Blake Reigle
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Prisonnière d'une secte, starring Christa B. Allen, Derek Smith, Carly Schroeder, etc., directed by Blake Reigle, was released on March 14, 2017 in États-Unis. It tells the story of Un jeune journaliste s'infiltre dans une commune de montagne et se fait manipuler par un chef de secte hypocrite. This is a Drame, Mystère, Thriller film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.2/10 from 736 viewers.
Blake Reigle
dans le rôle de Director
Christa B. Allen
dans le rôle de Melanie
Christa B. Allen
dans le rôle de Mary
Derek Smith
dans le rôle de Brent
Carly Schroeder
dans le rôle de Venus
Chasty Ballesteros
dans le rôle de Luna
Ashley Wood
dans le rôle de Sophie
Lisseth Chavez
dans le rôle de Haley Cooper
Ed Ackerman
dans le rôle de Deputy Wyatt
Will Beinbrink
dans le rôle de Gavin
Mary O'Neil
dans le rôle de Rhea
Paige Lauren Billiot
dans le rôle de Clytemnestra
Alison Floyd
dans le rôle de Helen
Andrea Ajemian
dans le rôle de Writer
Blaine Chiappetta
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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I am a big fan of hippie-commune-cult horror movies. Now, this one didn't quite move me as much as Midsommar did, but it was deliciously engaging. Who wouldn't want to join a cult led by that fine man, Brent? Damn, I know I'd be in. This movie was good.
Bon film !
Bon film !
Bon film !
source: One of Us
A little bit of nuance and a delicate hand can go a long way towards making a movie - or, with their absence, breaking it. The premise behind 'One of us' is very promising, and it certainly caught my eye. It takes little time at all for the film itself to begin to show its difficulties, and the factors that limit our engagement. It's extraordinarily fast-paced, and almost forcefully brusque and heavy-handed. Many of its constituent parts are well done in and of themselves, but don't fit the tenor of what the picture is trying to do (immaculate hair and makeup work, for example); other aspects (not least those small touches intended to pointedly intone a horror element) are cliched and overdone; little or nothing is Just Right (this is also weirdly overproduced). "Cliched and overdone" also absolutely applies to dialogue, which is often entirely too on the nose; characters mostly feel like sketches that weren't completed, though some (such as Sophie) are downright excessive and gauche as written. Scene writing and too many plot points oscillate between lacking and unconvincing, forced and inorganic, or even imitative and false. With all this in mind, onto what can the narrative meaningfully latch, form its roots, and grow? What could we truly hope for in terms of character development? I recognize acting skill in the cast, but what can their best efforts hope to achieve? Though not all of them fit together or are necessary, there are lots of great ideas in this feature. Horror, thriller, drama - ostensibly with a psychological edge. That's what the premise suggests; that's what 'One of us' could have been and tries to be. In writing and in execution, however, the result is at best uneven; it seems sometimes like the movie doesn't actually known what it wanted to be. The picture is far too blunt and unsubtle to earnestly play in the space that it wants to, and so becomes weak, common, or even overbearing. I appreciate the effort everyone put into this; I don't think the finished product is altogether bad. It's simply not everything that it should have been, and would have been if more mindful care were taken at large. I'd love to say that I like this more than I do, yet there's an emptiness where the best impact should be. There are far worse titles one could find themselves watching, yet unless you're a huge fan of someone involved, I also can't particularly imagine any specific reason to spend time with this one. Let's just say that 'One of us' is a disappointing "almost" and leave it at that.
How in world did this bland snooze fest get labeled as a horror movie? It's barely even a psychological thriller. I've seen Disney channel originals with more tension and better acting. By the time it was over I was past caring what happened. I kept thinking that any minute something exciting would happen, but I was sorely disappointed. I mean, if your grandma came over and you wanted something tame to watch, this could work. I have a feeling that all of the good reviews for this movie are from people who made it. Save yourself the time and watch a Lifetime movie, where at least they're aware that the movie they're making is ridiculous.
I am a big fan of hippie-commune-cult horror movies. Now, this one didn't quite move me as much as Midsommar did, but it was deliciously engaging. Who wouldn't want to join a cult led by that fine man, Brent? Damn, I know I'd be in. This movie was good.
This movie is bad on many levels The only positive reviews are people who reviewed only this movie with recently made accounts 😂😂 so obvious. Bad acting and bad script A so-called leader with the charisma of a washcloth. Women named Venus and Luna Female cast chosen for looking like * actresses Perhaps next time focus on choosing actors with talent rather than T+A or just make * The cult leader 🙄 people wouldn't accept a flyer for a pizza restaurant from him let alone change their name and give up their life Avoid
Now when i say "cult movie", i mean a literal cult movie, that is, a movie about cults. i found the depiction of the cult leader and his subjects to be very realistic and educational. i've had some experience deprogramming some of these type of people and let me tell you this movie gets the facts right. The leader does not come across as some raving lunatic, but rather as a friendly father figure or surrogate. Very well made movie with some great performances, particularly from the cult leader and the young women playing the cult members that have been indoctrinated.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.