for one would have liked to see more of this aspect of his business and process. This is a man who has spent most of his very successful career creating clever shoes (and honestly some are down-right ugly craft project worthy--juxtaposed with some genuinely beautiful and unique) for the wealthy. Why not at least show case the shoes? (I mean so you could actually see them)
I loved this film! I was smiling from start to finish! It's a fascinating and entertaining insight into the world of Manolo Blahnik! It's so interesting to learn about his path into the footwear industry, the hands on approach he has to the making of the footwear and the people he collaborates with from photographers to designers to models! A must watch for all who love fashion, especially shoes!
A must see for fashion fans. The imagery and animations are a wonderful touch and paint a fascinating picture of Manolo and his career. Iconic and well-known industry voices and celebrities discuss their relationships and his life, interlaced with interviews, dramatisations, old photos and recent events. He is a fascinating individual and the scenes showing the factories and his sketching are a great insight into his work and process. Overall, an artistic and engrossing feel-good documentary film - not something you see every day.
If you're into fashion and really interested into this style of practice, than you certainly must watch and will enjoy this documentary. It's the fashion biography documentary about the Spanish fashion designer Manolo Blahnik. It talks about his life, his career and his work. To be honest, I'm not quite interested in fashion, but I got to say that this documentary is amazing. Besides fashion, it's about Manolo himself. He's really one cheerful and interesting human being, unique, absolute genius, funny, charming and kind. He has charisma and a really great personality. There're lots of celebrities and magazine editors, who have worked with Manolo, commenting about his work and great personality. Also the beautiful animation, design and music sets this colorful, dynamic and rhythmic tone and atmosphere throughout the documentary. The only problem that had bothered me, in some moments and occasions, the pacing and editing were a bit off and went too fast. But other than that, it's brilliant. 8/10
It was a very funny and entertaining movie, good music and photography. I loved the illustrations and the jokes. I like the man even more now that I saw him in this,he has a charming accent and nice voice. It is not a documentary on his life but a celebration of the man as an artist!
This film was so fresh and insightful. Manolo Blahnik has such an interesting life and it was a pleasure to be able to experience his world. To learn about his influences and history was so inspiring to watch. The illustrations are really cute and something to look out for when watching this film! Great music, anecdotes and cinematography.
Greetings again from the darkness. Despite my lack of interest in high heels, or really high fashion in general, it's always exciting to gain some insight into the creative process of an acclaimed artist such as Manolo Blahnik. Unfortunately, Michael Roberts' (fashion writer by trade) directorial debut delivers more of a tribute than any type of peek behind the curtain. Heck, let's call it what it is it's a fluff piece, plain and simple. Mr. Blahnik has been labeled "the best shoemaker of the 20th and 21st centuries", despite his claims of being merely a humble cobbler. There are dramatizations mixed with interviews, and plenty of famous faces to fill the screen. In fact, Vogue editor Anna Wintour seems to log nearly as much screen time as Blahnik himself and shockingly, she's giggling and smiling through most of it. Mr. Blahnik does make many of his own statements, including an admission of having no interest in politics or relationships. It seems designing the shoes is what keeps him going each day. And it's this point where the filmmaker misses the real opportunity to dive deep into the creative process. As is common in the fashion world, celebrities are usually front and center. There is an extended segment with Rhiannon, and there's a glimpse of Donald Trump near the runway. Bianca Jagger, Diana Vreeland, and Sarah Jessica Parker all have their moments. We are shown a clip of Princess Diana wearing Manolo stilettos, and of course, a scene from "Sex and the City" is included confirming the real audience for the film. Director Sofia Coppola describes her reasons for dressing the titular character of her film MARIE ANTOINETTE in Manolos, and there is an odd and slightly uncomfortable portion where Blahnik buddy Rupert Everett discusses Manolos for men, though seemingly in a contradictory manner. There is nothing wrong with a lovefest celebration, but it is somewhat frustrating to listen to the gushing of admirers when a more insightful project is deserved, and would have been welcome.
This is a documentary that probably should not have been made. It's rather boring actually and filled with poseurs who have way too much time on their hands. Manolo himself is marginally interesting as a personality, but it wears thing within 10 minutes. The fashion icon after fashion icon interviews just solidify the idea that these people are clueless about real life and live in this really shallow bubble. If his shoes are great, god bless. But the wiki entry of him is really all you need to know.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.