Paul G. Volk
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drame film The Night They Came Home, starring Charlie Townsend, Tim Abell, Brian Austin Green, etc., directed by Paul G. Volk, was released on January 8, 2024 in États-Unis. It tells the story of Un homme de loi de la frontière s'associe à un détective indien pour traquer une bande d'adolescents criminels sans pitié connue sous le nom de Rufus Buck Gang. This is a Drame, Western film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.6/10 from 491 viewers.
Paul G. Volk
dans le rôle de Director
Charlie Townsend
dans le rôle de Rufus Buck
Tim Abell
dans le rôle de Heck Thomas
Brian Austin Green
dans le rôle de Chuck Palmer
Kassius Marcil-Green
dans le rôle de Tommy Palmer
Kelsey Reinhardt
dans le rôle de Jolene Palmer
Robert Carradine
dans le rôle de Bart
Phillip Andre Botello
dans le rôle de Lucky Davis
Nicholas Rising
dans le rôle de Lewis Davis
Hugh McCrae Jr.
dans le rôle de Sam Sampson
Chase Stephens
dans le rôle de Charles Buck
Ivan Villanueva
dans le rôle de Maoma July
Peter Sherayko
dans le rôle de George Maledon
Tommy Wolfe
dans le rôle de Paden Tolbert
Jesse Kove
dans le rôle de Wayfaring Stranger
Jayd Swendseid
dans le rôle de Peta Nocona
Anna Florence
dans le rôle de Ellie Patterson
Patrick Durham
dans le rôle de Spencer Patterson
Caroline Plyler
dans le rôle de Rosetta Hassan
John A. Russo
dans le rôle de Writer
James O'Brien
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
As an avid fan of Westerns and always looking under that rock for the next great story-regardless of budget, i.e. "Bone Tomahawk"-I tried to give this one a chance. This one absolutely sucked from the first scene on; and kept getting worse. I stuck it out, but it's nearly two hours I will never get back. The dialogue was preachy and dumb. The camera work was erratic and novice, oftentimes looking like it was filmed on a iPhone. I'm amazed that shows like this make it beyond the pitch to production. This movie was absolutely horrible in every measurable way. I would rather take up crochet or eat a warm bucket of hamster vomit than sit through this hot mess of a feeble attempt at cinema.
Tim Abell carries this well-directed Western as Deputy US Marshal Heck Thomas and delivers his best performance yet as he brings this kickass, no nonsense lawman to life. Newcomer Charlie Townsend sells it soundly as outlaw Rufus Buck and it was good to get a cameo from Robert Carradine (The Long Riders). Considering it was based on a true story, there were some historical facts that needed to be explained, which may have affected the pace but stories have to be told and that takes time. Production value was solid. All in all, it was a well-told story with great action sequences, and far better than some recent Westerns with bigger budgets. Well worth a look!
Decent Story "B" western... The movie had a pretty good story line. I liked how they presented the viewpoints of different groups and people fairly and realistically, although a bit difficult to swallow at times. It looked like pretty low budget otherwise, but the actors were very well cast I think and most of them did a pretty good job. People have sort of likened it to a Cage movie where you can't quite decide if it's good or bad. But at the end, I'm glad I saw it. It had a realistic message which was explored somewhat with the interactions between the different groups and different interests. I think a good point it made is that getting along is largely determined on an individual by individual basis and how they've decided to fit in into an imperfect world. Sometimes the good guys had good points, sometimes the bad ones did. Nobody's perfect, and this was a good exploration into the complex communities which existed and vied for influence in the twilight years of the Wild Wild West. Some people will surely find it a bit cringe that any of us ever acted this way, but this is just fact. I didn't regret seeing it, let's just put it that way. I would give it 3-4 stars for the actual production, but the story/dialogue/performances really rose above the other issues with sets/wardrobe and were more like around a 6 or so. I'd say this is just about average all things considered; Acceptable.
Worst piece of garbage of social justice, of weakly written, poorly conceived, and stink up junk to waste film on. The costumer should be fired. The prop person should be fired. The writer should be fired. The director should be fired. A low budget film can happen. Case in point: Bone Tomahawk. Obviously that movie was made on a dime. Some of the costumes were meh, but at least the dialogue sparkled with a sort of authenticity. As an actor it must be torture to recite lines that are so poorly written, so full of anachronistic language. About the only good thing in this flick was the gang's demise.
One of many micro budget films with a washed up star plastered on the poster, The Night They Came Home pretends to retell the story of the real life Rufus Buck gang. But instead of a western biopic, what we get are endless musings about race and white-man-bad. The writers did put some nuance into the dialogue though, and it's not as stupidly on the nose as a Disney production or something of the sort. There are some moments of genuine tension (when they come across a man and his son who they hold an impromptu trial for), and some moments of nuance. After giving a long speech about the injustice of racism to a reporter, once the reporter is gone, the gang breaks out in laughter at the idea of the reporter having bought that * and bull story. It is a testament to the actors portraying the gang members, that the ridiculous writing can be brought to the screen at all. Charlie Townsend as Rufus Buck has genuine talent and will hopefully receive better material in the future. Production value is nonexistent here, color grading is awful for the most part, and the cheap digital look can make even nice landscapes look terrible. I get better looking shots on my Iphone. The music is stock music quality as expected. Danny Trejo has a glorified cameo as narrator so they could put him on the poster, but his scenes just suck the air out of what little narrative there is. Overall it's quite terrible, but there's talent among the cast.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.