Kayode Kasum
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Soólè, starring Adunni Ade, Lateef Adedimeji, Mike Afolarin, etc., directed by Kayode Kasum, was released on November 26, 2021 in Nigeria. It tells the story of A group of travellers on a bus journey home for Christmas find themselves entangled in a cat-and-mouse game with dangerous criminals. This is a Comédie, Thriller film with a runtime of 116 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 71 viewers.
Kayode Kasum
dans le rôle de Director
Adunni Ade
dans le rôle de Sister Veronica
Lateef Adedimeji
dans le rôle de Julius
Mike Afolarin
dans le rôle de Maxwell
Anda Ajakaiye
dans le rôle de Young Ifebuchi
Busola Akeeb
dans le rôle de Nneka
Teniola Aladese
dans le rôle de Clara
Azuma Chidera
dans le rôle de Armed Bandit 2
Eso Dike
dans le rôle de Innocent
Soibifaa Dokubo
dans le rôle de Yinusa
Shawn Faqua
dans le rôle de Driver
Tracey George
dans le rôle de Bag Woman
Deola Gimbiya
dans le rôle de Sister Agnes
Ikponmwosa Gold
dans le rôle de Pastor Oko
Femi Jacobs
dans le rôle de Ifebuchi
Joshua Johnson
dans le rôle de Ezemo
Chukwu Martin
dans le rôle de Passenger on the Road
Efe Momodu
dans le rôle de Armed Bandit 1
Joy Okuwa
dans le rôle de Baby Factory Girl
Stephen Okonkwo
dans le rôle de Writer
Kayode Kasum
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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T'was perfect for me
Loveeeee itttt
Bon film !
As this film opens Sister Veronica, a Catholic nun, is preparing to catch the titular 'Soólè', or 'cheap bus' from Lagos to Enugu, where she works at an orphanage. As she haggles for a cheaper ticket another woman is arranging to have a case transported on the same bus, claiming somebody will collect it at the other end. As the journey gets underway we are introduced to various other passengers. These include a priest who is keen to get more money; the vivacious Justina, who the priest is sure is a sinner; and a variety of other characters; not all of whom are quite what they appear to be. After a few minor incidents the bus is held up by a group of armed robbers; they appear to be after a particular bag but take the wrong one. Events lead to the passengers realising this and checking the 'right' bag... its contents lead to arguments about what to do and a realisation that the danger is far from over. This was my introduction to 'Nollywood' films so I really had no idea what to expect. Early scenes suggested a character driven drama without too much real action but as things progressed it became clear that later on there would be a fair amount of action. This was fairly exciting even if not as intense or slick as one might expect from a modern Hollywood film and certainly nothing like the action films coming out of the Far East. This wasn't a problem though as it was fun to watch and provided some surprises. There was a good amount of comedy material; this was amusing without feeling forced; I particularly liked the bus driver and the armed robbers' reaction when they opened the 'wrong' bag. The cast was pretty solid; especially those playing the key characters. On Netflix it is listed as being in English; while much of what is said is in easy to understand English a fair amount is in subtitled Yoruba. Overall I'd certainly recommend this to those who like action/comedies. On the strength of this I hope to check out more Nigerian films.
The story being so relatable to many African who ever traveled by bus and specifically in Nigeria,this deserve an applause. Few things were left not in perfect condition as some VFX not well performed but the line following the story was catchy to an African viewer which is the most important part of success of a movie. The fact that the story didn't rely on simple witchcraft but tried going extra mixing witchcraft with modern actions was good. The blend also of peace in many religions,social life was so good. My favorite was also how the writer used a lot of references in the story,where I thought someone was dead but something they did in past saved them again ,killing also some stereotypes in African community made me realize Africa and Nigeria specifically is having writers who know how to adapt story structure to Sub-Saharan African community. Though other visual mistakes are so visible at first sight as inconsistent drone shots,unmatched colors in shots,or some B rolls not bearing enough information or some actors over doing and more worse some Visual effect not realistic, for a country as Nigeria i have to say this is a good go especially because of the story. It's time we focus more on better stories, good thing is that it's not an inspired by real life event which is usually the savior of weak writers. The idea of creating your own story and still catching viewers is so fantastic and that's my reason to congratulate this team.
Soole was much anticipated due to the hysterical trailer and characters on the bus, but the weak production and graphic details sadly discouraged us from completely enjoying this movie Delicious -The different characters on this bus really enriched the narrative; they all had their own mischievous, mysterious, and loud personalities -Pastor Oko (Ikponmwosa Gold) was our man 😁 He was so money-oriented and didn't hesitate to contradict himself with the Word of God. And that prayer!!! Justina (Meg Otanwa) also stole the show for us. Anyone watching Soole will remember her -Definitely what we got from Soole was 'don't judge a book by its cover' Bland -The production was very regrettable because it could have taken Soole to different dimensions. The uncontrolled lighting during the daytime scenes was highly noticeable, the cinematographer didn't guide the camera with purpose, and sound engineering was poor -The comedy aspect appeared quite forced and overdone by the actors. There were a lot of tantrums during the bus ride that kept on lagging and lagging with no hilarious lines -The level of perversion demonstrated in the film was very uncalled for. Pure comedy can be achieved without being sexual.
It's 2022 and Nollywood lovers expect better production. The humour is forced, poor sound effects, visual effects is unrealistic for the shooting scenes not to mention the poor script used. More could have been done. You rarely see situations where luxurious bus are used for 'soole ' in Nigeria, considering the cost for moving such vehicle. Not to make mention of sending over a million dollars via a vehicle which cannot be traced in case things go south. Then, there's the northerner who pulls a bow and arrow out of nowhere... C'mon that's poor scripting. The actors did play their role well, but the casting was poor.
I don't get why people are rating this so low and why people are saying its unrealistic.... Duh!! It's a dark comedy. Nice to see a Nollywood movie that's somewhat different and genuinely has some funny characters and hilarious dialogue. Nollywood isn't on the level of Hollywood so I don't expect that quality in production. I like that the producers /director weren't trying to be westernised but instead gave nods to some of the old school Nollywood themes - armed robbers, occultism, fake pastors, loud raucous arguments and people getting killed. Hahaha. Guilty pleasures! I was wondering where the film was going and the last segment seemed a bit off beat from the first three quarters of the film.
Bon film !
source: Soólè
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.