Zahlee Moore
dans le rôle de Valerie Windsor
English,Filipino,Français,Indonesian,Português,اَلْعَرَبِيَّةُ,اُردُو,中文
The drame film Risen, starring Zahlee Moore, Izzy Bridger, Lily Brown Griffiths, etc., directed by an unlisted director, was released on August 20, 2021 in Australie. It tells the story of Après l'explosion d'une météorite, une terrible contamination se produit dans une ville isolée en Alaska, ce qui provoque la mort de tous les êtres vivants dans les alentours. This is a Drame, Science-Fiction, Thriller film with a runtime of 109 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.6/10 from 3,655 viewers.
Zahlee Moore
dans le rôle de Valerie Windsor
Izzy Bridger
dans le rôle de Sarah Windsor
Lily Brown Griffiths
dans le rôle de Meryl Windsor
Dominic Stone
dans le rôle de Rob Windsor
Jay Kallaway
dans le rôle de Geoff Smith
Wayne McDanial
dans le rôle de Marcus
Michela Carattini
dans le rôle de Samantha Bransgrove
Nicole Schalmo
dans le rôle de Lauren Stone
Ken Welsh
dans le rôle de Jim Stone (Lauren's Dad)
Ashlee Cronin
dans le rôle de Young Lauren
Alex Gallant
dans le rôle de Sergeant Clayton
Natasha Thomas
dans le rôle de Sergeant Jones
Jack Campbell
dans le rôle de Colonel Emmerich
Kenneth Trujillo
dans le rôle de David Santiago
Waata Richards
dans le rôle de Mike Santiago
Nathan Mustafa
dans le rôle de Sam Santiago
Olga Olshansky
dans le rôle de Olga Petrov
Elena Kozlova
dans le rôle de Russian Translator
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
The slow dialogue is what kills the movie the most. Taking forever to answer a single question, so many flaws in the movie not a real life scenario. Dramatic pauses do work but can be overused, this movie is a great example of that. Full of incompetence, typical Australia crap.
The ideia/concept it's interesting. The cinematography it's very good. But the casting and acting are really bad. It's clichê after clichê after clichê. After 20 minutes you'll see what you'll get . And that's it. Unfortunately.
...less painful and infinitely more interesting hemorrhoids than this movie. They went away quicker, too, while this movie seemed to drag on forever.
This started on shaky ground with a moderately likable main character and then it just went south very quickly. I could spend a LOT of time telling you how many things that went wrong but I won't. Just know this...its one step from awful.
When all is said and done, RISEN is ultimately an invaders from space movie. It is not the best rendition of this genre that I've seen, but it's certainly a reasonably competent execution. Unlike the INDEPENDENCE DAY style of invasion consisting of overwhelming force, advanced technology and well armed alien invaders, RISEN is the "seeding" approach that starts small and vulnerable and grows to irresistibility before we earthlings figure out what's going on. At the time of this writing there appear to be a lot of negative reviews regarding RISEN. I would contend that RISEN is a "good" movie (whatever that means) that garners a lot of viewer negativity because the success of the aliens in taking over our planet primarily derives from the efforts of a human traitor inadvertently supported by a generally widespread incompetence on the part of those authorities that would nominally be tasked with protecting humankind from such things. There are undeniably some weak plot points in the picture and they tend to be a little infuriating because the alien's success significantly turns on these weak plot points which is intrinsically annoying to a viewer. The events of the movie are mostly about what turns out to be the third attempt at colonization by the aliens. The first one is caught and thwarted by the Americans, and the second attempt is caught and thwarted, although kept secret, by the Russians (employing their signature shocking violence). The third attempt, the subject of RISEN, largely succeeds because of the (somewhat) "unwitting" assistance of a traitorous woman who was "altered" and "programmed", somewhat by accident, during the course of the first failed attempt decades previously. During the course of the movie, we find out how much she has been aiding the invasion process literally all during the years of her life. As an example of a weak plot point, one of the things the female traitor does is feed the aliens information about the nature of our planet and its location. If you think about it, this doesn't make any sense. Firstly, she appears to be using a regular radiofrequency radio and not some super advanced communication device because other people can hear her doing it on their receivers. So why didn't we track her down at the time? The aliens must've been fairly close by or else how would they have received a radio signal in anything like a usable time frame; why would the aliens need information from her? Their first attempt had already been made on the planet BEFORE they infected her as a PART of that first attempt. This suggests they already know all about earth and its location. There are many more such easily recognizable plot holes. Enumerating them here would be more boring than I have already been. The traitorous woman character spends most of the movie giving vacuous stares in lieu of acting, slack-jawed and mouth hanging open. There is literally NOTHING engaging about her and, speaking for myself, I had an overwhelming desire to give her a good thumping with a crowbar through the entire picture even BEFORE her thoroughly traitorous nature was fully revealed. Add that to the fact that the aliens were only successful because this traitor was allowed to operate without oversight or review by any authorities, and a movie with otherwise good quality production values becomes a disappointment. RISEN is a worthwhile watch for science fiction fans but make sure you bring along your desktop stress-reliever toy with you because the movie will irritate.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.