Greg McLean
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The action film The Belko Experiment, starring John Gallagher Jr., Tony Goldwyn, Adria Arjona, etc., directed by Greg McLean, was released on March 17, 2017 in États-Unis. It tells the story of Dans une expérience sociale tordue, quatre-vingts Américains sont enfermés dans leur siège social dans un gratte-ciel à Bogotá, en Colombie, et une voix inconnue provenant du système d'interphone de l'entreprise leur ordonne de participer à un jeu mortel de tuer ou être tué. This is an Action, Horreur, Thriller film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 66,101 viewers.
Greg McLean
dans le rôle de Director
John Gallagher Jr.
dans le rôle de Mike Milch
Tony Goldwyn
dans le rôle de Barry Norris
Adria Arjona
dans le rôle de Leandra Florez
John C. McGinley
dans le rôle de Wendell Dukes
Melonie Diaz
dans le rôle de Dany Wilkins
Owain Yeoman
dans le rôle de Terry Winter
Sean Gunn
dans le rôle de Marty Espenscheid
Brent Sexton
dans le rôle de Vince Agostino
Josh Brener
dans le rôle de Keith Mclure
David Dastmalchian
dans le rôle de Lonny Crane
David Del Rio
dans le rôle de Roberto Jerez
Gregg Henry
dans le rôle de The Voice
Michael Rooker
dans le rôle de Bud Melks
Rusty Schwimmer
dans le rôle de Peggy Displasia
Gail Bean
dans le rôle de Leota Hynek
James Earl
dans le rôle de Evan
Abraham Benrubi
dans le rôle de Chet Valincourt
Valentine Miele
dans le rôle de Ross Reynolds
James Gunn
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
This review of The Belo Experiment is spoiler free *** (3/5) BEFORE HE CLEANED his writing for the family-friendly blockbuster Guardians of the Galaxy (both volumes), writer-director James Gunn conducted the script to The Belko Experiment. A horror slasher/whodunit thriller. Both forming the two sides of Gunn, however before he had blockbusting scripture he was known as a horror writer, writing and directing the dark, Slither, and the uncompromisingly silly Super. This perhaps brought influence to Zack Snyder for Watchmen. For this Gunn left the directing to Wolf Creek's Greg McLean, making this a winning combination between writer and director and for a while at least it succeeds. Plot wise, it's The Hunger Games franchise meets The Purge, happily there are few things this has in common with them, merciless rules, a time limit to kill and intriguing characterization. Not only does the company but also the title of the film itself screams government, a huge of security, a locked gate and a tall building a mile from civilization. There's a menacing company boss (Tony Goldwyn), who will do anything to keep his workers calm but when it comes to it he sacrifices others. And just on the outside in an abandoned hanger there is a team of tight-knit killers who have clever gadgets, with buttons and names of the employees and an unknown voice announcing a game of kill or be killed, the most satisfying part; there a whole bunch of people that are killed from micro chipped bombs. Theoretically the exploding head technique works for a while, it's stunning to look at (in a merciless way) but after a while it becomes monotonous, painting rooms with blood and skull remnants all over the floor. There are changes in the killing strategy that come slightly too late though in some cases later is better, here that works when players are used as cannon fodder, perhaps leading the film to a predictable end but it's thrilling all the same. On the other hand Gunn is a wonderful writer, his screenplay is clever, has some silly moments but that's what made his blockbuster good, because it had silly moments. There is a bunch of that here, while for most of the time it stays mostly serious, implementing a balanced screenplay. Even though practically everything you see here has been done before, the merciless killings and the player panic The Belko Experiment is a surprisingly enjoyable thriller with a lot of polished cred (the writer and the director), the style and the solid performances. VERDICT: A brutally, bloody Battle Royale that gives tension, style and a lot of cred. That glides along nicely through, until a disappointing dip in the second half. Still, there are plenty of positive points, the brutal violence, the polished style and the solid performances to enjoy.
Not the best, not the worst. Has it's potential and million of possible outcomes and story lines. Some say it lack of originality and creative work, however, it was only one of the possible outcomes , either way, it seemed realistic, without bullshit inventions to make it, like many say, "creative". It is interesting, yet, I dunno why people expect to watch a new version of matrix, fight club, either any other possible classic. Sure the scenario is familiar, nothing new, neither old, just a new story exactly what a movie could give us.
The strongest part of this film is its premise. It's really fantastic. There is so much possibility for this fun, satirical look at what people will do in certain situations. The film is really filled to the brim with brilliant possibilities. But for the most part, they remain just possibilities. I do think this is a really good script. However, I don't think the execution of this screenplay was as good as if could've been. The characters making decisions and breaking off into groups could have been fascinating and riveting, but it didn't reach the level it should have. The actual streaks of killing could have been so cool to watch, but it comes off as kind of dull. Where the action could have been really inventive and insane, in a Kingsman: The Secret Service kind of way, it ends up being rather rudimentary and bland. There isn't nearly as much electricity or excitement in this film as it deserved to have...
It starts as a normal day for employees of an American company in Colombia. Suddenly blast walls are lowered in the small office tower, exits are closed and a malevolent voice over the public address system orders people to kill or be killed. A few have to die before it is believed that this voice means business. Soon it is hand to hand combat and survival of the fittest among maintenance, management, IT nerds and the rest of the workers. Weapons are in plentiful supply. So are theories as to how and why this is happening, what to do in response to the commands and whether people should band together or fight for themselves. This intense, violent, funny and unpredictable film is fueled by capable actors and an intriguing plot. It says a lot about human nature. People divide into two camps; the manipulators and those with empathy for others. Yet both types tend to die when the lights go out and the blast walls go down. The unexpected twists to the story are wonderful and plentiful. Characters that I assumed would live, instead die gruesome deaths. What detracted from the film is that there was little depth to the dialogue and the film was not shot where it was set (Colombia). World premiere seen at the 2016 Toronto International Film Festival.
👍👍
Bon film !
Bon film !
Bon film !
Wow
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.