Brent Cote
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The crime film Tainted, starring John Rhys-Davies, Shawn Roberts, Alan Van Sprang, etc., directed by Brent Cote, was released on June 16, 2020 in Canada. It tells the story of Un ex-détenu, lié à la mafia russe et à la confrérie aryenne, tente de mener une vie tranquille après avoir passé quinze ans en prison. Ses plans changent lorsque des membres de la mafia le recrutent pour accomplir une dernière mi. This is a Crime, Drame, Thriller film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.4/10 from 510 viewers.
Brent Cote
dans le rôle de Director
John Rhys-Davies
dans le rôle de Vladimir
Shawn Roberts
dans le rôle de Koso
Alan Van Sprang
dans le rôle de Lance
Aaron Poole
dans le rôle de Malick
Sara Waisglass
dans le rôle de Anna
A.C. Peterson
dans le rôle de Walt
John Ralston
dans le rôle de Gregor
Mark Winnick
dans le rôle de Russian Gangster VO
Lina Roessler
dans le rôle de Adalina
Simon Northwood
dans le rôle de Rutger
Neven Pajkic
dans le rôle de Pieter
Joseph Claude Dubois
dans le rôle de Casimir
Jake Michaels
dans le rôle de Vin
Josh Bainbridge
dans le rôle de Jay
Julian Lewis
dans le rôle de Dax
Jack Sansone
dans le rôle de Aryan Goon
Shauna Thompson
dans le rôle de Jenny
Darcy Roy
dans le rôle de Aryan Hitman 3
Thomas Mitchell
dans le rôle de Dolf
Darrell Jordan Hicks
dans le rôle de Aryan Hitman 2
Brent Cote
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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And matter of fact it was. As High Sierra with Humphrey Bogart. Just as one example among many The plot is an old one, and was very old even then. Much older than any film or play that used it in the past two centuries, with a lineage that was likely familiar going back even to the ancient Greeks. Which should give you an idea of its timelessness. And when done right, that never wears out. This film did it right. Once again. So a ten star rating from me.
This story, this topic, though not being new, is ten millions better than TAKEN crap serie, with a super hero who ALWAYS win in the end. Here, OK, you deal with a LEON rip-off, something over used, I repeat, but well done, produced by the Indie Canadian industry. It is gritty, brutal, poignant, predictable but exciting for me. It is rather sad, gloomy and performed by convincing actors playing convincing characters. You also have interesting supporting characters, a focus that you don't always have in action thrillers, such as the mobster, not the lead ex con, married to the young lady baker dreaming of a btter life. Touching. I like movies both violent and gripping.
Greetings again from the darkness. Filmed in Canada with a mostly Canadian cast by a Canadian director, we are reminded how challenging it is to make a low budget action-thriller. Writer-director Brent Cote delivers a masterclass in genre clichés, yet there's enough here to keep anyone initially interested around for 90 minutes. Alan Van Sprang (SAW III) stars as Lance, the rare Neo-Nazi with ties to both the Aryan Brotherhood and Russian mafia who is also the good guy in the story. Lance has recently been released after serving 15 years in prison, and he's just trying to live out a quiet life by surrounding himself with pictures of beautiful scenery as he dreams of escaping the world he's known. He clocks in and out at work, and mostly avoids chit-chatting with others, except for his friendly neighbor Anna (Sara Waislgas), who happens to sing at the local lounge where Lance periodically buys a bottle. Of course, it's only a matter of time (maybe 10 minutes) before Lance's old world catches up with his new one. Gregor (John Ralston, READY OR NOT, 2019), his old Russian handler, needs him to kill a few guys that have been infringing on the meth business. So, are you keeping score on clichés? We have an ex-con trying to start over. We have 'one last job'. We have a girl caught in the middle ... there's always a girl! We have the Aryan Brotherhood versus the Russian mob. Plus, we have the underling trying to earn his stripes. In this case, it's Gregor's nephew Malik (Aaron Poole). There's even an imposing Russian mobster named Vladimir (John Ryhs-Davies from two huge franchises - Lord of the Rings and Indiana Jones). The film begins with a Pope Francis quote about evil and violence, but ironically, the film's best segments involve neither evil nor violence. Despite his past, Lance is a brooding type who listens to blues music, and serves up inspiring words to Anna. The film offers a new and very quick (though surely indescribably painful) method for removing swastika tattoos from one's chest, although you should know the violent scenes are few in number and brief in runtime. Gregor's philosophy towards Lance is that "a fighter needs to fight", but we actually enjoy Lance's time with Anna more than the gangster bits. Filmmaker Cote may follow the checklist for this genre, however, we do hand it to him for a twist at the end.
All in all this is not a bad movie - the acting is fine and so is the cinematography. But this kind of plot has been done ad nauseam and it's nothing new - so essentially it is a waste of time given how much selection there is these days.
A great crime thriller with well drawn characters, great acting, good storyline and direction. The action sequences are well done and it will keep you gripped throughout.
Gregor (John Ralston ) and his wife Adalina (Lina Roessler ) operate a bakeshop that is a front for drug dealing for the Russian mafia (John Rhys-Davies ). The Aryan Nation is forcing themselves into the Russian's meth business and blood has been shed. Gregor hires Lance (Alan Van Sprang ) a former member to kill the local group and leave no witnesses. He leaves a witness and now he is hunted by those that hired him. Well acted low key action film. Lance is the reluctant protagonist. If you use a hot iron on your chest, have antibiotics nearby. Guide: F-word. No sex or nudity.
From the trailer I was worried this would just be gratuitous violence for violence's sake... but it was more! A pleasant surprise! Great acting and wonderfully dark atmosphere.... You can almost feel the weight of a harsh harsh life of pain, violence and suffering on the main character's life. The story-line/plot is very cliched but because of the great acting and the well main 'characters', those cliches somehow didn't annoy me (as it normally would have me rolling my eyes and groaning). It seems to me that this film is constantly pushing a message - which I appreciate! (I hate senseless violence and I hate glorifying violent or criminal lifestyles like mob-life or gangs even more!) This film does the opposite, it shows that those lifestyles of crime - drugs, murder etc are horrible, dark and that they TAINT you... for the rest of your life... There is a MORAL to this story which those horrible Hollywood movies usually don't show and for that, I have to write this, so it's not overlooked! Oh.. the moral, as i said above? It's about how low behavior 'taints' you and that it is UGLY. Not a high quality 'great' movie but definitely well above average and worth a look!
Bon film !
And matter of fact it was. As High Sierra with Humphrey Bogart. Just as one example among many The plot is an old one, and was very old even then. Much older than any film or play that used it in the past two centuries, with a lineage that was likely familiar going back even to the ancient Greeks. Which should give you an idea of its timelessness. And when done right, that never wears out. This film did it right. Once again. So a ten star rating from me.
All in all this is not a bad movie - the acting is fine and so is the cinematography. But this kind of plot has been done ad nauseam and it's nothing new - so essentially it is a waste of time given how much selection there is these days.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.