Bart Layton
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The documentaire film The Imposter, starring Adam O'Brian, Nicholas Barclay, Carey Gibson, etc., directed by Bart Layton, was released on August 24, 2012 in Royaume-Uni. It tells the story of Un documentaire centré sur un jeune homme en Espagne qui fait croire à une famille texane en deuil qu'il est leur fils de 16 ans disparu depuis 3 ans. This is a Documentaire, Biographie, Crime film with a runtime of 99 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.4/10 from 52,513 viewers.
Bart Layton
dans le rôle de Director
Adam O'Brian
dans le rôle de Frédéric Bourdin
Nicholas Barclay
dans le rôle de Self - Missing Person
Carey Gibson
dans le rôle de Self - Nicholas' Sister
Bryan Gibson
dans le rôle de Self - Nicholas' Brother-in-Law
Beverly Dollarhide
dans le rôle de Self - Nicholas' Mother
Frédéric Bourdin
dans le rôle de Self - Imposter
Nancy Fisher
dans le rôle de Self - Special Agent, FBI
Philip French
dans le rôle de Self - Consul General, U. S. Embassy in Spain
Codey Gibson
dans le rôle de Self - Nicholas' Nephew
Charlie Parker
dans le rôle de Self - Private Investigator
Bruce Perry
dans le rôle de Self - Texas Children's Hospital
Allie Hostetler
dans le rôle de Self - Nicholas' Neighbor
Kevin Hendricks
dans le rôle de Self - Nicholas' Childhood Friend
Anna Ruben
dans le rôle de Carey Gibson
Cathy Dresbach
dans le rôle de Nancy Fisher
Alan Teichman
dans le rôle de Charlie Parker
Ivan Villanueva
dans le rôle de Social Worker
María Jesús Hoyos
dans le rôle de Judge
Bart Layton
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
source: The Imposter
OK. so i gave this movie a ten out of ten... it seeems incredibly high, but i was riveted by this film. the "truths", the reenactments, the acting, the cinematography, the imagination involved... Frederic Bourdin was absolutely compelling. His face is so unbelievably expressive. He could charm the pants off of anyone. it makes you sympathize (almost) with the family. (but not quite. The actor portraying him was fantastic, you could literally hardly tell that it wasn't actually Frederic in the reenactment scenes. It watches like a movie, thriller-style. it will boggle your mind! i've never been so entertained and riveted by a movie in my life. OK i'm gushing. see this Documentary. seek it out. *there is a movie based on the same events, but it is not nearly as compelling (in my opinion) But for those of you who were aching for more once the credits rolled, the title is "the Chameleon". *
The presentation is very well maintained. Story telling is great. This is unbelievable to know this is true incident. Do watch and judge yourself. Master minded.
This seemed like an Almodovar film and I had to keep reminding myself that these were NOt actors but the real people involved in a bizarre story. I was particularly impressed that everyone involved was willing to participate in making this film. The imposter, the victims, the law enforcement personnel. It did not seem as if this had happened sixteen years ago. The imposter has charisma and reminded me of the several characters in Almodovar films. This could easily be remade as a fiction film, but it probably would not be as good.
I was expecting much more from this documentary. Something bad happened to a 13 year old boy and a wanted by Interpol, whack-job French man causes a lot of trouble / grief and gets off way too light IMHO. Some of the stupidity by persons involved in this story will make you want to bang your head against the wall. How did these things actually transpire? Watching all the details about the case and the smugness of this lunatic creep will just tick you off. Not worth your time or the emotional investment.
I found the film dramatic, surprising, clever in its cinematography, thought provoking. So why did I rate it a "1"? I believe the film took unethical advantage of a family that had already suffered enormously from the disappearance of their boy, and portrayed them as exceedingly gullible, stupid and much worse, as possibly covering up their own heinous involvement, highlighting such possibility as real, even though hugely unlikely, but obviously creating effective tension and drama. That's great for a fictional film, beyond disturbing for a documentary.
Frederic Boudin supposedly has a wife and three kids in France. I really feel sorry for the wife and kids, because this woman's husband is a lowlife, and the kids probably believe their father is a good person, which is obviously is not. He is one of the lowest forms of humans on the planet. First, this family suffers a missing person. Then after three years, this lowlife pretends to be the missing boy. The third tragedy is the kind of life that Boudin had to make him into this kind of unfeeling, cold, individual, who would stop at nothing to get what he wanted. I will stop short of hoping one of his kids gets kidnapped so he can know how it feels. A very compelling documentary.
This film is exploitative dramatization. I need to write four more lines for this to be submitted. Documentary films should present the facts. People should be allowed to decide for themselves. This film twists and turns a very sad story into something completely detached from reality.
I was very impressed by the affect this documentary had on me. I had never heard of this story in the news and it was a complete shock for me to hear about the events that took place. The most surprising element to the film is the fact that the "imposter" could successfully steal the identity of a missing child. You keep asking yourself how could this happen? How can a family make this mistake? The plot is intense and keeps you guessing "what will happen next?" It has some twists in it that I actually gasped while watching it alone and found my self sitting on the edge of my seat. I would absolutely recommend this documentary to anyone I know. I absolutely loved it. It was disturbing and mysterious on so many levels. It is, undoubtedly, a must-see.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.