Anthony Arkin
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The science-fiction film Sender, starring Susannah Hoffman, Amelia Campbell, Joe Urla, etc., directed by Anthony Arkin, was released on February 11, 2020 in États-Unis. It tells the story of A gifted young woman with psychic abilities is pursued by a violent organization after appearing mysteriously on a remote island, unveiling classified psychic research operations. This is a Science-Fiction film with a runtime of 110 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.8/10 from 112 viewers.
Anthony Arkin
dans le rôle de Director
Susannah Hoffman
dans le rôle de Marin
Amelia Campbell
dans le rôle de Dr. Aymes
Joe Urla
dans le rôle de Dr. Gomes
Mickey Solis
dans le rôle de Operative 1
Chuck Montgomery
dans le rôle de Tobin Wills
Anthony Arkin
dans le rôle de Peter Shedenko
Andre Ware
dans le rôle de Mr. Henshaw
Jim Conroy
dans le rôle de Virgil Haraday
Jacob A. Ware
dans le rôle de Operative 2
Matty Blake
dans le rôle de Matheson
Michael S. King
dans le rôle de Receiver
Sophia Blum
dans le rôle de Claudia
Robert Reames
dans le rôle de Dan Diaz
Luigi DiGangi
dans le rôle de Steiner
Adrienne Penebre
dans le rôle de Doris
Kate Delacruz
dans le rôle de Telemetry Agent 2
J. Tucker Smith
dans le rôle de Fixer
Annie Piper White
dans le rôle de Young Marin
Anthony Arkin
dans le rôle de Writer
Michael S. King
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
source: Sender
It was far too esoteric with very little explanation as to what was going on. This was some serious borderline psychodrama and it made very little sense. It had no satisfying ending one way or the other. You didn't know who the good guys or the bad guys wear or who any of the guys were for that matter. I was rooting for a zombie apocalypse to finish the whole gang off and end the nightmare that this particular movie seem to be. Most uncool.
And Jim Conroy's character. The rest of the movie was kind of confusing. It seemed like even the "good guys" were psychos, so maybe there weren't any good guys.
I noticed that this film received a lot of negative reviews -- largely due to the material being difficult for general audiences to understand. However, for those familiar with the source material that this film draws from, it's a fascinating watch. There's no question that this movie deals with some pretty dark topics. The cinematography is good and the sound track is even better. The actors do a good job and are compelling. I'd read about much of what this film is talking about, but to actually see parts of it depicted on screen is pretty disturbing. For those wanting some background on what's happening in this film here's a bit of useful information: Since just after World War II, a number of governments started looking into ways of improving their ability to spy on each other (as well as carry out assassinations). To this end, they researched things like hypnosis, the unconscious mind, and brainwashing. Some of the researchers were a bit more optimistic and looked at this as a chance to push human evolution forward -- to improve the mind and perhaps make a better world. LSD and other mind-expanding drugs were used. However, those wanting to 'program' people added in things like hypnotic suggestion (both auditory and visual) along with triggers (think Manchurian Candidate). Anyway, the crappy thing is, this film is based on reality. If you want to know more about it, try searching the web for more information on these topics. It's not pretty, but it is a part of our history. The more positive components of this research are available as part of the Freedom of Information act under the topic of The Gateway Process. One thing that shocked me as much as others who have reviewed this film is how it portrayed the supposed 'good guys' as being as bad or worse than the 'bad guys'. It seems that both sides were willing to carry out terrible actions in order to get what they wanted. I should also mention that the scenes in which the same person was displaying multiple personalities was a byproduct of the brainwashing process. In order to get a subject to do something they wouldn't normally do, a technique was used of splitting their personality into independent personalities that were unaware of one-another. Then one or more of those alternate personalities would be instructed to carry out a task (like assassination). For more information on that topic, search MK Ultra.
source: Sender
And Jim Conroy's character. The rest of the movie was kind of confusing. It seemed like even the "good guys" were psychos, so maybe there weren't any good guys.
It was far too esoteric with very little explanation as to what was going on. This was some serious borderline psychodrama and it made very little sense. It had no satisfying ending one way or the other. You didn't know who the good guys or the bad guys wear or who any of the guys were for that matter. I was rooting for a zombie apocalypse to finish the whole gang off and end the nightmare that this particular movie seem to be. Most uncool.
I noticed that this film received a lot of negative reviews -- largely due to the material being difficult for general audiences to understand. However, for those familiar with the source material that this film draws from, it's a fascinating watch. There's no question that this movie deals with some pretty dark topics. The cinematography is good and the sound track is even better. The actors do a good job and are compelling. I'd read about much of what this film is talking about, but to actually see parts of it depicted on screen is pretty disturbing. For those wanting some background on what's happening in this film here's a bit of useful information: Since just after World War II, a number of governments started looking into ways of improving their ability to spy on each other (as well as carry out assassinations). To this end, they researched things like hypnosis, the unconscious mind, and brainwashing. Some of the researchers were a bit more optimistic and looked at this as a chance to push human evolution forward -- to improve the mind and perhaps make a better world. LSD and other mind-expanding drugs were used. However, those wanting to 'program' people added in things like hypnotic suggestion (both auditory and visual) along with triggers (think Manchurian Candidate). Anyway, the crappy thing is, this film is based on reality. If you want to know more about it, try searching the web for more information on these topics. It's not pretty, but it is a part of our history. The more positive components of this research are available as part of the Freedom of Information act under the topic of The Gateway Process. One thing that shocked me as much as others who have reviewed this film is how it portrayed the supposed 'good guys' as being as bad or worse than the 'bad guys'. It seems that both sides were willing to carry out terrible actions in order to get what they wanted. I should also mention that the scenes in which the same person was displaying multiple personalities was a byproduct of the brainwashing process. In order to get a subject to do something they wouldn't normally do, a technique was used of splitting their personality into independent personalities that were unaware of one-another. Then one or more of those alternate personalities would be instructed to carry out a task (like assassination). For more information on that topic, search MK Ultra.
Sender
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.