Robert De Niro
dans le rôle de Fred Blake
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Malavita, starring Robert De Niro, Michelle Pfeiffer, Dianna Agron, etc., directed by an unlisted director, was released on September 13, 2013 in France. It tells the story of La famille Manzoni, un clan notoire de la mafia, est transférée en Normandie dans le cadre du programme de protection des témoins, où leur intégration est difficile, car leurs vieilles habitudes ont la vie dure. This is a Comédie, Crime, Thriller film with a runtime of 111 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 127,378 viewers.
Robert De Niro
dans le rôle de Fred Blake
Robert De Niro
dans le rôle de Giovanni Manzoni
Michelle Pfeiffer
dans le rôle de Maggie Blake
Dianna Agron
dans le rôle de Belle Blake
John D'Leo
dans le rôle de Warren Blake
Tommy Lee Jones
dans le rôle de Robert Stansfield
Jimmy Palumbo
dans le rôle de Di Cicco
Domenick Lombardozzi
dans le rôle de Caputo
Stan Carp
dans le rôle de Don Luchese
Vincent Pastore
dans le rôle de Fat Willy
Jon Freda
dans le rôle de Rocco
Michael J. Panichelli Jr.
dans le rôle de Billy the Bug
Paul Borghese
dans le rôle de Albert
Anthony Desio
dans le rôle de Bernie
Ted Arcidi
dans le rôle de Tommy
David Belle
dans le rôle de Mezzo
Raymond Franza
dans le rôle de Paulo
Barbara Bolotner
dans le rôle de Waitress
Jan Hammenecker
dans le rôle de Manager
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
🔥🔥🔥
This movie is total crap. You have some well known actors trying their luck to some kind of black comedy which tries to glorify violence as the solution for everything. Problems with the local supermarket? The mayor's office? The plumber? Some other minor injustice? Even love problems? The solution is ONLY one: Express your inner anger with brutality and violence. To pile over this mess, in the middle of the movie you get an obvious meta-joke asking De Niro's character about ...Goodfellas (1990) only to get another glorifying description of the ways of the mob. Luc Besson directs these while is trying to build a "palette" of elder actors who kick ass, like Liam Neeson, Kevin Costner and now De Niro. Overall: An unfunny and disturbing black comedy which tries to glorify violence as the solution for everything. If you want to see a teenage boy and a teenage girl hitting repeatedly other kids in the skull and De Niro change to a hammer after he broke the baseball bat which he was using to break the feet of a poor plumber who ask for an advance for his work, then go and watch this crap...
For a movie with stars like Robert De Niro, Michelle Pfeiffer and Tommy Lee Jones in it, then "The Family" didn't really live up to all that it could have been. That being said, then I am not saying that this is a bad movie. I am merely saying that director Luc Besson didn't really fully cash in on the potential of the script and the talents of the actors and actresses. And as such, then the movie turned out to be watchable, albeit not overly memorable. The story is about a family running from the mafia, hiding away in Normandy, where they try to blend in and trying to pass as a foreign family living abroad. However, their past is right on their heels and soon catches up. The characters in the movie were good and well-detailed. And they were equally well portrayed by the actors and actresses, and especially Robert De Niro was doing a great job in carrying the movie on his shoulders. "The Family" is the type of movie that you watch once, and then most likely never again. It just doesn't have enough leverage or material to sustain a second watching. A mere mediocre 5 out of 10 stars from me.
In New York, the mobster Giovanni Manzoni (Robert De Niro) makes a deal with FBI agent Robert Stansfield (Tommy Lee Jones) and snitches his mafia family. In return, Giovanni is included in the witness protection program and receives a new identity, Fred Blake. Giovanni, together with his wife Maggie (Michelle Pfeiffer) and their teenager children Belle (Dianna Agron) and Warren (John D'Leo), are relocated to the small town Cholong-sur-Avres, in Normandy, under the protection of Stansfield and two other agents. Meanwhile the mafia offers a 20 million-dollar reward to the killer that executes Giovanni and his family. Soon the Blake family uses the mafia methods to improve their lives in the town. But when the mafia accidentally discovers the whereabouts of the Manzoni family, Cholong becomes a no man's land. "The Family" is a funny black humor comedy by Luc Besson about a family that travels to France under the witness protection program. The story has memorable moments, and my favorite is the reaction of Maggie when she goes to the small supermarket and feels offended. The conclusion uses many clichés and is weak, but watching this movie is worthwhile. It was a great entertainment for a Saturday afternoon without beach in Rio. My vote is seven. Title (Brazil): "A Família" ("The Family")
When I received the premier passes to see "The Family", I was really expecting with such great actors/actresses, that this movie would be good; but more-so expecting it to fall flat like so many before it. I was greatly surprised. The Movie is based on the French author Tonino Benacquista's novel Malavita, which is know as Badfellas in America. And "BadFellas" is an interesting way to view this film. It does have all the wonderful elements of the great Mobster movies, but with a touch more humor. The family dynamic is a refreshing one that invokes what a modern mob family would probably be going through. You found yourself "going" for the family as a whole and not singling out one for their idiocy. The movie starts off fast to quickly usher you thorough the character introductions and development, which is a good thing, because it allows you to experience their personality and growth throughout the film. You watch the stupid mistakes of a teenage girl, a boy who's intuitive yet still flawed. A mother who's trying to do the best she can to hold her family together, and a remorseful (somewhat) father. If you are wanting Goodfellas or Casino, this isn't it. What this IS is DEFINITELY what "Analyze This" could have been if it was a better movie. There is plenty of action, and the previews don't give away the best of the movie. It is definitely a must see and Smush Approved. www.Facebook.com/SmushPub
Bon film !
Bon film !
Bon film !
I attended a screening of "The Family" a week before it opened in theaters. From the very first scene I was blown away. I was expecting a dark comedy, but I was pleasantly surprised that "The Family" was full of action and vendetta. Michelle Pfeiffer was outstanding as the clever mother who didn't take too kindly to people talking behind her back or stealing from her. Robert DeNiro was stellar as the father trying to do what he needs to do to protect his family but in need of an outlet of his own to maintain his sense of purpose and self. Then there are the children. Clever, meticulous, observant children. High school isn't a picnic by any means but they handled themselves well. Tommy Lee Jones co-starred as the family's handler and he sure can drive a car. There are twists, turns, shoot outs, explosions, fights, strategic use of a tennis racket and homage paid to "Goodfellas". I really enjoyed "The Family" and I will see it again.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.