Nick Gillespie
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Paul Dood's Deadly Lunch Break, starring Tom Meeten, Katherine Parkinson, Kris Marshall, etc., directed by Nick Gillespie, was released on March 17, 2021 in Royaume-Uni. It tells the story of Un employé d'un magasin caritatif malhonnête est déterminé à remporter le grand concours national de talents. Mais lorsque les actions de cinq personnes lui font manquer son audition, il se met en quête d'une vengeance mortelle. This is an Action, Comédie, Thriller film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 756 viewers.
Nick Gillespie
dans le rôle de Director
Tom Meeten
dans le rôle de Paul Dood
Katherine Parkinson
dans le rôle de Clemmie
Kris Marshall
dans le rôle de Bronson
Kevin Bishop
dans le rôle de Jack Tapp
Johnny Vegas
dans le rôle de Rex
Mandeep Dhillon
dans le rôle de PCSO Jane Miles
Craig Parkinson
dans le rôle de Officer Able
Pippa Haywood
dans le rôle de Jayney
Alice Lowe
dans le rôle de Kath
June Watson
dans le rôle de Julie Dood
Steve Oram
dans le rôle de Jim
Jarred Christmas
dans le rôle de Bruce
Lloyd Griffith
dans le rôle de Simon
Steve Brody
dans le rôle de Peter
Norma Cohen
dans le rôle de Lisa
Tina Gray
dans le rôle de Mary
Chris Willoughby
dans le rôle de Gary
Thomas Gray
dans le rôle de Trend Ladder Host
Matthew White
dans le rôle de Writer
Brook Driver
dans le rôle de Writer
Nick Gillespie
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Paul Dood's Deadly Lunch Break
Productions like this annoy me not just because they are terrible but also because of the money wasted making them. Not funny or entertaining. Just do yourself a favour and avoid. I have it 2 stars for the soundtrack which has some good 80s pop on it.
Not everyone has the courage to revenge. Ppl are horrible in life, which I agree no more in my job field, I think the echo bit of miserable encounter we faced in daily life and this movie put in a funny way is the key reason I love this.
Was a little hesitant after reading all the bad reviews but ignore them its a great watch. It's a little comedy mixed with gore,romance and has you feeling sympathy for the reluctant hero. Give it a go and you'll be pleasantly surprised.
When it starts you think it's going to be a fame hungry kid wanting his break on X factor. No ladies and gentlemen let's meet Paul Dood a forty something loser of the highest order, but his got a mother who loves him. Paul wants to be the top on social media. His live feeds gain about two followers if lucky, his an all singing all dancing nutter, but friendly enough with it. He works in a charity shop with a wanna be head doctor and an arrogant idiot. His late for his audition. He gets stopped by a train worker. A Japanese tea cafe. Couple of very ungodly vicars, then he gets told in no uncertain terms. His crap of the highest order, sadly mummy died during the audition. Now our anti-hero goes on a killing none killing spree after those that ruined his audition. First the train guy goes, then the tea guy, who has just killed his assistant. The priests get crushed by a steamroller, at this point you have to admire the imagination. Next back to kill his arrogant shop colleague holding and dancing with a grenade he gets to be the number one on social media. His shot with a tazer makes it famous and lives happily ever after. The end.
I nearly gave up on this film about half an hour in. As someone else describes it, it seems to be a goofy comedy that I thought was pretty lame. But it's only setting the scene for what is to happen when Paul decides to go on the rampage. The last hour of the film is excellent imo. I hadn't paid the comments, being posted on Paul's 'Trend Ladder feed' any attention at first, but when I did they turn out to be what makes this film (oh and the two old ladies too). It's a film I needed to watch again to see what I had missed first time around regarding the comments (this from a person who rarely can watch a film twice). And I enjoyed the film more second time around. There's some things that could have been improved. I think the Jack Tapp character could have been better. And the Bowie jokes are very naff. But the Trend Ladder thing is inspired and to me a comedy classic.
I love British comedies. This is British but not a comedy. I curled my toes throughout, thinking it would get better. It didn't. Don't waste your time.
With quite a good array of British comedy talent I expected more. This was just horrific in writing and performance. I can't believe the pittance it cost to finance was actually offered up by producers after reading the script.
Sky made the baffling decision to step away from daily premieres on their movie channels to focus on projects like this, sky films! Honestly it's been a collection of utterly horrific films that are an embarrassment, with how media is consumed I look forward to when sky eventually becomes obsolete. This film is rubbish, it has the same tired uk faces doing same kinda cheap acting and it's just bad. How they cast the lead is ridiculous, he is absolutely dreadful. Terrible actor, everything in this film is just bad. There's 95 minutes of boredom then it thankfully ends, but so much of the writing is beyond stupid, including "another one bites the dust isn't by Bowie" a fact 99% of people would know. So bad, it almost made me ring sky to get my movie package refunded. How these films keep getting made, guess it's the post pandemic desperation where they just need content.
This was a mix of everything, and it's the best I've seen in a while. This is the kind of movie that gives you a few bullies and doesn't try to give you a lesson in morals, but instead sates your wants, Karma! If you love people getting payback then this is your piece of cake!
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.