Renato De Maria
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The action film Braquer Mussolini, starring Pietro Castellitto, Matilda De Angelis, Tommaso Ragno, etc., directed by Renato De Maria, was released on October 26, 2022 in Italie. It tells the story of À la fin de la Seconde Guerre mondiale, un groupe de résistants organise le casse du siècle : voler le trésor de Mussolini au siège du régime fasciste à Milan. This is an Action, Comédie, Crime film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 2,965 viewers.
Renato De Maria
dans le rôle de Director
Pietro Castellitto
dans le rôle de Isola
Matilda De Angelis
dans le rôle de Yvonne
Tommaso Ragno
dans le rôle de Marcello Davoli
Isabella Ferrari
dans le rôle de Nora Cavalieri
Alberto Astorri
dans le rôle de Molotov
Maccio Capatonda
dans le rôle de Giovanni Fabbri
Luigi Fedele
dans le rôle de Amedeo
Rebecca Coco Edogamhe
dans le rôle de Hessa
Maurizio Lombardi
dans le rôle de Camillo Serbelloni
Lorenzo de Moor
dans le rôle de Achab
Luca Lo Destro
dans le rôle de Maghreb
Filippo Timi
dans le rôle de Achille Borsalino
Giorgio Antonini
dans le rôle de Leonida
Enrico Bergamasco
dans le rôle de Tenente hangar
Matteo Bergamo
dans le rôle de Comandante fabbrica
Giovanni James Bertoia
dans le rôle de Militare capoguardia
Lorenzo Bianchini
dans le rôle de Guardia esecuzione
Claudio Castana
dans le rôle de Nobile meneghino
Renato De Maria
dans le rôle de Writer
Federico Gnesini
dans le rôle de Writer
Valentina Strada
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
A scoundrel story following good neo-noir fashion with leading ladies Isabella Ferrari in black as the falling regime, and Matilda de Angelis in red as the new era, symbolizing the transition of power in 1945 Italy. The Italian ragtag protagonists, as it were, promote themselves from petty black market affairs to try to get rich quick by grabbing no less than a truckload of Mussolini's gold. Go big or go home, as they say. The evil Nazis and Fascists in their fancy uniforms are stereotypically mostly represented in a rather unpleasant light lacking only horns, so not much guesswork is required in deciding which party to root for. Not much in the way of blood and gore, just a few gunfights and one car chase, but a fair story to while away an hour and a half. The opening and closing credits are played together with anachronistic "Paint it Black" (Tutto Nero in Italian, translates as Everything Black) which kind of makes sense in the end remembering the Fascists' black shirts. In the way of gore, there are more plentiful war films than this with a Netflix TV-MA rating. Anyways, a modern dissolution of Italy's fascist past not sinking to the level of preaching.
Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
The quality of the cinematics is good and the historical details too. The faces all match the characters and the acting is good - all but for Castellitto Jr who is kind of unwatchable so bad he is this spoiled brat! The best character who made the movie interesting is Maccio's. The best acting is that of the fascist general, who is a new face for me in Italian cinema, but very interesting. The song arrangements were also good and, let's say, 'innovative classics'! A bit predictable development and ending, but still better than the usual action hollywood movies of the past 15 years. I feel that there are excess of Nazi based movies in the history of cinema and too few Fascist based movies because of one big reason: with the Nazis, hollywood can show Americans fighting evil, but with Fascist they would have to acknowledge the big role of Socialist freedom fighters! Usual obscurantist hypocrisy.
Sometimes a movie leaves you with some thoughts to think about, the other times it leaves you with nothing, as if you've never watched a movie at all. Rapiniamo il Duce is sadly closer to the latter but not without its buts too. Ever since I started learning Italian, their movies were mostly misses for me; it's an expressive language and for the most part I just couldn't grab what the characters are saying - and I was just reading the subtitles! - but this one was different. Maybe because it was produced for Netflix but I just didn't feel like it was really made for Italians and that's on the negative side actually. The whole movie seems like an American remake but with an all-Italian cast and that dissonance is palpable starting the first minutes. On the positive side though Rapiniamo il Duce is a stylish, fast-paced heist drama with fantastic inclusions of animated segments and 1940s appropriate soundtrack but it lacks consistency and the setting (last days of WWII) is only there to bring a feeling of urgency into narrative, not to be a leading vehicle for it. Main characters are no names that we know little to nothing about and therefore are not capable to empathize with anyone - the story plays out so fast it hasn't got time to draw backstories longer than a sentence or a five second clip and that rush is all over the place. The jokes would've been a well-fitting addition and probably the life saver for the movie but they don't exist here as well. All in all this is a well-crafted movie that looks marvelous on paper, as a comic book adaptation but as a standalone feature it is as lifeless as its main characters.
Don't take this so seriously and don't expect too much. The actors delivered a very good performance. The substance of the story lacks and some cheesy holes let's questions open. The spoken language is cool and the music remembers at times the war movies of the sixties. I don't think this movie is based on true events. The way they attacked the head quarter was really too easy to get in. The costumes and sceneries were well created. Nice landscapes at the end and who knows if there wil ever be a sequel. Finally I spent anyway an entertaining time cause I have for the moment really not more options to see on Netflix. 5/10.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.