Isaac H. Eaton
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drame film Welcome to Redville, starring Jake Manley, Highdee Kuan, Sabrina Haskett, etc., directed by Isaac H. Eaton, was released on August 1, 2023 in États-Unis. It tells the story of Un jeune couple fuyant la loi après un vol raté se réfugie dans une petite ville désertique où détranges citadins et lattrait dun dernier braquage menacent leur relation et leur vie. This is a Drame film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.7/10 from 256 viewers.
Isaac H. Eaton
dans le rôle de Director
Jake Manley
dans le rôle de Leo
Highdee Kuan
dans le rôle de Toni
Sabrina Haskett
dans le rôle de Lila
Chris Elliott
dans le rôle de Sheriff Brooks
Chase Baker
dans le rôle de Walter
Dusty Sorg
dans le rôle de Riley: The Drunkard
Warren Sweeney
dans le rôle de Valentino
Nate Archuleta
dans le rôle de Camera Person
Lydia Bryant
dans le rôle de Reporter
Matt Cannon
dans le rôle de Kevin
Christopher Marshall
dans le rôle de Firebreather
Amanda Cohen
dans le rôle de Various
Martin Cohen
dans le rôle de Photo-reporter
Robert Craighead
dans le rôle de Frank
Ashley Doris
dans le rôle de Vicky
Kat Eaton
dans le rôle de Bartender
Mitch Field
dans le rôle de Jason
Isaac H. Eaton
dans le rôle de Writer
Daniel Devoto
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
Dished as an American road-movie type of crime-comedy, we get another story about a criminal couple acting in the dumbest possible ways, and the BS story turning out to be their delusions due to their death-throes. The end of denial! "After a diamond robbery, a couple of young adults is on the run from the police. They seemingly make it out of town, rushing through the desert in their car, when they reach a small town named Redville. People there are simple, and somehow weird or odd. Protagonist looking like the son of Leonardo diCaprio gone viking gets paranoid about it, while his girlfriend wants to play it safe. Still, to prove himself a complete moron, he gets into a bar, falls for the daughter of Margot Robbie style Blonde therein TWICE, after the first heist idea made her already betray him and his GF. Coincidence it is, that Blonde is also the daughter of the local Sheriff, so our super-pro diamond-robber on the run can make even more mistakes a real criminal would avoid. Closure cheap-shots it into the weird BS was the aneurism in the brain, as our protagonist couple in truth was dying in the car, which had not made the escape, but crashed in the desert. Redville vanishing, as it was just the delusion of a dying brain. Done." At 120% playback speed the movie was still lame, and it did not reach the quality older movies offered on the topic of robbers & getaways either. Still, the constant fame-phishing from more successful actors, actresses, and movies made it a bit funny, as I had Shutter Island, Suicide Squad, and my ideas about how to write that screenplay better. The movie MAY be 10 stars to spoof-fans, parody fans, low IQ people, very simple people, and medical-weed-overdose people. Alcohol alone does not seem to make it bearable, though. ;-)
I thoroughly enjoyed this film! It's a high octane thrill ride with plenty of unexpected twists and turns from start to finish. The storyline is unexpected and keeps you interested throughout. The cinematography is top notch! I thought the characters were interesting and the acting was well done from the leads to the increasingly eccentric townspeople. Chris Elliott is always great for some comic relief. The two leads, Jake Manley and Highdee Kuan and good chemistry and played well off each other. It was well directed as well. I would feel very comfortable recommending Welcome to Redville to friends and family. Enjoy the Ride!!!
"Welcome to Redville" tells the story of a young couple on the run, after a violent robbery, who end up in a small town. There are unexpected twists and turns that keep the plot moving forward in director Isaac H. Eaton indie movie. He puts a quirky spin on this dramatic thriller combining surprises, humor and a cast of eccentric characters. The lead, Jack Manley (The Order), has a strong star presence, and the quirky Chris Elliott (Grounding Day, Schitt's Creek.) plays Redville's small town sheriff. The seductive Sheriff's daughter Lila is played by the beautiful newcomer Sabrina Haskett. Eaton's movies always had a unique quality, associated with indie productions, and this new release from director Eaton is no different. One of his earlier movies Shadow Hours, starring Balthazar Getty and Peter Weller, premiered at the Sundance Film Festival and was a Grand Jury Selection Nominee in the dramatic category. As the WGA and SAG strikes still looms in Hollywood, we could and probably should be exposed to more unique nonmainstream productions. Welcome to indie movies, enjoy the ride....
source: Redville
Highdee Kuan and Jake Manley star in this robbery turned dadaesque odyssey into the town of Redville. The screenplay accomplishes an earnest, though brief, exploration of the tension between commitment and desire, while also delivering a sort of cabinet of curiosities provided by the quirky residents of Redville. Manley delivers a solid performance as an archetypal bad boy with a rough past, while the absurdity of the plot keeps this portrayal from being overbearing. Kuan portrays a more low-key and down-to-earth Bonny to Manley's Clyde, which functions well in the more rooted first act, though she is somewhat left behind by the rapid succession of events in the second. Overall, Welcome to Redville sets out to present the set piece of a weird small town propelling a story about a relationship entering a new phase of its growth. Director Isaac Eaton hits the mark in this campy film on a small budget.
This is one of the worst movies I've ever wasted my time watching. Because of the reviews, I stuck it out...for nothing. Why would IMBD allow these manipulative people to write these reviews? AND why was it given a 7.0? It's a 3 at best. One of those children's "scary" shows like Goosebumps could possibly use this but I would even doubt that. It's just not creative enough. After the first 5 minutes, you've figured the entire movie out. As unimaginable as you can possibly get. A high school first time writer could do better than this drool. There's no twist. There's no surprise. There's no story. There's no characters. There's no hero's. There's nothing to this film. Shame on all those who wrote positive reviews. You've wasted everyone's time. No one with an IQ above that of a monkey could enjoy this movie.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.