Marcus Lim
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film The Man on the Other Side, starring Mari Bensel, James Carney, Nils Schulz, etc., directed by Marcus Lim, was released on July 1, 2021 in Royaume-Uni. It tells the story of It is 1974, and in the Cold War paranoia of East and West Germany, it can be dangerous to know too much. But time is running out for Sophie Zimmermann. She is being hunted and the only way to survive is to find out the identity of. This is a Drame, Thriller film with a runtime of 85 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.7/10 from 347 viewers.
Marcus Lim
dans le rôle de Director
Mari Bensel
dans le rôle de Sophie Zimmermann
James Carney
dans le rôle de Englishman
Nils Schulz
dans le rôle de Dieter Schäfer
Jörg Malchow
dans le rôle de Staatssekretär
Christoph Felix Degener
dans le rôle de BND Agent
Thomas Hillenbrand
dans le rôle de Stasi Agent #1
Saskia Märkl
dans le rôle de Jekaterina
Annika Nemec
dans le rôle de Sekretärin #2
Justus Felix Schmidt
dans le rôle de Stasi Agent #2
Marcus Lim
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
source: The Man on the Other Side
I'd love to rate this higher. Mari Bensel is captivating and easily the best part of the film. Hard to believe that her character thinks of herself as 'plain'. She's anything but. The camera work is good, and the acting is fine all around. The choice of a love interest for Ms. Bensel may leave viewers shaking their heads though. She and her lover make the oddest-looking odd couple the screen as seen in a long, long time. There are some good things in this film. Alas, both the plot and the plot devices aren't among them. While the set-up that leads to the action is understandable and, perhaps, even believable, from then on anyone over the age of three can tell what's really going on and how it will play out. It's that obvious. Oh, and the plot holes.... too numerous to mention (for a spy movie, it seems the dumbest spies in the world were chosen to tell their tale) reduce the potential tension in the film to a whole lot of 'hey, what about???' moments. The worst part? The 'McGuffin', the reason or driving force behind all the action, is left in the wrong hands for any kind of resolution. Enjoyed Mari Bensel from start to finish, but this film strained credibility way too many times.
I totally agree with two of the reviews of this film. Mari Bensel totally owns this movie as Sophie Zimmerman, the secretary embroiled in East/West espionage in the 70's. An easy way to hide the seventies setting is to set most of the film in one place, i.e a holding cell. The other leads are also good, just a shame you kind of knew what was going to happen. Sophie, trust nobody.
Should have been titled "I love Dieter". I understand that this is a small-budget production and a small story about a Sophie, a secretary turned into spying for love, but despite the decent performance of the actors involved, it feels more like a doomed love story with a background of spying than a Cold War spy story. Besides, it is quite clear from the setting that the Englishman is none too clean himself... just as Sophie should get some info out of him, he could be planted next door to do the same. If it wasn't clear enough, several frames show him in a sinister light and you can add all that stuff about women being too ready to trust as a dead giveaway. As mentioned, way too much lovey-dovey stuff between Sophie and Dieter, lack of tension, tired situations like hitting the bad guy only once instead of taking care of knocking him off for good and silly ending. Barely worth a watch.
I was pleasantly surprised with the rich storyline this movie came with. It was unusual for an asian director to even attempt a spy genre, but he expertly injected the mental and emotional struggles of his characters amidst a trying dark time in that part of the world, that i yearned for more. A sequel on Sophie should be considered.
Why doesn't Netflix have this on their platform? It's the perfect film for their demographics. Spy Thriller, 80s style, Gritty. Despite the low budget, the film has an intelligent story to tell about the Cold War between East and West Germany, and the emotional toil it inflicts on people. Far better than those big, loud, annoying action films. The lead actress Mari Bensel carries the film with a strong, gutwrenching performance. Scenes are set in limited places, but works well for the story they are telling. Good footage of gritty, industrialised East Germany.
Not a bad story but not unique. I have to remove a few points: one for being predictable; one for poor action sequences (not much action- the story didn't need it); one for incompetent bad guy moving in slow motion; one for incompetent and protagonist (the very tired cliché of failing to take advantage of the bad guy being stunned... for the love of God, take his gun while he's knocked out); and one for a careless ending and pretending there was a surprise.
source: The Man on the Other Side
Should have been titled "I love Dieter". I understand that this is a small-budget production and a small story about a Sophie, a secretary turned into spying for love, but despite the decent performance of the actors involved, it feels more like a doomed love story with a background of spying than a Cold War spy story. Besides, it is quite clear from the setting that the Englishman is none too clean himself... just as Sophie should get some info out of him, he could be planted next door to do the same. If it wasn't clear enough, several frames show him in a sinister light and you can add all that stuff about women being too ready to trust as a dead giveaway. As mentioned, way too much lovey-dovey stuff between Sophie and Dieter, lack of tension, tired situations like hitting the bad guy only once instead of taking care of knocking him off for good and silly ending. Barely worth a watch.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.