Frédéric Garson
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series Une mère parfaite, created by Thomas Boullé and produced by an unlisted studio, first premiered on June 3, 2022 in Belgium. The series spans 1 season with 4 episodes, featuring the voices of Julie Gayet, Tomer Sisley, Eden Ducourant, and Andreas Pietschmann. It follows the story of La vie bien d'Hélène Berg est bouleversée par un coup de téléphone. Sa fille, Anya, est accusée de meurtre. Hélène est convaincue de son innocence, cependant, les enquêtes mettent au jour des preuves compromettantes contre Anya. This is a Crime, Drame, Mystère series and has received a rating of 6.0/10 from 2,135 viewers.
Frédéric Garson
dans le rôle de Director
Julie Gayet
dans le rôle de Hélène Berg
Tomer Sisley
dans le rôle de Vincent Duc
Eden Ducourant
dans le rôle de Anya Berg
Andreas Pietschmann
dans le rôle de Matthias Berg
Cyril Gueï
dans le rôle de Capitaine Julien Mani
Sylvain Dieuaide
dans le rôle de Franck
Maxim Driesen
dans le rôle de Lukas Berg
Emilia Nöth
dans le rôle de Mia
Halima Ilter
dans le rôle de Maryam
Hatik
dans le rôle de Bash
Inès Spiridonov
dans le rôle de Julie Gauthier
Susan Angelo
dans le rôle de Claire
Manesca De Ternay
dans le rôle de Richterin
Manesca De Ternay
dans le rôle de La juge
Frédérique Tirmont
dans le rôle de Elisabeth
Clotilde Daniault
dans le rôle de Céline
Clotilde Mollet
dans le rôle de La Psychologue
Vinciane Millereau
dans le rôle de Claire Carnau
Charles Créhange
dans le rôle de Damien Carnau
Thomas Boullé
dans le rôle de Writer
Carol Noble
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
This was tedious to watch. It's only four episodes long... and that's five episodes too many. By the end of the fourth episode I was fast-forrwarding to shorten the torture. The acting by the two female leads is so flat and lifeless that it might be the real crime in this series. Mother Hélène's face rarely moves much, and she spends a lot of time speaking in breathless, whispered tones. The viewer suspects that Hélène may in fact suffer from Resting B Face all the time, not just when her daughter stands accused of murder. And what police force would tolerate her messing about in an investigation like this? It feels totally unrealistic and frankly I wish they'd put her in jail too. (How do you say "entitled Karen" in French?) As for daughter Anya, she evokes no sympathy even at the outset. She made bad choices, and bad things happened to her. But that alone isn't enough to make her character or predicament intriguing to the viewer. Other characters in this slow-paced melodrama the just felt irrelevant and pointless through the entire story. Does it really matter in every episode if Lukas gets to finish his exams on time? Were various hospital scenes exploring the complications from little Farida's face transplant surgery necessary? Tangents anyone?? There were some twists and turns in here--and the ending certainly turns the tables on Anya. But by the time you get to the end, you just don't care anymore. You just want it finished.
Albeit a little slow paced this series is well paced and with the watch , the lawyer is excellent and all characters are well defined even the father who shines as a kind of loser which is not easy to cast...good narrative and script with interesting twists .. maybe not quite dark enough and a lack of interest can come up as the story line does come through as not very original ...the movie deserves a better rating because in the genre there is suspense and it is enjoyable to watch ..in fact it lacks a little plausible aspects which ruins to some extent the interest . I do recommend the watch as you will spend some good time watching it.
This story is a very interesting idea, unfortunately there are several issues. To begin with, none of the characters are likable. At the beginning you may have some sympathy for the mother but as the story progresses you start to lose it. The end is very very very disappointing and makes you wonder what was the purpose of this series. Usually you finish a show wishing the characters get the best outcome, but this time I wish they'd had it worse (except for the lawyer). The more I watched the less I liked them. I wouldn't mind hating the characters if at least they've got what they deserve, but they don't. There are some plot twists, which is good, but you could predict them along the way. It should also have been shorter than 4 episodes, the last one was too slow and got boring some times.
No pun intended - no one is perfect of course. Also I am no one (or was it nobody?). Kidding aside, the show does not warrant too many jokes - it actually is quite serious. And it is quite twisty to say the least. I reckon some of the twists will be sort of predictable .. or at least you will be able to guess which direction this will go. So there are some repetitive things going around and maybe you are suspicious of certain things ... whatever the case, I do like thrillers and the show does a decent job of keeping us occupied and engaged ... even if we are not entirely sure who to root for. It probably could have done being shorter (an episode or something along those lines) ... but it still is a nice thing to watch ... especially if you are into this kind of genre. Acting is fine and the language change from time to time is not really something that should bother you either.
The first 2 episodes were engaging, even with Mom knowing more than the lawyer she hired and the police. I suppose her whining about saving her daughter was supposed to make you feel empathy? Sympathy? It was more like everybody is wrong but me. Daughter accused of murder, daughter was raped and Perfect Mom is hunting down aliens and drug dealers. Right. Episode 3 was worse as she continued to argue in the face of the obvious. And finally, the last episode crumbled into disbelief and questionable legal moves. The daughter is released to continue her ways and Mom just stands there, knowing the awful truth but unwilling to do anything about it. What a waste.
A lot of reviews here are pretty critical, and they all have a point, but I found the whole package convincing enough. The main weakness was the rather wooden performances of the mother and daughter who are under immense stress; the plot around the son was a bit weak too, I agree that it might have worked better if he was gay; the issues raised (family, parenting, law, guilt and innocence, illegal immigration, the Paris / Berlin connection) held it well. It might have been better as a film. Let's see a few more family dramas set in a wider context, the formula is irresistible if it's done well.
I'd worked out whodunit by halfway through episode two but not why - that would come near the end of the final moments of the drama. But how could the cops be slower than me? In the face of continual lying and stories that didn't add up they seemed to be bending over backwards not to get the correct person convicted. At the same time that all this was going on in Paris, another drama was playing out in Berlin. Neither the main plot in France nor the sub plots in Germany were particularly convincing; I'd have been more impressed if Lukas had turned out to be gay which looked for a while how things were going. I'm not sure a French lawyer would have compromised his ethics as badly as Maître Duc. I can't imagine a British barrister doing what he did. That he wasn't up before the disciplinary committee for his known infractions was a wonder. As he himself said, lawyers aren't allowed to investigate themselves for obvious reasons. He was doing so openly. The ending was equivocal. Did Hélène stop being the "perfect mother" and seek happiness instead or did she carry on with the sham? I don't think there'll be a second season so we shall never know.
Ok. Holds interest since you want to know ending. The mother looks confused the whole series. Her face is frozen. Tthe daughter and son are 2 whining rich kids. The ending leaves you wondering, with mom standing on the steps totally confused again. Give it a try.
This series was short, only 4 episodes, by the end of the second episode, I had already figured out everything about Anya, and how it would end, nevertheless, it was easily watchable.
This got more annoying as it went on. Far, far too much padding, notably with the Berlin angle. It needs a good edit down. The final episode progressed at a snail's pace and was utterly tedious. In the end I didn't really care about any of characters with the exception, perhaps, of the lawyer played by Tomer Sisley.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.