Claudio Fäh
dans le rôle de Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The action film Sniper: Ultimate Kill, starring Chad Michael Collins, Danay Garcia, Billy Zane, etc., directed by Claudio Fäh, was released on October 3, 2017 in États-Unis. It tells the story of For the first time, Brandon Beckett, Richard Miller and Sgt. Thomas Beckett join forces in Colombia to take down a brutal drug cartel. This is an Action, Drame, Thriller film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 7,850 viewers.
Claudio Fäh
dans le rôle de Director
Chad Michael Collins
dans le rôle de Brandon Beckett
Danay Garcia
dans le rôle de Kate Estrada
Billy Zane
dans le rôle de Richard Miller
Tom Berenger
dans le rôle de Thomas Beckett
Joe Lando
dans le rôle de John Samson
Pedro José Pallares
dans le rôle de Santiago Calderón
Jaime Correa
dans le rôle de Father Carlos
Lucho Velasco
dans le rôle de Captain Garza
Felipe Calero
dans le rôle de El Diablo
Felipe Calero
dans le rôle de Enrique
Juan Pablo Gamboa
dans le rôle de Patrick Walsh
Juan Sebastián Calero
dans le rôle de Jesús Morales
Diana Hoyos
dans le rôle de Marla Ramos
Fausto Garrido
dans le rôle de Diego Paolo
Aldemar Correa
dans le rôle de Rick Benitez
Conrado Osorio
dans le rôle de Thomas Worthington
Álvaro Sabogal
dans le rôle de Johnny Morillo
Ricardo Fonseca
dans le rôle de Jorge Maroquin
Victor García
dans le rôle de Manolo Kamper
Michael Frost Beckner
dans le rôle de Writer
Crash Leyland
dans le rôle de Writer
Chris Hauty
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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kill
This is not an enjoyable movie to see. The writers are amateurs like they just finished from high school or something. It supposed to be an action movie but there was little or no action. Very predictable and bad acting. A complete waste of time unless you're looking for something to pass time.
Our longtime friend Thomas Beckett (Berenger, of course) is now working for the DEA in Colombia. He's down there because a drug lord named Jesus Morales (Juan Calero) is causing all sorts of havoc and mayhem by employing a sniper named El Diablo (Felipe Calero) to eliminate his enemies using the latest in high tech sniping technology. Beckett's son Brandon (Collins), who is also an expert sniper (as you may remember if you've seen the latest spate of Sniper films) also travels to Colombia to try and take down Jesus Morales and El Diablo. Working with local agent Kate Estrada (Garcia) as well as John Samson (Lando), and, of course, Miller (Zane), will the power of everyone involved be enough to stop the sniper-on-sniper violence? Here's a question: why are there SEVEN Sniper movies to date? No, really. We demand answers. I want someone to explain to me why these stories need to be told over and over again. That, really is the main problem with this, the latest installment in the Sniper saga. It's not a bad movie. It's really not. It's competently made, and delivers pretty much what you'd expect of a DTV Sniper movie from 2017. But that's just it - I think it's fair to say that this series has overstayed its welcome at this point, and even the movie at its best can't overcome that. While it was nice to see both Berenger and Zane back together, they mostly stayed in an office capacity while young sniper Brandon got in on the action. Not to tempt any filmmakers out there who may be considering a Sniper 8, but we had an idea for what this movie should've been. The evil sniper puts Brandon in the hospital, so Berenger and Zane have to go back into the field even though they're getting on in years, to put their combined skills together to get revenge and show they're still the ultimate snipers. Well, the offer is on the table. Get in touch if you're interested. While Brandon is called "the best", and he still calls his own father "Master Guns", the problem is that Chad Michael Collins is still bland and faceless. You don't know what he looks like even when you're looking right at him. That aside, we do get some "bullet time" for a new generation, and there is a good amount of violence and nudity - probably because the filmmakers have to compete with big-budget Hollywood product like Shooter (2007) and Sicario (2015). Sometimes it tries to be overly slick, but not as bad as some other DTV outings we've seen. We assume there has to be an audience for this, otherwise they wouldn't keep making them. We applaud fan favorites Berenger and Zane for still even wanting to be involved. While, as we said, the movie itself isn't bad, we can't really recommend it unless you're a die-hard Sniper fan. We suspect there's only so much sniping a human being can reasonably stand.
The SNIPER movies have gone up and down as far as quality goes. The original film released in 1993 was a solid piece that offered more depth of story involving a professional sniper matched with an office type sent out to take down a rebel leader in Panama. The action was there but the interplay between the characters lifted this out of direct to DVD status. Subsequent films haven't matched the first one but this one comes close. Jesus Morales, a Colombian drug lord, is employing a professional sniper known as El Diablo to take out his competition. In doing so he will then control not just the drug trade but all smuggling operations coming out of South America. The DEA is concerned about his efforts and feels that the best thing to do is take him down before he can achieve his goal. The problem is he moves from location to location, never in the same place twice in as many days. And once they do find him they need to not only take him down but make sure that El Diablo doesn't take them out at the same time. To aid in this mission Washington liaison Richard Miller (Billy Zane recreating his role from the first film) recruits Brandon Beckett (Chad Michael Collins), perhaps the best sniper the U.S. has. Arriving in Colombia Brandon is whisked off to the task force's headquarters where he learns the man on the ground running things is Thomas Beckett (Tom Berenger also recreating his role from the first film), his father. The two are glad to see one another and the plan is explained led by DEA agent Kate Estrada (Danay Garcia). Word has reached the task force of Morales possible location and they launch a team to take him prisoner on a remote farm. The problem is that the location was a trap to take out the task force as the building there blows sky high. This is followed by the efforts of El Diablo to take out the rest of the team from a distant sniper location. Only the skills of Brandon on hand with the team saves those few who remain unscathed. Reviewing the remains of the attack the team discovers that El Diablo is using new technology, a smart bullet that tracks its intended victim. Another attack on the team leaves them realizing that there is a mole in their midst providing information to Morales. Unwilling to sit back and wait to be taken out, Brandon and Kate take to hiding on their own and looking for information. No longer completely plugged in to the system their odds of survival increase. If only El Diablo can be neutralized and Morales taken down. The movie is a solid B-film when it comes to major releases and yet it doesn't come off that way in execution. The acting is better than most films released this way to begin with. The story seems more plausible than most and holds your interest from start to finish. Seeing Berenger and Zane together again is also an added plus to this one. As to why the film had bad timing it was released far too close to the sniper shootings in Las Vegas. Odds are good that most people weren't interested in watching a movie about such a tender subject at the time. I know it pushed my review back a few weeks due to a sense of respect for those victims. The amount of gore in the film from the killings of El Diablo also helped with that decision. But if you've enjoyed the other films in the series you'll enjoy this one as well. It offers plenty of action combined with story and above par acting that will keep you watching till the end credits roll. While watching I kept thinking that the way the story is told reminded me of more than one Jack Reacher or Mitch Rapp book that I've read in the past. Consider that a plus for this outing.
Total waste of time. Just like that. Shallow acting, terrible photography with, childish dialogs and story. I mean come on, how many of these stupid must we see? Respect the audience and stop producing such bad movies.
LOVE this movie! This movie employed so many high school students and newbies! Screenplay was by the third guy from the left in Binghampton University's Screenwriting 101 class; visual effects from Miss Percey's Kindergarten Class of 2017, and military tactics was by the third cousin of the (in)famous Mall Ninja. (Google it.) This movie not only employed hundreds of amateur writers, actors and crew, it was an boon to the airsoft gun industry and cheap Chinese radio dealers in South America. Female casting was obviously done by Harvey Weinstein, as every female in the entire movie was either a pushy b**** or a large-breasted *. It was also nice to see that the traditionally disadvantaged film workers like the blind could get a job in continuity and editing. Certainly, last time I attended USMC scout/sniper school, rule #1 was, as soon as the lens caps come off, randomly twirl the dials on your scope. Everyone knows a sniper can't hit anything until he/she randomly twirls a few dials. Yes, I'm being sarcastic. I can tolerate radio earpieces in upside down and highly-trained military and DEA agents with their stupid fingers in the trigger guards (that should NEVER happen) because ... well, it's a movie. But when the "BEST sniper in the United States Marine Corp" has his flashlight mounted on the TOP rail of his (fake) M4 carbine - effectively blocking his view of the sights - I turned it off. Dumb. Boring. Insulting to an audience who wants at least SOME semblance of reality. Just to illustrate how bad this movie is, even Billy Zane was so embarrassed to do this movie that he appeared only in brief cameos. And this is Billy Zane. The case rests.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.