Michael Dweck
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The documentaire film The Last Race, starring Marty Berger, Barbara Cromarty, Jim Cromarty, etc., directed by Michael Dweck, was released on November 16, 2018 in États-Unis. It tells the story of A sumptuous Sundance doc depicting the Long Island birthplace of stock car racing where only one track remains. Located on prime real estate, the real tors are circling. The property is worth millions and only the love and integrity of the track's community and elderly owners keep the bulldozers at bay. Stunning cinematography immerses us in the intimate world of grassroots racing, at a time when its future is in the balance. Can this great blue collar American pastime survive. This is a Documentaire, Sport film with a runtime of 75 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 329 viewers.
Michael Dweck
dans le rôle de Director
Marty Berger
dans le rôle de Self - Real Estate Developer
Barbara Cromarty
dans le rôle de Self - Race Track Co-Owner
Jim Cromarty
dans le rôle de Self - Race Track Co-Owner
Bob Finan
dans le rôle de Self - Announcer
Scott Kraniak
dans le rôle de Self - Racing for Jesus Pastor
Ed Mistretta
dans le rôle de Self - Driver
Tim Mulqueen
dans le rôle de Self - Driver
George Muse
dans le rôle de Self - Owner of 'Comet'
Larry Oxman
dans le rôle de Self - Real Estate Developer
Tom Pickerell
dans le rôle de Self - Driver
Millie Thomas
dans le rôle de Self - Real Estate Broker
Rick Todd
dans le rôle de Self - 'Captain Video' Videographer
Tommy Walkowiak
dans le rôle de Self - Driver
James White Jr.
dans le rôle de Self - Driver
Mike Cappiello
dans le rôle de Self - Track Official
Jack Handley Jr.
dans le rôle de Self - Driver
Romilda-Nita
dans le rôle de Self - Girlfriend
Ron Pickerell Jr.
dans le rôle de Self
Michael Dweck
dans le rôle de Writer
Gregory Kershaw
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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I have been watching racing for 50 years. This is by far the worst documentary I have ever seen. No information shared, the photography is useless. You could have told the story in three minutes. I have no idea who the people were, there back stories, the why, or anything. Terrible story telling and I am a huge fan of grass roots racing and cheesy shows and documentaries, but this is the worst I have ever seen. So sad. They asked about a Spoiler alert? There are none, nothing to spoil. The story is so bad, one scene is a stationary camera shot of the office and Jim it trying to open a package with his teeth. No dialogue, no explanation. NOTHING. Another scene is from a race car, it passes every car and then the wall is shown for several laps. Then smoke, did it break, who is it, did he win? Again, nothing. So bad.
From start to finish . . . From the title to the closing credits . . . This was a negative depressing presentation. It dwelled on the "junk" classes that race at Riverhead . . . The dregs of racing . . . The despair of the Cromartys. Ugh. It never mentioned or displayed the top class . . . The Modifieds . . . Which are very fast, very costly race cars driven by very accomplished wheelmen. The production made Riverhead look like a little hick track that is standing in the way of progress . . . I.e. Another damn Wal-Mart. This is a well-produced piece of trash that does nothing but hurt the sport of racing. I am not sorry that I watched but I damn well will not recommend it to anyone for fear of triggering a dismal look at motorsports . . . And life in general.
I really couldn't get behind the way this movie was filmed. Maybe there was a time quota they had to fill but a little less than half of this doc could have been cut out. A lot of abstract angles of the track and silent close ups on drivers that's would be nice additions if they weren't 4 minutes long a piece. That being said, I was still able to finish it and enjoyed what little bits of actual interviews there were.
This movie is the epitome, of what I feel, of car culture basics. This movie properly and well presented of the community's focus and services that the car culture provides. The movie shows how the community socializes and how the community contributes to each other's lives. What I feels is what needs to be absorbed and well grasped from this movie is the whole unity of the car cultures social foundation. The car culture, was generally showcased as a culture of isofocused, for a lack of a better way to describe the context, but the car culture community, is not revolved around that reality. The reality of these people, from what I've obtained from the movie, is the whole association of the abilities to understand the car's capabilities, and mostly the car's historical significance and the importance of the car's performance. By having this "understanding" of the car's capabilities, will definitely provide you the insights of what it really means to have a "bet" on car racing. When you delve into the car culture, you'll definitely and quickly find the appreciation of what car racing is and does for the person. The Last race was a well created movie of what the car racing community does and focuses on.
I'm a huge grassroots, Saturday night racing fan. I was very excited to see this after seeing the trailer. However it is painfully slow, poorly edited and an hour plus of my time that I won't get back. It gets a three with me because some of the interviews are very good. However most of this is just long silent shots with absolutely no context. Just adding a narrator to this would have dramatically increased the reviews. Such a disappointment.
This documentary on Riverhead Raceway, on Long Island, N.Y., brought back memories to me of going to Freeport Raceway on Long Island (one of 40 active stock car tracks at the time) as a kid with my family for a night of racing and excitement. Alas, Riverhead is the only remaining track of its kind in the area and seemingly barely hanging on, with its aging but dedicated owners Barbara and Jim Cromarty, and land developers on all sides of the track impatiently waiting for them to sell so they can develop another strip mall or parking lot on the valuable land. This is not your typical doc, with its emphasis on the atmospherics of the stock car venue and the often quirky drivers and characters who keep it running. The film often seems disjointed, as it skips from one scene to another seemingly randomly. Thus, it will most likely turn off some viewers who expect a more traditional and orderly movie. Overall, I found this doc to illustrate a slice of Americana that's still active but that more often than not will fade from our history. Look for raw language throughout with the film being only about 1 hr. and 15 mins. in length.
This was all too real. It was far too real. Perhaps the most depressing metaphor for what we all face as we age. It's as good as doc's can achieve, but as eye-opening a film about aging and "development" as one can view.
Let me start off by saying that I am a grassroots racing fan. Growing up, Saturday night was the night to go to the track with my dad and watch the asphalt gladiators do battle. I was fortunate enough to be able to race at my home track for a little while and will cherish those moments forever. Our track also went through owner changes, sitting dormant for a year and NASCAR affiliation coming and going. I saw this film advertised on Facebook, but unfortunately the trailer pretty much sums up the entire film. There are some real moments, such as the interview with the track owner towards the end of the film and the driver speaking of winning a race for his father after he had passed. The film does show what the track means to the racing community, especially being an area where so many tracks were prevalent during the birth of auto racing. That being said, this film is entirely too slow. The majority of the content is absolutely nothing. The opening scene set the tone for the film. I can appreciate the message that the film does loosely deliver, but it failed to deliver with any true excitement. There is some cool racing footage in the film, but most of it is just oddly misplaced here and there. Again, I can appreciate the people in the film and the message being made, but I feel it could've been portrayed in an entire different light.
You don't need to be a fan of stock car racing to appreciate "The Last Race," a beautiful portrait of a vanishing piece of Americana. The film examines a small-town race track, the blue-collar players that inhabit it and the close-knit community that revolves around it. Throughout the film it's impossible to stay apathetic to the sight of local heroes (race car drivers), the elderly track owners and the characters that frequent the race track who might lose their beloved track to real-estate development greed. The film is loaded with life-or-death stakes (even thought the film couldn't be further away from NASCAR's world), intimate camerawork and impressive sound design. Director Michael Dweck uses long takes and little talk, and lets the environment and visuals do all the explaining. Dweck found beauty in an unusual place and has shared it with all who care to look at it.
Interesting documentary about racing car culture and how it all works. I was excited to see this and had high expectations. There are some long shots without audio. Some parts are bland but in general a good watch.
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Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
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