Lije Sarki
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The comédie film Sweet Dreams, starring Johnny Knoxville, Mohammed Amer, Kate Upton, etc., directed by Lije Sarki, was released on April 16, 2024 in États-Unis. It tells the story of Il suit Morris, qui doit entraîner une équipe de softball composée de ses colocataires pendant son séjour obligatoire dans le centre de désintoxication Sweet Dreams, afin de remettre sa vie sur les rails. This is a Comédie, Drame, Sport film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 1,862 viewers.
Lije Sarki
dans le rôle de Director
Johnny Knoxville
dans le rôle de Morris
Mohammed Amer
dans le rôle de Pete
Kate Upton
dans le rôle de Kat
Gata
dans le rôle de Jake
Bobby Lee
dans le rôle de Cruise
Jay Mohr
dans le rôle de Frank
Theo Von
dans le rôle de Garvey
Brian Van Holt
dans le rôle de Mike D
Anderson .Paak
dans le rôle de D Squiz
Beth Grant
dans le rôle de Sandra
Jon Park
dans le rôle de Dip
Shakewell
dans le rôle de Cedric
Adam Faison
dans le rôle de Stew
Erik Anthony Gonzalez
dans le rôle de Diego
Kellie Aponte
dans le rôle de Brandy
Joshuah Arizmendi
dans le rôle de Sammy
Clarissa Cantu
dans le rôle de Busby's Mound Pounder #5
Eric Gross
dans le rôle de Writer
Lije Sarki
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
This is a feel-good movie about the recovery of alcoholics who have screwed up their own lives and everyone that they touch. Morris (Johnny Knoxville) is a video director who ruined his life through drinking. He doesn't remember what happens when he drinks. He is now separated from his daughter. He has entered a program where the director admits it doesn't work. The occupants realize that they are selfish placing themselves above everyone else. This is their first step to recovery. Morris ends up coaching their amateur softball team must win to get the money to save the facility yada yada yada. The plot was boring. Kate Upton's cameo only shows us how bad she is at acting. They created characters that tried too hard to be characters. Guide: F-word. No sex or nudity.
Johnny Knoxville definitely rocked his acting chops off here and had me tearing up several times as one who has lived with addicts, and been one myself. This movie means well and does not do more than it's intended theme. While I knew Mr. Knoxville had it in him to act well, he really showed some crazy depth in this movie. Bobby Lee and Theo Von were nice additions but honestly, the other supporting actors really brought it. Don't go into this expecting to laugh your butt off the whole time as the more serious parts could catch you off guard. Recommend for drama lovers and those looking to get sober and have something to relate to.
Another film where we are going to lose the summer camp/ski lodge/gym/halfway house, Etc. Unless we get a lot of money fast and low & behold there is a tournament where they can win exactly what they need to save their beloved whatever. Just not done nearly as well. Almost no comedy unless you find Bobbie Lee funny. Entirely predictable and so badly written. A softball team where 3 of the players never get a hit, 1 only swings the bat 1 time and the rest of the team is far below average athletically, but they win the tournament through....what? Luck? No wonder millennials are so unhappy, they've been taught that you don't need to practice, put in any effort, or really even care. You just need to be a victim... Can't recommend this.
Where to start? Let's start with Bobby Lee floating round this film looking like a marshmallow that got lucky on the lip of a rejection bin. Meaning he looks like a marshmallow that has been rolling around the factory floor in dust, pubes & dirt for 50 years. His acting is laughably bad; which is a blessing. And when he isn't trying to act he's just being Bobby Lee. Theo Von shows promise. The film itself, is too, and and and, instead of, so but so. This means it fails to really engage. It's just too choppy. To, next next next. At the very least throw in a few fade shots. Make the transition smooth. But the film is not terrible. It watches like a practice run. With a bit more skill the film could have been very good.
Where to start? Let's start with Bobby Lee floating round this film looking like a marshmallow that got lucky on the lip of a rejection bin. Meaning he looks like a marshmallow that has been rolling around the factory floor in dust, pubes & dirt for 50 years. His acting is laughably bad; which is a blessing. And when he isn't trying to act he's just being Bobby Lee. Theo Von shows promise. The film itself, is too, and and and, instead of, so but so. This means it fails to really engage. It's just too choppy. To, next next next. At the very least throw in a few fade shots in. Make the transition smooth. But the film is not terrible. It watches like a practice run. With a bit more skill the film could have been very good.
Where to start? Let's start with Bobby Lee floating round this film looking like a marshmallow that got lucky on the lip of a rejection bin. Meaning he looks like a marshmallow that has been rolling around the factory floor in dust, pubes & dirt for 50 years. His acting is laughably bad; which is a blessing. And when he isn't trying to act he's just being Bobby Lee. Theo Von shows promise. The film itself is too, and and and, instead of, so but so. This means it fails to really engage. It's just too choppy. To, next next next. At the very least through a few fade shots in. Make the transition smooth. But the film is not terrible. It watches like a practice run. With a bit more skill the film could have been very good.
Man, this flick is getting too low ratings. It's a really warm and believable hour and a half with mostly good acting. Never too much and never boring. I'd actually like it to be a bit longer, that's how much I enjoyed it! Knoxville does an excellent job and you can really feel the pains he's going through every time he tears up about how he's mistreated his 8 year old daughter. Other fun characters are played by Theo von and Bobby Lee, although Lee is probably the weakest link in the movie, yet he still manages to be quite entertaining. Honorable mentions are Mohammed Amer and Jay Mohr who deliver really solid characters. A feel good movie!
I was looking for something light-hearted and entertaining to watch. Maybe with a few feels and some laughs. The trailer made me think of Major League but toned down and a little more staid. It was not that at all but am very glad of it. I got a lot more. It turns out Johnny Knoxville can turn in a very good performance. Coupled with a great supporting cast that seemed to be directed almost as if ad-libbed. The scripting and end result is great. Knoxville plays Morris, who we find staying at a rehabilitation house attempting to get his life back by way of coaching his fellow housemates in a softball competition. The comedy is balanced well with the serious side of addiction, with a group of diverse but relatable characters. The result is a far more realistic portrayal of recovery without becoming overly dark. I never once thought it was depressing but, through my own experiences, never felt the subject was treated with anything but respect and honesty. This one surprised me. Not what I was expecting but am very glad I found it.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.