Robert Connolly
dans le rôle de Director
English,Filipino,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Aéro Kids, starring Sam Worthington, Ed Oxenbould, Deborah Mailman, etc., directed by Robert Connolly, was released on January 15, 2015 in Australie. It tells the story of An imaginative children's film about a young Australian boy's passion for flight and his challenge to compete in the World Paper Plane Championships in Japan. This is a Drame, Famille film with a runtime of 96 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 4,994 viewers.
Robert Connolly
dans le rôle de Director
Sam Worthington
dans le rôle de Jack
Ed Oxenbould
dans le rôle de Dylan
Deborah Mailman
dans le rôle de Maureen
Ena Imai
dans le rôle de Kimi
Nicholas Bakopoulos-Cooke
dans le rôle de Jason
Julian Dennison
dans le rôle de Kevin
Terry Norris
dans le rôle de Grandpa
Peter Rowsthorn
dans le rôle de Mr. Hickenlooper
David Wenham
dans le rôle de Patrick
Alex Williams
dans le rôle de Jethro
Prea Cunningham
dans le rôle de Classmate
Talei Howell-Price
dans le rôle de Headmistress
Daniel Holliday
dans le rôle de Teacher
Caroline McKenzie
dans le rôle de Grandpa's Lady Friend
Sally Sander
dans le rôle de Grandpa's Lady Friend
Nicole Trunfio
dans le rôle de Cindy, Dylan's Mum
Paul Dawber
dans le rôle de America's Cup Commentator
Patt Hallahan
dans le rôle de Bus Driver
Robert Connolly
dans le rôle de Writer
Steve Worland
dans le rôle de Writer
James Norton
dans le rôle de Writer
Dylan Parker
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Ambitious or not that's a waste of money. Paper Planes is an easy to the point family, children and sports like movie. It has everything such as rival and love interest. The main idea of this movie was his family dealing with death while throwing a piece of paper. Its a good nugget of a film. I recommend this movie to family oriented people who likes a little paper movies.
Bon film !
Bon film !
Bon film !
source: Paper Planes
Just when you thought there were no new rite of passage stories to tell? Along comes 'Paper Planes'. This is a well made, textured tale which is deceptively simple in approach, but with much to say about grief, loss, peer pressure, ambition, ego and pride. Ostensibly this is a film about folding pieces of paper and making them fly far!!!! It is about so much more. Director and Co-writer Robert Connolly has made some serious movies in his career including Balibo, The Bank and as Producer of the award winning The Boys and Romulus my Father. This foray into filmmaking, looks on paper, pardon the pun, as a softer option, but at a closer inspection, there are as I've outlined some weightier themes. The film and its success do rest on 2 ingredients: 1 The terrific visual effects that allow both the paper planes and the films narrative to take flight. 2 The casting and performance of Ed Oxenbould in the leading role. With acting parents and an uncle who was a child star of film and television, 12 year old Ed has racked up 3 major film roles within a 12 month period - in two Hollywood features and this Australian production. Ed has such intelligence and sensitivity on screen, and yet he never appears inauthentic or tryhard; difficult when in virtually every scene and required to act off some pretty heavy hitting screen partners: Sam Worthington, Deb Mailman and veteran Terry Norris. In some scenes Ed seemed like a boy; in others as a young man, the timing of shooting is critical when filming a story about a rite of passage into manhood and especially when the narrative carries grief and loss as well in that mix. Big things are predicted for this young actor. There are some broadly sketched characters, and some (David Wenham's sport star and Dad to the movie's villain) are underwritten. Other reviewers have commented on Sam Worthington's moping father routine, but I thought he carried it pretty well; a point of difference to his usual strident and big character roles. At the end of the day, this is the young man's story as he finds an expression for his energies and for his own losses. It is that which lifts this movie above just being a family friendly film about aiming for the sky and hoping to win. It also points to the degree that society and our kids have lost touch with the simple things. The symbolism of paper planes for a bygone era resonated with this baby boomer. It is the astute writing and naturalistic performance by the lead, that elevate this into something more significant about growing up, the importance of loyalty and mateship and the mantra of never giving up. I'm really pleased this movie has found an audience and will long be remembered, even with all the paper folding.
Way too often I see Australian reviewers take it easy on mediocre Australian films because they want to see the Australian film industry succeed. How they think that does anyone any good is perplexing. It encourages mediocrity. It causes Aussie films that are actually good (like The Babadook) to be viewed with suspicion and distrust even when they get good reviews -- because if Paper Planes can get positive ratings for being Australian, so can pretty much anything. I'll start with the soundtrack. The only song which I imagine was originally written for the movie goes something like this: "The world is full of beauty / So boys and girls shake your booty" (the tune itself is even more devoid of appeal). And then there is what I think is THE most unthinkingly tasteless use of music in a film EVER when the lead boy's grandfather shows up with baked goods while "My milkshake brings all the boys to the yard" plays. WTF!?!?!?! I'm no prude. That might have worked in an Abrams and Zucker film, but here it is totally out of place. Considering how clueless much of the direction of the film is, I couldn't even bring myself to see it as some sort of deliberately perverse joke. Sort of like people who cluelessly play "Good Riddance (Time of Your Life)" at funerals, or "Every Breath You Take" at weddings. No, that wasn't creepy at all. So on to the plot: Sam Worthington is wasted as a man who just spends the entire film moping. He is such a useless weight you just want to slap him. And he's the film's sole source of emotional gravitas. Next, for suspense we have this unusual plot device: The lead boy goes from making the greatest paper airplane ever to instantly forgetting how to make one (I mean, he cannot make a plane that goes more than a few inches), etc -- whatever thecontrived plot needs at the moment. I will avoid getting into that in any more detail to avoid spoiling anything, but the film is so utterly clichéd and paint by numbers you barely have to watch any of the film to know how it will all go. "BUT", you might say. "It is made for KIDS. They haven't seen (The Wizard / Karate Kid remake / generic kid enters competition film)." And, of course, even in predictable films it is the journey itself that counts. Well, my daughters (almost 4 and 8) haven't seen any of those other films yet, either, and Paper Plans completely failed to hold their attention. Was it because it lacked animated characters? Or was it too mature? Hell, no. In contrast they have, e.g., watched "Bridge to Terabithia" with full attention from start to finish -- a film that actually deals with serious issues like love, loss, bullying, friendship, redemption, etc, effectively, without Sam Worthington moping around like a worthless bum for 5 out of every 10 minutes. Usually the girls comment about the movies we watch together. The only thing either brought up was when the 3 year old asked where the boy's mummy was. Paper Planes is, quite simply, barely watchable garbage. Which is a shame since Sam Worthington and David Wenham are great actors -- even this dog's breakfast of a script cannot hide that fact -- but nothing could possibly save this film.
I found this film to be enjoyable but again lacked polish as a lot of Australian Films tend to do. There is nothing Hollywood about this film. It skips through its plot just fine but it is a bit folksy and heavy handed. It has some nice themes which are quite uplifting. The film is a bit nothingness. Sam Worthington's performance lacks depth as usual and I find it interesting that he didn't even bother to turn up to his own Premiere of the film. Overall an "Ok" film with a nice story but have kind of seen it all before. Perhaps this would have been better released on DVD. With a theatrical release I kind of expected something more.
Dylan Weber is a young boy in the Australian outback. His phone is old. His father (Sam Worthington) is sleeping his days away haunted by the lost of his wife. His teacher is tired of the kids with their smart phones. He has them make paper planes and Dylan's first takes off. He has many failed trials until his father shows him the winning sailboat keels. He's inspired to do research and creates a superior plane. Jason Jones is his arrogant winning-obsessed rival with former golf champion dad. It takes him to Sydney first and then Tokyo for the championship. It's a fine uplifting family film. Considering the subject matter being kids making paper planes, the movie can't be much different than what it turns out to be. It is positive with people overcoming heartbreak. It is good people finding inspirations and bad people turning good. The villain sweeps the leg but in the end, learns a lesson. This is fine family fare.
Watching a typical "Afternoon Session" in "Afternoon Session", holidays, very cute and friendly, and there really are paper airplane competitions (sponsored by Red Bull, which "gives you wings"), although here it is merely a fiction, it's very captivating and attractive...
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.