Luke Armstrong
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Solitary, starring Johnny Sachon, Lottie Tolhurst, Michael Condron, etc., directed by Luke Armstrong, was released on August 31, 2020 in Royaume-Uni. It tells the story of Une histoire de science-fiction sur un homme qui se réveille dans une pièce et decouvre qu'il est un prisonnier envoyé dans l'espace pour former la première colonie de la Terre avec une compagne de cellule déterminée à tout détruire. This is a Drame, Science-Fiction, Thriller film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.5/10 from 1,922 viewers.
Luke Armstrong
dans le rôle de Director
Johnny Sachon
dans le rôle de Issac Havelock
Lottie Tolhurst
dans le rôle de Alana Skill
Michael Condron
dans le rôle de Ken Bradley
Brian Bovell
dans le rôle de Harry
Ben Valentine
dans le rôle de Pundit Chris
Michael Absalom
dans le rôle de Reporter
Mohammad Amighi
dans le rôle de Hosseinali
Morteza Ataei
dans le rôle de Reza
Ashley Austin
dans le rôle de Officer
Elliot Balchin
dans le rôle de Leather Jacket
Liam Ballantyne
dans le rôle de Drug addict
Raymond Bethley
dans le rôle de Richard Adams
James Boswell
dans le rôle de Capsule Guard
Lydia Cherry
dans le rôle de Clara
Henry Collie
dans le rôle de Drug Addict
Andrew Mike Doyle
dans le rôle de Robert Themis
Holly Georgia
dans le rôle de Lucy James (KNL Researcher)
Ghafoor Ghatali
dans le rôle de Samad
Luke Armstrong
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
Bon film !
Just a really poor film. It goes nowhere and does nothing with wooden acting and weak dialogue
I found it a thought provoking and cerebral commentary on social justice and societal acceptance of unusual methods of incarceration, as well as the in-depth thought process of those incarcerated. Add a (slight) mystery of how they got to where they are, and this movie was well worth watching. The acting was adequate by the main characters. For those who haven't the depth of mind to grasp subtlety and introspection, while encompassed in a sci-fi back drop, I suppose it would be "boring"
The visuals are the particularly outstanding part of this film, especially given it's a low budget film and completed during lockdown. It's a really interesting story idea and something I feel seems a genuine idea of something for our future, with some twists in the story as well. Solid leads playing against a beautiful galactic backdrop, and an outstanding score which really adds to the atmosphere.
After quarrels with the US over Suez, Britain played no manned role in the Space Race, making the first Briton in Space a female Cosmonaut. So, no coffee-capsule George Clooney and Sandra Bullock - but two unknown British actors, playing 2040's Space Convicts in their own scaled-down version of Gravity. Accepting the narrowed parameters, including the "need" for females with no physique to demonstrate exceptional strength (Oh no - not again!) this flick was not too bad. It fostered, suspense, concern about the fate of the 2 crew and disgust at the double-dealing of those back on Earth. Were it a school production it'd merit applause.
As others have stated, aside from the visual effects, this movie is total crap, so, the rating I gave it is very generous. What's 'is name is barely adequate as the confused dork, but the female lead wasn't believable as a woman in the slightest because she can't act and she's typical Brit chick fug. Unfortunate. Just keep looking for something good to watch on movie night because you ain't gonna find it here. This gobbledygook will only anger your significant other and provide them with the grounds to begin divorce proceedings they've been looking for.
I watched it to the end with interest. There have been many others I have turned off after 3 mins. Main actors were pretty good, some of the voice acting sounded like 'the guy that calls you with information' on a video game. Good effects, some of the plot twists were predictable.
British filmmaker Luke Armstrong is a visual effects pro, and it shows in this film. This is his first full length feature film, with about 12 short films as director and writer, his last being a short film with the same name. I haven't seen it, but he should've stopped there, and left this story as a short. The 89 min runtime felt like +3 hours with the snail pacing and long dragged out and some unnecessary scenes. There were tons of plot and technical issues, and the dialogue was atrocious. I get this was a low budget b-grade film, and considering the small cheap sets, it showed really well. But more effort was needed in the dialogue department in the writing and the voices. What was the point of the "main switchboard" lady? She may as well have said "please hold" - at least that would've been funny. And the voice and dialogue from the "we're working on it" intercom dude was ridiculously infantile. I mean, it wouldn't have taken much effort to make him sound and talk more authentic. Then we have the bad acting of the two leads. Although not amateurs, they were terrible and unconvincing. I'm sure for the most part it was the fault of the director failing to direct his cast properly. And having Alana easily subdue Issac, a military soldier, was a joke - even more so when everything was "back to normal ok" after doing so. The only other redeeming quality was the score, that was decent and fitting, especially for a b-grade film. That, plus the visuals, is why I'm giving this so-called sci-fi-in-a-box my generous 5/10.
It's boring but seems to be setting up some limitations of being on the craft as being the big payoff. And when this seems to be coming the film ends. A complete waste of time. You only get 10 calls - this could have been used brilliantly, what a waste.
Thought it was alright, cool vfx. Some pretty impressive shots in there
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.