John Dahl
dans le rôle de Director
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The TV series Super Pumped, created by Mike Isaac and produced by an unlisted studio, first premiered on February 27, 2022 in États-Unis. The series spans 1 season with 1 episode, featuring the voices of Joseph Gordon-Levitt, Kyle Chandler, Kerry Bishé, and Babak Tafti. It follows the story of Les montagnes russes de la société de transport parvenue, incarnant les hauts et les bas de la Silicon Valley. This is a Biographie, Drame series and has received a rating of 7.3/10 from 10,695 viewers.
John Dahl
dans le rôle de Director
Zetna Fuentes
dans le rôle de Director
Daniel Gray Longino
dans le rôle de Director
Allen Coulter
dans le rôle de Director
Joseph Gordon-Levitt
dans le rôle de Travis Kalanick
Kyle Chandler
dans le rôle de Bill Gurley
Kerry Bishé
dans le rôle de Austin Geidt
Babak Tafti
dans le rôle de Emil Michael
Jon Bass
dans le rôle de Garrett Camp
Sonny Valicenti
dans le rôle de Matt Cohler
Quentin Tarantino
dans le rôle de Tarantino
Mousa Hussein Kraish
dans le rôle de Fawzi Kamel
Darren Pettie
dans le rôle de Hendricks
Noah Weisberg
dans le rôle de Quentin
Joel Kelley Dauten
dans le rôle de Ryan Graves
Ian Alda
dans le rôle de Peter Fenton
Bridgett Gao-Hollitt
dans le rôle de Gabi Holzwarth
Annie Chang
dans le rôle de Angie You
Rama Vallury
dans le rôle de Tahir Khan
Alex Skinner
dans le rôle de Matt
Lucas Paz
dans le rôle de Uberetto
Elisabeth Shue
dans le rôle de Bonnie Kalanick
Mike Isaac
dans le rôle de Writer
Brian Koppelman
dans le rôle de Writer
David Levien
dans le rôle de Writer
Aiyana K. White
dans le rôle de Writer
Sarah Acosta
dans le rôle de Writer
Safia M. Dirie
dans le rôle de Writer
Emily Hornsby
dans le rôle de Writer
Beth Schacter
dans le rôle de Writer
Stephen Schiff
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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update all episodes please from this biography
Bon film !
great
As Episode 1 of "Super Pumped: The Battle for Uber" (2022 release; 7 episodes of about 50 min each) opens, it is "2011" and we are introduced to Travis. Kalanick, who is trying to get UberCab off the ground. But he is struggling on many fronts, most of all money, as he needs venture capital investment in the worst way. Travis is introduced to Bill Gurley... At this point we are 10 min into the opening episode. Couple of comments: this mini-series is the latest brainchild of Brian Koppelman and David Levien ("Billions"). Here they take a look at the rise of Uber and what role Travis Kalanick played in it. Having seen 2 episodes to date, I was pleasantly surprised and frankly entertained as a viewer. As it turns out, I knew very little about how Uber came about, and the obstacles it had to overcome along the way. Joseph Gordon-Levitt is cast perfectly as Travis Kalanick, who not surprisingly isn't the most pleasant person to be around. Kyle Chandler is equally up to the task as the venture capitalist Bill Gurley. Travis' mother is played by none other than Elizabeth Shue. Umma Thurman (playing Arianna Huffington) was not in the initial 2 episodes. The production set is tops. For some reason, the initial 2 episodes feature a bunch of Pearl Jam songs, for no apparent or obvious reason. Please note that "Super Pumped" has already been greenlighted for a second season, which will have nothing to do with Uber. But instead will look at Facebook. Can't wait for that. Episode 1 of "Super Pumped: The Fight for Uber" premiered on February 27 on Showtime. New episodes air Sunday evenings. Once aired, episodes are available on SHO On Demand and SHO Anytime (where I caught it). If you have any interest in understanding the rise of Uber or what it takes to run a company like Uber, I'd readily suggest you check this out and draw your own conclusion. UPDATE 4/11/22 I've now seen all episodes. I've upgraded my rating to 8 stars. Chilling yet absorbing mini-series that is must=watch, period.
I worked for several Silicon Valley start ups 25 to 30 years ago when the Valley was in its hey day. It's the reason I started my own company - I could no longer stand to work for domineering egotistical management. Super Pumped is a bit over the top in some ways but also an accurate depiction of today's tech start ups. People need to understand the mentality of these 'disruptive' genius's. Guys like Larry Ellison (founder of Oracle) was very much like the Uber founder - a ton of hype and in the end very successful but he did many under-handed things to get there (like shipping blank installation disks in the 90's because the product wasn't ready for prime time despite Ellison saying it was, plus Oracle's misleading and deceptive sales and ads). Travis Kalanick is what Silicon Valley is today what Larry Ellison was 30 years ago. I do remember Uber going through terrible growing pains and they had to deal with hypocrites and corruption in local governments. I also vividly remember when NYC banned Uber for a short time until locals and businesses fought back against DiBlasio. I did a lot of business in NYC and can verify that the cabs at that time (10 years ago) were God awful. Nobody, and I mean NOBODY, had sympathy for them and their broken down beat up unsafe cars and bad attitude cabbies. They overcharged and cabbies were blatantly dishonest. I started using Uber the moment it was available. Uber was a breath of fresh air at the time. However, today Uber has lost its luster imo due to inconsistent rates, unhappy drivers and surge pricing that customers despise. This limited Showtime series accurately depicts Uber's fight for relevancy. I specifically remember their 'Grayball' tactics on the West coast. Everyone was rooting for them at that time and they were very creative in getting around the rules until city after city finally accepted them. I have 2 beefs with this series: 1. Kyle Chandler plays the same role he plays in everything he does. He's ok in this series but not great imo. 2. I enjoy JGL as the Uber CEO/founder but it is highly dramatized and does have that Billions feel to it. He's good though in the role he's playing. Overall it's a good watch and a *relatively* accurate depiction of Uber's struggle (and continued struggle) for profitability. It's stock price today is about half of the $45 IPO when it went public in 2019. It's been a terrible investment for shareholders. It's a business that burns through tons cash due to the high variable costs of scaling the business to meet demand. This series accurately depicts Uber's struggles and the ego's that get in the way of success.
This is only loosely based on factual events and is highly distorted. Anti-capitalist, exaggerated stereotypes of red-blooded males (admittedly there was some nuggets of truth here but way worse in the series than in reality). Uber is a smashing success and TK is the one who made it happen. He is certainly not a saint, but he's far from the a-hole villain they make him out to be in this series. This a PC-crowd fantasy series.
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Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.