Jonathan Wright
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comédie film L'Amour au menu !, starring Jeremy Jordan, Jessica Lowndes, Callum Blue, etc., directed by Jonathan Wright, was released on February 20, 2021 in États-Unis. It tells the story of A small-town cook impersonates his big city chef twin to compete in a culinary contest and falls for the woman in charge of the event, who thinks he is the brother who is married. This is a Comédie, Romance film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 1,231 viewers.
Jonathan Wright
dans le rôle de Director
Jeremy Jordan
dans le rôle de Josh
Jeremy Jordan
dans le rôle de Julian
Jessica Lowndes
dans le rôle de Meg
Callum Blue
dans le rôle de Henri Vermeiren
Edward De Gaetano
dans le rôle de Etienne Leduc
Michelle Martin
dans le rôle de Heike Mueller
Nadia Sohawon
dans le rôle de Annie Leroux
Stephen Oliver
dans le rôle de Chester Peele
Anthony Edridge
dans le rôle de Preston Wescott
Nicholas Jackman
dans le rôle de Patrick O'Shea
Emelie Ulfeby
dans le rôle de Deirdre Zidane
Mikhail Basmadjian
dans le rôle de Tim Kinsella
Angie Balzan
dans le rôle de Judge
Milo McDowell
dans le rôle de Competition Chef
Mariolys Morales
dans le rôle de Restaurant Customer
Joshua Takacs
dans le rôle de Teppanyaki Sous Chef
Julie Kim
dans le rôle de Writer
Kariné Marwood
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Baked Alaska
Bon film !
Hallmark movies are formulaic, they are very tame heterosexual love stories and every film is pretty much the same but with different settings and actors, that's why hallmark has such a big following but when you bring in all the woke stuff it's not hallmark anymore, i can watch absolutely any other tv series or Holywood film and everybody is represented and you're made to be ok with whatever people want to do/be, that's how society is now but hallmark was different, this is the beginning of the end for them if they continue in this direction. Such a shame.
Jessica Lowndes is one of my least favorite actors, but I thought I'd give the movie a try anyway. The guy playing the twins did a great job, and the LGBT part was handled nicely. Unfortunately the plot was too predictable with the twins, and then also with the contest. The French accents (especially by the French man) were terrible!! Do yourself a favor and find a different Hallmark movie to watch. PS ~ Hallmark needs to find a stylist to do something with Jessica Lowndes way too long and way too dark hair. It looked atrocious!!!
Typical Hallmark Movie which is what I love. The scenery is worth the watch.
'Mix Up in the Mediterranean' is one of the 2021 Hallmark films seen with mixed expectations. This year saw a number of beautiful and exotic locations with Hallmark (including Hawaii and Paris), and it doesn't become more exotic than the Mediterranean. That there would be the male lead doing a dual role (not seen a lot with Hallmark these days) also interested. Am really not a fan however of Jessica Lowndes, with a couple of exceptions but she has often come over as quite limited and most of her films don't do much for me. 2021's 'Mix Up in the Mediterranean' is one of the few films of hers that did impress me, though more for most of everything else than her. It is up there with one of the better 2021 Hallmark films, which have been a bit of a mixed bag but not too bad considering these tumultuous times. Of the Love Ever After films of the year, 'Mix Up in the Mediterranean' is one of the best and by quite some way. While not loving the film, it was pretty enjoyable. Was not too enamoured by Lowndes, she could have had a lot more fun and the character needed more charm than what she gave. Her attempts at flirtation too are pretty awkward. Some of the story could have had more clarity and subtlety, will agree regarding the reason for Meg to get that close and will agree too that she was too oblivious to something that was blatantly obvious. The ending felt too easy and too quick, and there is no surprise what it would be. On the other hand, a lot is good. The production values are terrific, a vast majority of 2021 Hallmark films have been remarkably well made visually and 'Mix Up in the Mediterranean' is one of the most beautiful looking. How could it not be with a setting as incredible as the Mediterranean'. The music is not overpowering or overused and the direction is indicative of someone that was at ease with the material and was having fun with it. The script has plenty of very amusing moments, while any tender moments are not too sentimental. The story goes at a tight pace and is charming and upbeat, the content that could easily have been stereotypical or judgemental was done very tastefully and contrary to what has been said by others regarding Hallmark including more diversity the diversity was more than welcome. The supporting cast are solid, but the best thing about the film is Jeremy Jordan. Who is truly excellent in one of the most difficult roles of the 2021 Hallmark batch (playing two completely contrasting characters rather than one) and one of the standout performances of the batch too. He is clearly having fun, but he does so without mugging, overdoing any mannerisms that would have made the character in question too much of a stereotype and brings nuanced heart to both characters (doing the seeming impossible at making a jerk endearing by the end). Summing up, not everything works but much of it does and the film is worth seeing for primarily Jordan. 7/10.
Hallmark has really hit the tank. Every movie is off, just off. What went wrong? Maybe amateurs at the helm, or maybe works or some other idiots. They need to wake up before it all tanks.
I didn't care too much for this, just wasn't very interesting, but I had to ask - Did they finally get new management at Hallmark Channel? Nevermind the attempt at representation, they switched up the trope. Instead of working for the evil corporation and moving back to the small town they left because they couldn't make a living there in the first place, this guy has regrets about not going for it and decides to finally move away from the small town to start a new life. And then at the end of the movie...gasp...there is a real kiss that lasts longer than two seconds. And in this movie it actually makes sense in the story that they wouldn't kiss until the end. Just wow. I had to laugh at some of the comments on here about her hair. 😅I don't usually comment on such things, but I've been saying that same thing about the women in my office building for a very long time now. It seems no one under 35 has heard of a salon. Rapunzel hair doesn't actually look good in real life, just lazy and unprofessional. Just cut it, what diff does extra length make if you keep it straight and away from your face, or worse, in a ponytail or granny bun? But I guess that's the issue, they don't want to pay for a cut or take care of their hair. At least Jessica's was styled nicely.
Even if you didn't care for the storyline, this movie had one of the best Hallmark kisses ever at the end. I think Jessica was lip-locked for at least two minutes!! Great scene.
Love Jeremy Jordan. Jessica Lowndes needs a haircut, seriously, that long hair is so unappealing for her age and her face-shape (and stop pulling her hair off her face, it just highlights the gaukiness). Their chemistry was okay, but I just couldn't get past the full-facial scenes, close-ups, not attractive filming. The storyline was refreshing and the LGBT storyline was tastefully written (while a bit stereotypical). Would like to see more of Lowndes (but less of her thin face). Jordan showcased his acting talent in this one .. great job.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.