Mj Dixon
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The horreur film Mask of Thorn, starring Eve Kathryn Oliver, Sophie Bryant, Maria Lee Metheringham, etc., directed by Mj Dixon, was released on November 18, 2019 in Royaume-Uni. It tells the story of Bethany has been kidnapped by Avondale's popular kids for a surprise birthday party to celebrate her sweet 16. They don't realize that Bethany is the target of the monstrous 'Thorn', and nothing will stand in his way. This is a Horreur film with a runtime of 102 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 2.9/10 from 473 viewers.
Mj Dixon
dans le rôle de Director
Eve Kathryn Oliver
dans le rôle de Bethany Lovell
Sophie Bryant
dans le rôle de Olivia Ormonde
Maria Lee Metheringham
dans le rôle de Mina Adams
Atticus Machiavellian
dans le rôle de Thorn
George Horn
dans le rôle de John Lawrence
Lydia Cashman
dans le rôle de Julia Barrington
Michael Batty
dans le rôle de Tom Jenkins
Eduardo Cupi
dans le rôle de Andy Jimson
Martin W. Payne
dans le rôle de Derek Lovell
Tracey Chatterley
dans le rôle de Joyce Lovell
William Marshall
dans le rôle de Lance Manning
Ketorah Williams
dans le rôle de Nurse Gloria Jones
Chloe Badham
dans le rôle de Nurse Pamela Hill
Chan Walrus
dans le rôle de Rosie
Joe O'Connor
dans le rôle de Charlie
Michael Higham
dans le rôle de Bucky
Clarke Tribe
dans le rôle de Officer Cyphers
Moray Binfield
dans le rôle de Cult Member
Mj Dixon
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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The actors are novices and the acting is bad.
source: Mask of Thorn
Found this for a few quid in HMV, An obvious 80's inspired slasher in the vein of Terminator, what really struck was the strong use of colours and music that really captured films of the 80's. Reminded me of the classic 80s VHS horror Prison. Well worth your time if you can handle indie fair. Would love to see more from Thorn.
I'm a stickler for any new slasher villains and I have been waiting and waiting for a new icon to come along. I'm pleased to say he's here, I dont know where ive been but this is the 4th? outing for this character (He was in a film called Slaughter House in 2011) and boy is he something. Loved it, from the 80s style of camera shooting to the silly characters and costumes. I hope we'll see more of Thorn like we did the old style slashers. Manhattan anyone? 10/10 loved it. Long live Thorn!!
I love British horror movies, from the serious horror to the comedy ones, but I honestly believe this one should be a comedy horror for the first 10 mins or so, until they get to 1988 - cut out all the first part. The first 10 mins is more in the style of 'Stitches', the one about the clown? But how can you take this one seriously as a strict horror? You have a baby that cry's in the opening few minutes of the film, without moving its lips. The short skirts on the nurses, I don't think the NHS would of approved that one! And gotta' mention the black curly wig. The group of friends all look in their mid-twenties, and not about 16, which I believe they are supposed to be? I could go on, but I think you get the idea. To its credit its okay, further in, but I just can't get away from the actors - a bit amateurish - the effects - not much money spent - I know its all down to money, and the music, which would of been better using akin to early Carpenter movies like Assault on Precinct 13, or the thing. Something more atmospheric, instead of relying on keep the finger down on one key on the chorus settings. I wanted to like this, but it summed it up for me when the evil character was behind a nurse, and the other actor says in Pantomime style... 'Behind you!' I take my hat off to all involved in this film, from actors, production and writers - because I cannot do any of that and I'd be even worse acting, but I watch a lot of movies, and for me it was a miss. It was more like an amateur theatre production. But effort is 10/10, end result is (this time) more like 2/10 God love 'em, don't give up, keep trying - next one will be better. Spielberg had to start somewhere.
After finding this title I was intrigued by the fact that it seems to be part of a shared movie Universe. After watching it, I was perplexed, it seemed cheesy and a little campy, but was shot in a very modern style. I looked into the film and suddenly realised that it was shot in TWO VERSIONS, but the main one was supposed to be a 'old square TV' style 80s version and as soon as I found the 80s trailer on youtube for it it all clicked. This is a throwback to the 80s and although its a great, tight little story that 'borrows' from the films like Friday 13th and The Hidden it makes SOOOO much more sense that it was intended as a homage to that era. Anyway, its pretty funny, has some great action and one of the kills in it, MY GOD, I'll remember that for sometime. A great little no budget indie title that should get released in its original format.
source: Mask of Thorn
I usually try to go into films without knowing anything about them, but afterwards it is often interesting to find out more about their production. 'The Mask of Thorn' is the second part of a trilogy. This concerns perceived do-gooder Bethany Lovell (Eve Kathryn Oliver), who suffers from suspiciously overbearing parents and an inability to fit in with her schoolmates. To add to her troubles, the mysterious Thorn turns up to pursue her. Nice camerawork and lighting don't disguise the fact that he's an actor (Atticus Machiavellian - really?) in a mask (of Thorn, presumably, which is fair enough). He's even been given glowing eyes to make him more frightening. What really sells him, apart from his predilection for violence and killing (often in the same manner) is the sound design. Guttural breathing and snarling has rarely sounded so meaty. Some acting is dire, some not so bad - there's a character in a horrendous 70s wig (this is set in the 80s). Conversely, my favourite character is foul-mouthed Julia (Lydia Cashman), whose line-up of expletives is wonderful. For anyone who criticises the clearly tiny budget on display, MJ Dixon (the director responsible for the enjoyable 'Haunting of Molly Bannister' and 'Cleaver: Killer Clown') productions are a labour of love, financed by himself and fanbase crowdfunding enterprises. While the end result doesn't always match the admirable intent, it certainly has moments of interest and effectiveness. My score is 6 out of 10.
No idea what going on with these score here. Looks like some people missed the point of 80's monster movies. This is what this is. It obvious that the directors knew that it was supposed to be like those old movies. I thought it was great, deducting some points for some 'questionable' effects at some points, but well worth the few quid I paid for it. The end of the film says Thorn will return in Wrath of Thorn, but there is another film called Legacy of Thorn, another just called Thorn and then a short film called Thorn which is confusing.
Found this for a few quid in HMV, An obvious 80's inspired slasher in the vein of Terminator, what really struck was the strong use of colours and music that really captured films of the 80's. Reminded me of the classic 80s VHS horror Prison. Well worth your time if you can handle indie fair. Would love to see more from Thorn.
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Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
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