Terry Miles
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film Stagecoach: The Texas Jack Story, starring Trace Adkins, Kim Coates, Judd Nelson, etc., directed by Terry Miles, was released on November 4, 2016 in Canada. It tells the story of A former stagecoach robber is hunted by a vengeful US Marshal. This is a Drame, Western film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.4/10 from 977 viewers.
Terry Miles
dans le rôle de Director
Trace Adkins
dans le rôle de Nathaniel Reed
Kim Coates
dans le rôle de Calhoun
Judd Nelson
dans le rôle de Sid
Michelle Harrison
dans le rôle de Laura Lee Reed
Helena Marie
dans le rôle de Bonnie Mudd
Claude Duhamel
dans le rôle de Frank Bell
John Emmet Tracy
dans le rôle de Hank Holliday
Garry Chalk
dans le rôle de Doc Forrester
Greg Rogers
dans le rôle de Judge York Foley
Artine Tony Browne
dans le rôle de US Marshal Adams
Philip Granger
dans le rôle de Weathersby
Ethan Harrison
dans le rôle de Nathanial Reed Jr.
Adam Lolacher
dans le rôle de Clint Harrison
Dan Benamor
dans le rôle de Writer
Joseph Nasser
dans le rôle de Writer
Matt Williams
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Masked men led by Nathaniel Reed (Trace Adkins) rob a stagecoach driven by Calhoun (Kim Coates). Some years later, Nathaniel is three months behind on his mortgage. His wife Laura Lee Reed (Michelle Harrison) is sick. Former running mate Frank Bell arrives with news of another former mate being killed after tortured for information. Despite the warning, Nathaniel refuses to run. Calhoun is now a Marshall and arrives with Bonnie Mudd looking to capture him alive. In the gunfight, Calhoun kills Laura Lee. Nathaniel goes back to robbing with Frank and another mate Sid (Judd Nelson). My first complaint may seem petty but it is important. I don't like some of the gunshot sounds especially inside the house. They sound soft almost like a cap gun. They need more power. The second annoying thing is the need to make Nathaniel the hero of the story. He insists on not hurting people during the robberies. It's such a weak and obvious move. He's almost a gentleman in the way that he's written. While Trace Adkins has functional acting skills, it is nowhere deep enough to be an emotional performance. All in all, this is not exciting. It is not insightful. It is not that interesting other than getting me to skim through Nathaniel Reed's wiki page.
RELEASED IN 2016 and directed by Terry Miles, "Stagecoach: The Texas Jack Story" stars Trace Adkins as a former stagecoach robber who turns over a new leaf and marries, but feels forced to turn back to outlawry when a one-eyed marshal tries to apprehend him (Judd Nelson). Kim Coates and Claude Duhamel are on hand as his gang members. Adkins makes for an iconic Westerner, as witnessed in "Traded" (2016) and "Hickok" (2017). The difference between "Stagecoach: The Texas Jack Story" and those two is (1.) Adkins plays the main protagonist and (2.) it's noticeably inferior in overall filmmaking, even though it cost approximately the same amount to make. In other words, as low-budget as "Traded" and "Hickok" were, they worked quite well as made-for-TV (or direct-to-video) Westerns, all things considered. "Stagecoach: The Texas Jack Story" is almost amateurish by comparison. Nevertheless, it has some points of interest for those who don't mind slipshod productions: Adkins is a likable protagonist; the one-eyed marshal was the dope-smoking rebel in "The Breakfast Club" (1985); Michelle Harrison is stunning as the protagonist's redheaded wife, Laura Lee; Helena Marie plays Bonnie, a striking tall blonde deputy with a penchant for killing; the British Columbia locations are effective; and there's a quality moral about not trusting people of dubious character, particularly LIARS. THE FILM RUNS 1 hour, 30 minutes and was shot in British Columbia (Mission and Maple Ridge). WRITERS: Dan Benamor and Matt Williams. GRADE: C/C-
What a pile of crap! Poor acting, poor script and a "movie" with Texas in the title shot in Canada. Hep me Jebus! What a pile of crap! Poor acting, poor script and a "movie" with Texas in the title shot in Canada. Hep me Jebus! What a pile of crap! Poor acting, poor script and a "movie" with Texas in the title shot in Canada. Hep me Jebus!
This movie was horrible. Bad script, bad acting, even the gun fights were horrible. Just bad, bad bad bad bad! Not even of B movie quality. The few people you will recognize have always played side character, and this movie will show why the should stay there. This was one of the worst movies I have seen in a long time.
Well as there were no reviews I started to watch this film as I like the genre. I'm generally very tolerant reviewing movies and was prepared to give it a chance. However after 10 minutes I could give no more! The acting is pretty naff and the shooting scenes (at least those I saw) were pretty poorly done. I usually sit through really crap movies just to see if they get better, but there was no way this looked like it was going to improve. It looks more like a cheap TV movie. Give it a go if you must but 10 minutes was all I could watch.
Bon film !
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.