Terry Lee Coker
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film The Escape from Auschwitz, starring Elliot Cable, Paul Joseph Bonnici, Alex Reece, etc., directed by Terry Lee Coker, was released on March 30, 2020 in Royaume-Uni. It tells the story of after capturing Kazimierz Piechowski at the Hungarian border, he is sent to Auschwitz where he is forced to move corpses from the gas chambers to the crematorium. This is a Drame, Guerre film with a runtime of 80 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 1.9/10 from 436 viewers.
Terry Lee Coker
dans le rôle de Director
Elliot Cable
dans le rôle de Elazar
Paul Joseph Bonnici
dans le rôle de Levi
Alex Reece
dans le rôle de Jonas
David Winfield
dans le rôle de Gavriel
Joe Stock
dans le rôle de Adam
Paul O'Neill
dans le rôle de SS Heinrich
Tony Fadil
dans le rôle de SS Frank
Patrick Silke
dans le rôle de SS Tamas
Tappin. Phillip
dans le rôle de SS Paul
Meyrem Enver
dans le rôle de Yael
Marie Belsey
dans le rôle de Roza
Carlos Da Costa
dans le rôle de Dustin
Tillie Rose Clipson
dans le rôle de Little Girl
Carl Ashwell
dans le rôle de Tower Guard
Bradley Coker
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: The Escape from Auschwitz
I started to watch this movie, but had to stop after app. 20 mins. It was so bad, that it was pointless to go on watching this crap. The acting sucks, the uniforms are not even close to resembling the real nazi uniforms. the storyline sucks. This is a B-movie and not worth spending 2 mins on. It looks like af junior high school movie project. But even kids can do it better. Avoid
One of the worst films I've seen. Wooden acting. Poor characterisation. The Germans were totally unconvincing. An absolute disaster of a film from beginning to end. An insult to anyone who has created a film dedicated to the atrocities of Auschwitz
This is a slow moving film with a dreary gray background. No real character build up. I was bored. He wanted to tell the world about Auschwitz and surprise, the allies knew and didn't seem to care. Keep you fast forward close by.
I'm a great one for making my own mind up, sometimes I've looked at badly rated films I've found to be treasures. This is not one of those films. I'll keep this as brief as possible, as I wish the director had done too. Ideally under a minute, but life is full of disappointments. I shan't comment in detail on the acting, other than to echo others who say it's awful. I've seen more emotion in a wooden fence. Actors who can't even manage a German accent? Puh-leease! The straw that broke this camels back was the on-screen text informing the viewer that we were looking at KL Auschwitz in 1944. It's a basic historical fact that Kazimierz Piechowski and his three fellow prisoners escaped in 1942. It took me 20 seconds on Wikipedia to check my memory was correct, and yet a film company taking months to make a film somehow couldn't find the time. If you can't even be bothered to get something so basic right, it doesn't bode well. I didn't waste time hanging around to look at the uniforms to see if they'd bothered to get them right. The only silver lining to this cloud is that Piechowski died 3 years ago, so is not around to be disgusted by this unmitigated garbage.
'True Events'.... Yeah. So, here's what you do. Pick up first-editions of: 6 volumes of "Second World War" by Sir Winston Churchill (4,448 pages) "Crusade in Europe" (559 pages) By Dwight David "Ike" Eisenhower 3 Volumes of "Mémoires de guerre" by Charles de Gaulle (2,054 pages) "The Patton Papers" (695 pages) - This is General George Patton's diary that was published by Martin Blumenson after Patton was 'Suicided'. *** 8 THOUSAND PAGES *** of World War II history told FIRSTHAND by the PEOPLE THAT WERE THERE. Guess what? Not one single mention of 'ovens', 'gas chambers', 6 gorillion murdered. Nothing. So -- what is reality? According to the American Red Cross, there were a combined total of 275,000 people that died in the work camps (that's what they actually were), and of that 275k -- 40% were (((them))). And... they died mostly of Typhus and starvation. It's called 'war'.... Now.. (((THEY))) actually killed 30 MILLION CHRISTIANS when (((THEY))) invaded Russia (Bolsheviks? Yeah - that's (((them)))).
An insult to the memories of the lost souls of Auschwitz. Stuck it for about 5 mins and the so called acting and sets were worst I've seen in a long time!
So, i was searching for some unseen movies, and i found this masterpiece!!! I was like 48 seconds in and i was amazed by the soundtrack, i almost cried! This movie is a must see, thank me later.
I have probably watched every movie on the topic of the holocaust,I have never seen such rubbish before, the acting is horrific,I'd be ashamed if I was one of the si called actors in this film, give it a miss,that 1 and half hours of wasted time.
Absolute disaster, Germans where known for their domination in this movie it shows the opposite. I stopped after 15 minutes watching.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.