Ernest Prakasa
dans le rôle de Director
The comédie film Milly & Mamet: Ini Bukan Cinta & Rangga, starring Sissy Priscillia, Dennis Adhiswara, Julie Estelle, etc., directed by Ernest Prakasa, was released on December 20, 2018 in Indonésie. It tells the story of Mamet obeyed Milly's request to stop working at a banker bank to raise their children, to work in his in-laws factory to meet Alexandra who again invited her to become a chef at the restaurant of her second dream while in college. This is a Comédie, Drame film with a runtime of 101 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 976 viewers.
Ernest Prakasa
dans le rôle de Director
Sissy Priscillia
dans le rôle de Milly
Dennis Adhiswara
dans le rôle de Mamet
Julie Estelle
dans le rôle de Alexandra
Yoshi Sudarso
dans le rôle de James
Ernest Prakasa
dans le rôle de Yongki
Muhadkly Acho
dans le rôle de Hendra
Eva Celia Latjuba
dans le rôle de Jojo
Dian Sastrowardoyo
dans le rôle de Cinta
Ardit Erwandha
dans le rôle de Robby
Adinia Wirasti
dans le rôle de Karmen
Ciara Nadine Brosnan
dans le rôle de Maura's Daughter
Aci Resti
dans le rôle de Iin
Surya Saputra
dans le rôle de Rama
Pierre Gruno
dans le rôle de Hartono
Dinda Kanyadewi
dans le rôle de Lela
Titi Kamal
dans le rôle de Maura
Roy Marten
dans le rôle de Sony
Andi Awwe Wijaya
dans le rôle de Traffic Police
Meira Anastasia
dans le rôle de Writer
Ernest Prakasa
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
Idk why some people dislike it, i personally enjoyed it with no doubt.
Milly & Mamet's film story shows the genre of fresh romantic comedy whose storyline and comedy composition is presented to make the audience feel comfortable. There are no awkward comedies that make the audience frown to find out what they mean. The audience will be taken to laugh, stunned and laugh again to see the young family played by Sissy Priscillia as Milly and Dennis Adhiswara as Mamet. This cuteness was also built by several supporting actors consisting of several comedian. Not for their stand up stage which might only be understood by some people, but presented for a film. The chemistry between the main cast and the comdian became very sweet. Not only presents jokes, Milly & Mamet is full of various meanings of life with packaging that is quite light and pleasant. From the family side, this film teaches that sometimes we need to pursue what we need, not what we want. Internal conflicts experienced by Milly and Mamet make them stronger to determine what is best for their life. Both of them agreed to try to do the desired thing. Even though they got what they wanted, conflicts continued to emerge. For example, the issue of gender inequality emerged when Milly, who was still working, was asked to go home at that time because Mamet found the child crying at home without his mother's care. Hardly, he scolded Milly who should be responsible for his child. As if there is a picture of the present reality that there is still the thought that women should be at home, responsible for taking care of the child. While on the other hand, Mamet faced conflict with his father-in-law because of the quandary between taking care of his in-laws factory or choosing his passion to become a chef. The story in the film also discusses the money laundering practice described by investing in a restaurant is managed by Mamet's friend Alex and the place where Mamet is the chef at the restaurant. This certainly helps provide socialization regarding money laundering and also a means of education to the public to be aware of the practices and entrapment of money laundry. The conflicts that are quite intense go hand in hand with solid comedy, without losing the original character of Milly and Mamet who is hilarious. Director Ernest managed to balance drama, love and comedy smoothly. There are some comedies that feel crisp, but still reasonable. Broadly speaking, the treats given from this film feel reasonable and relevant. The placement of attitudes and emotions in each character feels the way it is. Although the storyline and characters are quite predictable, they can still be enjoyed. The presence of a number of supporting characters also enlivens and gives the color of the story. We can also see Yoshi Sudarso who plays comedy films and Julie Estelle who apparently has her own charms playing comedy films. The actions of Isyana Sarasvati, Dinda Kanya Dewi, Eva Celia, and Melly Goeslaw should be appreciated. The flexibility of acting accompanied by a musical background, director Ernest seemed to have never failed to fill the scene with music in accordance with the atmosphere, so the film deserves to be a list of spectacles to fill our leisure time.
Story is suffered from too much product placement and out of place humour. Useless character is present for the sake of humour relief and alot of is not fungtional to the story. Mediocre story at best.
Thank you Koko Ernest for including Yoshi Sudarso in this movie, my eyes were happy LOL, plus he spoke 100% in bahasa. I'm quite impressed with Isyana's acting, she's good and so funny!! My other fav are also the factory staffs part, they totally cracked me up!! Overall it's enjoyable yet heartwarming movie!! Go watch it guys!
To my personal opinion, this movie was wonderful in terms of combining the elements of drama and humor. I quite enjoyed the banter between the supporting characters (who were mostly comedians) and the chemistry between Milly and Mamet's characters which were performed very nicely by the two lead cast. And this time around, I think the drama and humor part were quite balanced, although I did feel the conclusion was a tinsy bit oversimplified, but overall it was indeed a fun & entertaining romantic drama comedy. Another great job by Ernest Prakasa!
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.