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Bon film !

The final Girls [Hindi] dub_720p

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Bon film !

Bon film !

Bon film !

(⁠♡⁠ω⁠♡⁠ ⁠)⁠ ⁠~⁠♪

source: The Final Girls

Slasher parodies, '80s throwbacks or homages … Call it whatever you want, but fact remains that horror comedies form a delicate sub-genre and it's extremely difficult to make one that does justice to both the comedy as well as the horror aspects. We primarily get to see zombie comedies, and they pretty much all suck tremendously, but lately there have been quite a lot of attempts to spoof the typical '80s slasher genre, although the ambitious young writers/directors usually prefer to call them "tributes" in order not to offend the die-hard slasher fan base (yours truly included). And they are damn right to be careful, because even though us, '80s slasher fanatics, are very much aware of the fact that most of them are terribly bad and amateurish, we still love them a lot! The principal gimmick in "The Final Girls" is that a group of 2015 teenagers are catapulted back in time and end up on the scene of a non-existent '80s slasher movie called "Camp Bloodbath". Admittedly the idea is refreshing and holds a lot of potential, but still the first thing that went through my twisted mind was: "Damn, I'd rather just watch a real '80s slasher called "Camp Bloodbath instead of this!" But hey, as said, the basic plot concept is interesting and the film does contain a handful of creative elements and unexpected twists, so I must state that I overall enjoyed "The Final Girls" and don't regret watching it. The cute Max (Taissa Farminga from the first season "American Horror Story") lost her mother in a stupid car accident – paying attention to the road could have been an option – three years ago and understandably still misses her a lot. She was an unsuccessful actress who forever remained linked to her role as naive virgin in a cheesy '80s slasher movie called "Camp Bloodbath". That movie somehow became a cult hit and Max reluctantly accepts to attend a special screening of the film in the presence of her friends. When fire breaks out in the theater, Max and her friends try to escape by cutting a hole in the cinema screen and – you guessed it – inexplicably end up in the eighties and at the entrance of Camp Blue Finch where the events of the movie are about to start. Max knows that her teenage mother is supposed to die at the hands of a maniacal killer called Billy, but she intends to save her and messes up the whole original scenario. "The Final Girls" sounds like a lot of cheesy undemanding fun, and it is, as long as you don't think too much and set aside all the "rules" of time-traveling, paradoxes and film-in-film narrative structures. Personally I liked how the script almost promptly eliminates a couple of dreadful clichés (like "tough chicks don't die" or even getting rid of the annoying "horror geek" quite fast) but deeply regretted that the film doesn't contain any gratuitous nudity or gory massacres. I reckon the fact it's a PG-13 flick, but these two ingredients are essential and mandatory in case you're referring to eighties horror cinema.

This film has one hell of a premise that immediately grabbed my attention. It features the exact blend of comedy and horror that I love and that so rarely filmmakers do right. The severely underrated Club Dread is a perfect example of how so many people can miss the intended humour. Then you have hits like Tucker & Dale vs Evil, which not only is a great premise, but is also both hilarious and a bloody good time. People either seem to love or hate these films and it's most likely because it's so hard to balance the two genres. When done right, it's gold, when done wrong, it's terrible. The Final Girls, for the most part, lands on the good side of the spectrum. Max, loses her mother in a car accident and 3 years to the day, is invited to a screening of her late mother's most famous film, a cheesy 80's horror flick called Camp Blood. During the screening the theatre catches fire, so Max and her friends have to escape and cut right through the theatre screen. Next thing they know, they're in the movie. The exact same movie her mother appears in, which now gives Max a second opportunity to be with her mother, only if she survives the deranged killer roaming the woods. The film has a great opportunity to capitalize on a lot of horror clichés, much like the way The Cabin in the Woods did brilliantly. One character in particular, a Randy Meeks of horror films, is the perfect opportunity to connect the film characters with the viewer at home. What would Randy do if he were literally transported into the film Scream? This was an interesting approach that I hoped the filmmakers would take. They don't. They kind of walk the line, but they are pretty inconsistent with things. Being in the horror film and knowing how it ends is perfect fodder for comedy gold. The film did make me laugh, many times, but I wanted to laughs to be really enjoyable. Instead I chuckled a lot throughout the film. Instead of being a comedy, the film has a surprising amount of drama thrown in. Max has an opportunity to reunite with her mother, only the person in the movie isn't her mother, she's the character her mother plays in the film. Again, great set ups for comedy gold, yet we get mild humour. I little disappointing on that end, but still enough comedy in the film to make me smile. The filmmakers throw some interesting aspects of the genre at the viewers and the characters. The characters can actually hear the "ch ch ch cha cha cha" that accompanies a nearby victim or a flashback that transports the character even further back in time. Title cards that they can interact with, a specific time line of events to unfold. Every 92 minutes, things start over again because that is the length of the film. These things are clever and make for a unique viewing experience. One of the biggest problems with the film is that it doesn't go far enough with the material. It's held back by the rating. The film features very little gore and no nudity. These things are staples of the horror genre, especially the 80's slasher films that the film is parodying. If the film has embraced these things and given us an R rated comedy, then it would have been a lot better. It felt restrained in a sense. Not a wasted opportunity, not at all. The film is good and those who enjoy these types of movies will surely have a good time. I just think the possibilities could have been so much more. They had a great idea and didn't try and take it any further beyond that. This film easily, could have been one of my favourites of the year, instead it settles for being just a good movie. If you ever sat down and thought to yourself, Pleasantville as a horror film would be brilliant. This film is for you.