Mika Kaurismäki
dans le rôle de Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The biographie film La Reine garçon, starring Malin Buska, Sarah Gadon, Michael Nyqvist, etc., directed by Mika Kaurismäki, was released on December 8, 2015 in Finland. It tells the story of THE GIRL KING paints a portrait of the brilliant, extravagant Kristina of Sweden, queen from age six, who fights the conservative forces that are against her ideas to modernize Sweden and who have no tolerance for her awakening sexuality. This is a Biographie, Drame, Histoire film with a runtime of 106 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 4,707 viewers.
Mika Kaurismäki
dans le rôle de Director
Malin Buska
dans le rôle de Queen Kristina
Sarah Gadon
dans le rôle de Countess Ebba Sparre
Michael Nyqvist
dans le rôle de Chancellor Axel Oxenstierna
Lucas Bryant
dans le rôle de Count Johan Oxenstierna
Laura Birn
dans le rôle de Countess Erika Erksein
Hippolyte Girardot
dans le rôle de Ambassador Pierre Hector Chanut
Peter Lohmeyer
dans le rôle de Bishop of Stockholm
François Arnaud
dans le rôle de Karl Gustav Kasimir
Patrick Bauchau
dans le rôle de René Descartes
Ville Virtanen
dans le rôle de Doctor Van Wullen
Martina Gedeck
dans le rôle de Maria Eleonora of Brandenburg
Timo Torikka
dans le rôle de Father Viogué
Lotus Tinat
dans le rôle de Young Queen Kristina
Jannis Niewöhner
dans le rôle de Count Jakob de la Gardie
Mikko Leppilampi
dans le rôle de Count Magnus de la Gardie
Sampo Sarkola
dans le rôle de Theology Student
Samuli Edelmann
dans le rôle de King Gustav II
Pertti Sveholm
dans le rôle de Kristina's Tutor
Michel Marc Bouchard
dans le rôle de Writer
Linda Gaboriau
dans le rôle de Writer
Hank Levine
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
version française
h
Bon film !
Bon film !
Bon film !
source: The Girl King
What is there to really say about this dreadful movie? It's about a fictional queen who just happens to have the same name as a real queen. So, the writers decided to gloss over history and give us a vision of their alternate reality. I have no problem with that, if they had, in fact, given us a good movie. Instead, what we see is a plodding narrative that meanders along at a snail's pace. Was Kristina of Sweden a lesbian? Who knows. While a handful of historians think so, their is no actual proof; and the majority dismiss the idea for that reason. But, again, presenting her as such would not be an issue if the story had been written to be engaging and interesting, rather than drab and lifeless. I can only recommend this to folks who enjoy bland historical fiction.
Guys, I'm pretty sure they're just really good friends. REALLY good friends..
This film is laughable. First off, let me just say that there is something very exotic looking about the actress portraying Queen Kristina. This "Malin Buska" actually seems talented for the role, good show of emotions paired with masculine undertones and dominant-aggressive behavior. There is also something very attractive about her being fluent in many languages, and her ever-so slight accent when speaking English. Ebba Spare, on the other hand, otherwise known as "Belle", seems way too submissive in nature (even though she is a servant) and deserved more lines throughout the entire script. After watching the movie I barely remembered she was even in it until I read the cast again. But she looked more of like a doll on display rather than a living, breathing character. Kristina's advances towards her were very cringey. The whole movie seems rushed and much too fast-paced for my liking, or anyone's, for that matter. The message is pretty clear, but the delivery seems like they were given only a single evening to rehearse all of it. Felt a lot like a costume play, not a genuine royalty presentation such as it was done in Magnificent Century (Turkish) and The Tudors (British), and while these two were a televesion series, they should provide a role model for how all monarch-based flicks should appear and be viewed as. Also, as a side note, I think the way Kristina cut her hair near the end of the story was absolutely horrific and truly don't think that kind of a transition was necessary. All in all, an excellent story put into a less-than-mediocre visualization of all the "issues" going on in pre-Industrial Scandinavia. By no way is this the performer's fault, it's the directors producers that tend to nullify the end result of such a glamorous, touching story. But honestly, pretty actressess don't cover up the obvious peresence of spoiled and unskilled movie-making.
The super-interesting trailer for The Girl Kind promised more than was really in the movie. It's kind of an open and unfinished story on multiple levels - Kristina's reign regarding the military campaign, country reforms and her personal life. All these important stories were merely touched in the movie. We never got to see whether or not Kristina actually reformed anything in Sweden at the time, the military campaign was also very vague and her relationship with the Countess deserved much more. I indeed expected more to be seen between the two ladies in terms of chemistry and storyline. Though they shared enough time on screen, the relationship is missing a lot. We could only get a glimpse of Buska and Gadon's potential in a few scenes where they showed subtle, unspoken affection between the two characters. It's a pity the director did not use more of their talent to tell a very personal story of Kristina and how deep the relationship with Sparre must have been. There is enough historical evidence to confirm Kristina's sexuality. A character so passionate about knowledge, philosophy and art surely must have been even more passionate about the affairs of the heart. It's a pity only the dark side of it was depicted in the movie. In spite of this movie being about Kristina, obviously a lot of her is embedded in Sparre's character. Unfortunately, Sparre's side of the love coin was left unexplored.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.