Bruce Beresford
dans le rôle de Director
English,Español,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Mr. Church, starring Eddie Murphy, Britt Robertson, Natascha McElhone, etc., directed by Bruce Beresford, was released on November 11, 2016 in États-Unis. It tells the story of Unique friendship develops when a girl and her dying mother retain the services of a talented cook - Henry Joseph Church. What begins as a six month arrangement instead spans into fifteen years and creates a family bond that lasts forever. This is a Comédie, Drame film with a runtime of 104 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.6/10 from 33,319 viewers.
Bruce Beresford
dans le rôle de Director
Eddie Murphy
dans le rôle de Henry Church
Britt Robertson
dans le rôle de Charlie
Natascha McElhone
dans le rôle de Marie
Xavier Samuel
dans le rôle de Owen
Lucy Fry
dans le rôle de Poppy
Christian Madsen
dans le rôle de Eddie Larson
Mckenna Grace
dans le rôle de Izzy
Natalie Coughlin
dans le rôle de Young Charlie
Madison Wolfe
dans le rôle de Young Poppy
Lincoln Melcher
dans le rôle de Young Owen
Kathleen McMartin
dans le rôle de Mrs. Dickerman
Sara Shearer
dans le rôle de Gibby
Kelly Lester
dans le rôle de Doctor
Aileen Burdock
dans le rôle de Waitress
Michael Leone
dans le rôle de Michael
Shawnee Witt
dans le rôle de Cashier
Thom Barry
dans le rôle de Frankie Twiggs
Adriana Leonard
dans le rôle de Checkout Girl
Susan McMartin
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
source: Mr. Church
I read Richard Brody of the New Yorker opinion of the movie Mr. Church, "It's repugnant for its dehumanizing view (however unintentionally so) of a black man, and repugnant for its emptying- out of one of the great black performers of the time into a sanitized symbol of acceptable blackness. I watched the movie and never thought of Eddie Murphy's character as an Afro-American, but a man hired to cook for a dying woman and her child. Acceptable blackness! What the hell is that? Who decides what is acceptable blackness and unacceptable blackness? Is there a Committee on Acceptable Blackness? I subscribe to Morgan Freemans view in an interview with Mike Wallace, "Stop talking about it. I'm going to stop calling you a white man, and I'm going to ask you to stop calling me a black man. I know you as Mike Wallace. You know me as Morgan Freeman. You want to say, 'Well, I know this white guy named Mike Wallace.' You know what I'm saying?"
If you are tempted to bypass this movie because Eddie Murphy is the "headliner" or because "Church" is in the title, dig deeper and you will find gold. After watching this movie with my wife, I was tempted to say, "Why don't they make movies like that anymore", as if it was a movie from days gone by. I feel strongly the casting was great, the acting was great, the story is moving and inspiring. Even the "featurettes" on the DVD we rented were a great addition. They are short and to the point. They gave us just the amount of additional information we were looking for that we would have missed out on had we gone to the theater or streamed online. But regardless, that was just icing on a very classy and lovingly created cake.
Normally, I criticize movie previews for either spoiling the story or misrepresenting the genre, but if you watch the preview for Mr. Church, you'll get a pretty good idea of what it's about. You'll see teenager Britt Robinson and her mother, Natascha McElhone living alone in California in the 1960s. You'll see Britt's shocked reaction when she wakes up one morning to find Eddie Murphy, a total stranger, cooking breakfast in the kitchen. You'll find out he was hired to be their cook, and you'll guess that he eventually wins Britt's trust and affection. If you like the preview, you'll like the movie. I remember reviewers being unduly harsh (as they usually are on Eddie Murphy movies) on this film, claiming it used the "magical Negro" trope and offended audiences. However, their claim held no water. This movie was based on a true story, and was told from the point of view of Britt Robinson's character. She was a teenager, and like most teenagers, didn't really understand or pay attention to other people besides herself. And, the entire point of the story (don't worry, no spoilers) was that she didn't get to know Mr. Church. He was an important fixture in her life, but he didn't let Britt get too close to him. That was the point! It wasn't a cinematic trope. With those limitations, it would have been easy for the actor portraying Mr. Church to walk through the part without giving him humanity or realism. Eddie Murphy gave a wonderful performance full of layers and subtleties. He fed the audience little tidbits of a mysterious character, making us wonder and guess as to what was really inside him. The more we wondered, the more we cared. He was extremely real - not "magical" without any purpose besides helping out the white protagonist. There are so many subtleties in this movie, from Eddie's character to his relationship with Natascha, that contrast beautifully with the loud setting of the 1960s and 1970s. Director Bruce Beresford and screenwriter Susan McMartin (who adopted her own true story to the screen) seemed to know exactly what the audience and when they needed it. Laughs, drama, a funky song, and silliness all show up at the right time. I saw this movie on opening weekend, and it was a treat to see all the details on the big screen. But if you missed this one in the theaters, which unfortunately quite a few people did, rent it on a weekend when you're in the mood for a complex, heartwarming drama.
One of the trivia says: "This is the first film Eddie Murphy has done in 4 years." He has done an amazing job! It was worth waiting that long. I have not seen a movie like this, in a while. I was all around, lookin', but it found me instead, I guess. We all have our secrets and mysteries, and a reason behind it, which is why you should just leave it, as is, sometimes. Respect that people do not want you to dig deep. As humans, we are predestined to cross the boundaries, and break rules... but it is forgiveness that makes us greater. It is about an open heart. A lot of things to learn from this story. Give it a try!
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.