Alan Byron
dans le rôle de Director
The documentaire film The Beatles: Made on Merseyside, starring Pete Best, Joe Flannery, Keith Altham, etc., directed by Alan Byron, was released on September 7, 2018 in Royaume-Uni. It tells the story of The incredible story of how The Beatles emerged from post-war Liverpool and turned music on its head with their changes from skiffle to rock 'n' roll and the creation of the Mersey Beat sound. This is a Documentaire, Musique film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 198 viewers.
Alan Byron
dans le rôle de Director
Pete Best
dans le rôle de Self - Original Drummer
Joe Flannery
dans le rôle de Self - Epstein's Business Associate
Keith Altham
dans le rôle de Self - Journalist & PR Guru
Alex McKechnie
dans le rôle de Self - Cavern Club Regular
Spencer Leigh
dans le rôle de Self - Author & Broadcaster
Len Garry
dans le rôle de Self - The Quarrymen
Rod Murray
dans le rôle de Self - Friend of Lennon & Sutcliffe
Tony Bramwell
dans le rôle de Self - Beatles Tour Manager
Tony Palmer
dans le rôle de Self - Film Director
Bill Harry
dans le rôle de Self - Founder of Mersey Beat (1961)
Colin Hanton
dans le rôle de Self - The Quarrymen
Mimi Smith
dans le rôle de Self - Speaking in 1981
Freda Kelly
dans le rôle de Self - Epstein's Secretary
Paul Gambaccini
dans le rôle de Self - Writer and Broadcaster
John McNally
dans le rôle de Self - The Searchers
Jon Savage
dans le rôle de Self - Author & Broadcaster
Frank Allen
dans le rôle de Self - The Searchers
Mark Kermode
dans le rôle de Self - Writer & Broadcaster
Alan Byron
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Great archive footage and historic film and photographs of Liverpool and Hamburg and the Beatles. Soundbites from lots of folk who were there at the time and were,even if in a small way part of this essential story . Recommended .
Basically for hardcore Beatles' chroniclers. 90% of screen time composed of the early '60s period general stock film alongside current interviews w/people (mostly now old white males) familiar w/Liverpool & surrounding area' music & club scenes. The rest is reminiscences of the Beatles & their promoter Epstein. Very little music, mostly generic. Lacked subtitles for the elderly, disabled, hearing impaired, and ESL viewers. Disrespectful & cheap on the part of the producers especially when audio & enunciation is off, and the varying old British dialects.
"Varying old British dialects" from white males.Are we supposed to reimagine the Beatles as transgenders from 2019? If you want to understand the talent and resilience that made the Beatles what they were, you should watch this show. It is almost ethnographic in its method, albeit via a journalistic medium. Very well produced and quality of film and sound as good as the Ron Howard film, which was as much about the US as it was about the Beatles. This film is about Liverpool and its people. It contains lots of rarely aired information about the band, their background and their contemporaries..
I enjoyed this. It captured the growth of Merseybeat from the dark days of skiffle up to the emergence of the world's greatest group. The stories of those who were there were interesting to listen to and I particular enjoyed the part regarding the Pete Best controversy. Perhaps there was more to his dismissal than I first thought. It would seem that the interference of Mrs Mona Best played a huge part in getting rid and, maybe, Brian Epstein was not quite as innocent as I had been led to believe. Whatever, I was pleased to hear that Pete got a decent pay off from the Anthology album, and credit to McCartney for that. It must have been a devastatingly tough time for such a young lad to be kicked out like that but Pete seems to have weathered the storm and it was gratifying to listen to his emotional summary of his life towards the end of the programme. By the way, I don't understand the earlier review complaining about the lack of subtitles. Being of a certain age myself I watched the whole programme whilst following the subtitles. All in all I thoroughly recommend this programme - an entertaining hour and a half.
Basically for hardcore Beatles' chroniclers. 90% of screen time composed of the early '60s period general stock film alongside current interviews w/people (mostly now old white males) familiar w/Liverpool & surrounding area' music & club scenes. The rest is reminiscences of the Beatles & their promoter Epstein. Very little music, mostly generic. Lacked subtitles for the elderly, disabled, hearing impaired, and ESL viewers. Disrespectful & cheap on the part of the producers especially when audio & enunciation is off, and the varying old British dialects.
"Varying old British dialects" from white males.Are we supposed to reimagine the Beatles as transgenders from 2019? If you want to understand the talent and resilience that made the Beatles what they were, you should watch this show. It is almost ethnographic in its method, albeit via a journalistic medium. Very well produced and quality of film and sound as good as the Ron Howard film, which was as much about the US as it was about the Beatles. This film is about Liverpool and its people. It contains lots of rarely aired information about the band, their background and their contemporaries..
Great archive footage and historic film and photographs of Liverpool and Hamburg and the Beatles. Soundbites from lots of folk who were there at the time and were,even if in a small way part of this essential story . Recommended .
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.