Adze Ugah
dans le rôle de Director
The comédie film Mrs Right Guy, starring Dineo Moeketsi, Lehasa Moloi, Thapelo Mokoena, etc., directed by Adze Ugah, was released on June 3, 2016 in Afrique du Sud. It tells the story of Gugu, the walking wounded, rejects men long before they can get too close to rock her self-imposed exile from love. But to find bliss with the right guy, she must first realize that no man is created equal and that, in love, nice guys not only have staying power but can actually be "just right.". This is a Comédie, Romance film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.9/10 from 84 viewers.
Adze Ugah
dans le rôle de Director
Dineo Moeketsi
dans le rôle de Gugu
Lehasa Moloi
dans le rôle de Joe
Thapelo Mokoena
dans le rôle de Dumile
Tau Maserumule
dans le rôle de Thabang
Thando Thabethe
dans le rôle de Anna
Kwande Makhene
dans le rôle de Bongi
Boity Thulo
dans le rôle de Marie
Robert Whitehead
dans le rôle de David
Sam Phillips
dans le rôle de Bab' Radebe
Motlatsi Mafatshe
dans le rôle de Traffic Cop
Yonda Thomas
dans le rôle de Lesego the Stripper
Jerry Phele
dans le rôle de Old Man in Taxi
Carlo Radebe
dans le rôle de Security Guard
Lizelle Tabane
dans le rôle de Audition Girl
Mpho Modikoane
dans le rôle de Car Guard
Daniel Friedman
dans le rôle de Maurice
Frances Ndlazilwana
dans le rôle de Gog' Agnes
Ivy Nkutha
dans le rôle de Old Woman
Pusetso Thibedi
dans le rôle de Writer
Catharina Weinek
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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ed
source: Mrs Right Guy
Bon film !
source: Mrs Right Guy
Mrs. Right Guy is a South African romantic comedy that started off slow for me. If it wasn't for Joe played by Lehasa Moloi and Dumile played by Thapelo Mokoena, who reminded me of Kadeem Hardison in the late 90s, I would have stopped watching after the first 30 or so minutes. The movie opens with our heroine Gugu (Dineo Moeketsi) waking up in a luxury hotel on her honeymoon only to discover that her new husband had not only abandoned her but left her with the bill. Three years later, we see Gugu again, and this time she is embittered toward men in ways that are meant to be funny, but I didn't find amusing at all. It didn't help that the script focused on everyone making comments about her light skin. The story became interesting when Dumile (Gugu's boss at the advertising agency) said that because of her spunk and because she doesn't suck up, he wanted her to be his sounding board. Gugu calls Dumile on his attraction to her, and he couldn't deny it. Every man seemed to be attracted to Gugu and her "light skin," which was one of the reasons I didn't care for this movie. Even a blind man said she was beautiful. I mean, come on! I could not root for Gugu, whose troubles stemmed from her own superficiality, which made her a big hypocrite considering her judgments of men who objectify her. Then there was a kiss between Gugu and one of the men that was so out of place that I thought it was a dream sequence. However, on a positive note, the plot is not predictable. Conflict ensues when Dumile and Joe face off in regards to Joe's Chicken Farm and an advertising contract with the company Gugu and Dumile work for. While I couldn't blame Joe for wanting to get as far away from them as possible, at this point in the movie. I was finally invested in the outcome and wanted to see how everything would play out. In the end, Mrs. Right Guy turned out to be an OK movie. It's certainly not perfect, but it has its moments. The movie explores the complexities of relationships involving attraction, rejection, and forgiveness. As well as workplace dynamics like power imbalances, competition, and conflicts of interest. I'm giving this movie Five Stars.
source: Mrs Right Guy
source: Mrs Right Guy
source: Mrs Right Guy
Mrs. Right Guy is a South African romantic comedy that started off slow for me. If it wasn't for Joe played by Lehasa Moloi and Dumile played by Thapelo Mokoena, who reminded me of Kadeem Hardison in the late 90s, I would have stopped watching after the first 30 or so minutes. The movie opens with our heroine Gugu (Dineo Moeketsi) waking up in a luxury hotel on her honeymoon only to discover that her new husband had not only abandoned her but left her with the bill. Three years later, we see Gugu again, and this time she is embittered toward men in ways that are meant to be funny, but I didn't find amusing at all. It didn't help that the script focused on everyone making comments about her light skin. The story became interesting when Dumile (Gugu's boss at the advertising agency) said that because of her spunk and because she doesn't suck up, he wanted her to be his sounding board. Gugu calls Dumile on his attraction to her, and he couldn't deny it. Every man seemed to be attracted to Gugu and her "light skin," which was one of the reasons I didn't care for this movie. Even a blind man said she was beautiful. I mean, come on! I could not root for Gugu, whose troubles stemmed from her own superficiality, which made her a big hypocrite considering her judgments of men who objectify her. Then there was a kiss between Gugu and one of the men that was so out of place that I thought it was a dream sequence. However, on a positive note, the plot is not predictable. Conflict ensues when Dumile and Joe face off in regards to Joe's Chicken Farm and an advertising contract with the company Gugu and Dumile work for. While I couldn't blame Joe for wanting to get as far away from them as possible, at this point in the movie. I was finally invested in the outcome and wanted to see how everything would play out. In the end, Mrs. Right Guy turned out to be an OK movie. It's certainly not perfect, but it has its moments. The movie explores the complexities of relationships involving attraction, rejection, and forgiveness. As well as workplace dynamics like power imbalances, competition, and conflicts of interest. I'm giving this movie Five Stars.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.