Sofia Coppola
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The biographie film Priscilla, starring Cailee Spaeny, Jacob Elordi, Ari Cohen, etc., directed by Sofia Coppola, was released on November 3, 2023 in Italie. It tells the story of Lorsque l'adolescente Priscilla a rencontré Elvis Presley, l'homme qui était une superstar météorique du rock-and-roll est devenu quelqu'un de tout à fait inattendu dans ses moments intimes: un béguin excitant, un allié dans la solitude. This is a Biographie, Drame, Musique film with a runtime of 113 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 52,613 viewers.
Sofia Coppola
dans le rôle de Director
Cailee Spaeny
dans le rôle de Priscilla
Jacob Elordi
dans le rôle de Elvis
Ari Cohen
dans le rôle de Captain Beaulieu
Dagmara Dominczyk
dans le rôle de Ann Beaulieu
Tim Post
dans le rôle de Vernon Presley
Lynne Griffin
dans le rôle de Grandma 'Dodger'
Dan Beirne
dans le rôle de Joe
Rodrigo Fernandez-Stoll
dans le rôle de Alan 'Hog Ears'
Dan Abramovici
dans le rôle de Jerry
Matthew Shaw
dans le rôle de Charlie
Tim Dowler-Coltman
dans le rôle de Red
R Austin Ball
dans le rôle de Larry
Olivia Barrett
dans le rôle de Alberta
Stephanie Moore
dans le rôle de Dee
Luke Humphrey
dans le rôle de Terry West
Deanna Jarvis
dans le rôle de Carol West
Jorja Cadence
dans le rôle de Patsy
Josette Halpert
dans le rôle de Becky
Priscilla Presley
dans le rôle de Writer
Sandra Harmon
dans le rôle de Writer
Sofia Coppola
dans le rôle de Writer
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Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Some super famous celebrities ruining their career over addiction and anger issues. 😟
She is just a teenager, when Elvis entered her life - as young as she was, she must have had hopes, fears and dreams. We learn nothing of those or what else is going on inside of her. She remains the empty piece of paper, the unwritten human being, the entire world assumed she must have been... Unforgivable from a woman's perspective. As other mentioned: the height-difference is off-putting since it's pushing the narrative towards an even bigger difference of power as it might have been in reality, almost scratching the topic of abuse. I'm sure the real Priscilla had dreams and ambitions and was not the flat and willingless object as she's portraited here.
Bon film !
I saw "Priscilla" yesterday. "Priscilla" is a 2023 American biographical drama film written, directed, and produced by Sofia Coppola, based on the 1985 memoir "Elvis and Me" by Priscilla Presley (who served as an executive producer) and Sandra Harmon. It stars Cailee Spaeny in the titular role and Jacob Elordi as Elvis Presley. I looked forward to seeing this film based on the rave reviews it has received. However, I must say that I was disappointed by the film. Some critics say that the movie was "understated" - that is an understatement! I found it to be tedious and slow. I just couldn't get invested in Cailee Spaeny's performance - it didn't grab me as authentic. She has limited range as actress - which seems to be all the way from A to B. Jacob Elordi is strikingly handsome (as Elvis was) but he doesn't seem right for the role - he is 6' 5" and Elvis was 5' 11"! More importantly, his performance is annoying, especially when he mumbles (of course, he could be a victim of Coppola's script and direction). Speaking of writing and direction, Coppola speeds through parts of Priscilla's life towards the end whereas she spends too much in the initial buildup to the marriage. Therefore, I cannot recommend this film. As Elvis sang - "return to sender". 4/10.
How can they make such an interesting story into such an uniteresting movie? Well, that's a good question. Some of the reasons as follows. No chemistry. No emotions. No sensuality or sex. Nothing interesting happens. No new insights. No real suspense, tension, happiness, joy or emotions. Just actors trying to act without any real feeling getting through to the viewer. And the actor that plays Elvis are to tall for the role. He doesn't come through as someone that millions of girls and guys would love. And what about the music? Just a collection of songs that have no relation to Elvis. Nope, this is just a bland and boring try to tell the Priscilla - Elvis story, without actually telling us more than a short written article could do as good, or bad.
Okay, so that abortion which was Baz Luhrman's Elvis flick didn't kill the king, it took his own wife to put the final nail on the idea that Elvis has not only left the building but they keep flogging him in the grave. The entire thing is one giant uncomfortable groomer flick. Yes, I paid to watch this movie so this site better let me vent on it. Yes, it was the late 50s and he WAS Elvis but the idea that a 14 year old could convince their parents that Elvis's intentions were noble is painful. This is obviously taken from the disgustingly unreliable narrator which is Priscilla herself. Made an executive producer so as to paint this entire budding relationship as wholesome. Was it to make excuses for him? Who knows. It's gross. But that is reality. I do not ever buy this Cailee Spaeny as Priscilla. She looks and sounds like Natalie Portman doing an impression of Priscilla. And Jacob Elordi doesn't embody Elvis in the least. He mumbles here and there. But there was a gravity to the way Elvis conducted himself that seemed to have a deeper presence. No one has captured this yet, and the rest are cheap Vegas imitators. Throw this one on the pile too. This movie glosses over the major moments of Elvis's life which should have notably effected Priscilla. Sure, the movie is named "Priscilla" but what was going on with her life as he was making flicks. If she wasn't watching over her poodle, she was reading articles of Elvis's movie trysts. It is a MASSIVE drag. She...has...no...life! His return to greatness in the early 70s should have held more heft. Instead, it's a quick scene of them watching it on television and getting phone calls (budgetary reasons, perhaps). Coming from someone whose entire life and personality came from Elvis, Priscilla seems to be ungrateful to someone who provided her with this level of stardom. Was it worth it? They do add strange moments of fury from him. Nothing of which I could see as threatening in the least. This is something director Sofia Coppola has a blindspot to. It's okay to show terrible people doing terrible things. And it's okay to show women as less than perfect. Having the real Priscilla be part of the production hogtied you into this sanitized Movie Of The Week dreck. They don't even make Elvis bloated. Are we to assume Priscilla never saw him as a degenerate drug addicted blimp of a man? That she continued to see him in a dreamy light? Give me a break. Sofia Coppola has lived off the name for so long, it's an insult to continue pretending she has the chops Dad or even brother Roman have. Her career predicated on casually selecting story lines no one cares about. I sat through "On The Rocks" and I was cheering for her only to be greatly disappointed there. But here we are with something much more terrible. I think what bothers me most about this is that there isn't anything real juicy that should have come from the real Priscilla's mouth. She chose, and most likely leveraged, Sofia to keep the true dirt to her grave. The timeline on this movie is so wild. And nothing really feels like there's a point. Horrible time wasted.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.