Soon-rye Yim
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The action film Gyoseob, starring Hwang Jung-min, Hyun Bin, Kang Ki-young, etc., directed by Soon-rye Yim, was released on January 18, 2023 in Corée. It tells the story of Un diplomate coréen est envoyé en Afghanistan lorsqu'un groupe de touristes sud-coréens est pris en otage par les talibans. Il est contraint de faire équipe avec un agent spécial pour sauver les survivants. This is an Action, Crime, Drame film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 1,983 viewers.
Soon-rye Yim
dans le rôle de Director
Hwang Jung-min
dans le rôle de Jung Jae-ho (Diplomat)
Hyun Bin
dans le rôle de Park Dae Sik [NIS Agent]
Kang Ki-young
dans le rôle de Kasim
Kang Ki-young
dans le rôle de Lee Bong-han
Lee Seung-cheol
dans le rôle de Minister Choi
Jae-Sung Jung
dans le rôle de Vice Minister Kim
Park Hyoung-soo
dans le rôle de Park Jeon-ryak
Ahn Chang-hwan
dans le rôle de Sim Jeong-bo
Iyad Hajjaj
dans le rôle de Afghan representative
Sung-woo Jeon
dans le rôle de Cha Seo-gi
Hani al Khaldi
dans le rôle de Taliban Deputy Commander
Lee Chun-moo
dans le rôle de Mi-sook's son
Fahim Fazli
dans le rôle de Taliban leader
Go-Ha
dans le rôle de Jin-Hee
Habes Hussein
dans le rôle de Ourrani
Kwon Hyuk
dans le rôle de Secretary
Ji-Ae Lee
dans le rôle de News presenter
Jung-in Choi
dans le rôle de Hong Mi-sook
Young-soo Ahn
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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"The Point Men" unfolds as a riveting and expertly crafted hostage drama, casting an unflinching spotlight on the harrowing realities of a South Korean hostage crisis. In the grand tradition of South Korean cinema, renowned for its adeptness at translating real-life incidents into compelling, no-nonsense narratives, this film stands as a testament to the nation's prowess in storytelling. In a narrative parallel to its predecessor, "Escape from Mogadishu," the film seamlessly weaves urgency into its fabric, ensuring that the audience is gripped by the relentless pace of unfolding events. A noteworthy strength of "The Point Men" lies in its screenplay, a captivating and realistic tapestry that avoids the pitfalls of forced storytelling. The film navigates the treacherous terrain of a hostage crisis with finesse, never succumbing to contrived plot devices. The infusion of humor, skillfully executed by Kang Ki-young, serves as an additional layer of authenticity, seamlessly integrating moments of levity amidst the gravity of the situation. While the absence of elaborate action set pieces may be perceived as a drawback by some, it is a conscious choice that bolsters the plausibility of the narrative. The filmmakers prioritize the integrity of the premise over gratuitous spectacle, a commendable decision that enhances the film's credibility. In the realm of performances, "The Point Men" benefits immensely from the formidable talents of Hyun Bin and Hwang Jung-min. Although newcomers to my cinematic purview, their prowess as actors is immediately evident. Their portrayals are marked by authenticity and naturalism, adding a layer of gravitas to the unfolding drama. The chemistry between the leads enhances the film's emotional resonance, making their characters' struggles palpable to the audience. This synergy between compelling performances and a well-crafted narrative elevates the film beyond the trappings of a conventional hostage drama. As a thrilling exploration of a genuine hostage crisis, "The Point Men" captivates audiences with its honesty and unwavering commitment to true storytelling. Those anticipating elaborate action sequences may find themselves disappointed, as the film deliberately eschews such embellishments in favor of a more grounded depiction of events. However, for aficionados of sincere and gripping narratives, this film emerges as a compelling addition to the genre. It's a testament to South Korean cinema's ability to delve into complex, real-world scenarios, presenting them with authenticity and an engrossing narrative that resonates long after the credits roll.
Bon film !
It's taken a while for this true story about the 2007 hostage crisis in Afghanistan to come to the screen but it was worth the wait. This movie isn't a non stop action thriller like Escape from Mogadishu. It deals realistically with the process of negotiation with the Taliban step by step with mistakes and all the back and forth dealings. This isn't boring - it's fascinating. The acting is fine. As the negotiator Hwang Jung Min is a superb actor totally convincing - check him out in Narco Saints. Hyun Bin looks sufficiently bronzed and bearded to play a Korean who has been there for a while and knows the ways of the country. Although he has one tense action sequence his character is not a superhero here and that's good. He screws up too. When it's a true story like this one you don't need unrealistic heroics. Need to understand missionaries were not welcome there because of the religious aspect but volunteers to help the people were. Production is top notch with on location filming in Jordan and the hellish atmosphere of Afghanistan captured well. You can almost feel the heat and dust. The viewer is brought face to face with the Taliban and that's better than some of the Hollywood treatments of the subject which seem redacted and remote like Zero Dark 30. No torture here or focus on the killings. There is an overwhelming lesson here about not recklessly going into dangerous countries especially when warned. See all the trouble it caused.
In 2006 a group of South Korean missionaries was taken hostage by the Taliban in Afghanistan. The very conservative moslim Taliban are no friends of anything other than their own belief, and as soon as they find out that the hostages are not volunteers, as they make them believe, they give the other side a hard time to get them released. It results in a complicated poker game of exchanges of hostages, prisoners and money. Hyun Bin is almost like a Korean James Bond involved in this action drama that contains a few very gripping scenes. Especially one pursuit is very well made. The whole story is well told down to every detail.
I'm an egyptian, don't know much about Afghanistan other than what's on the media (which is not true most of the time) but anyway i have that stereotypical image of Afghans and Taliban. I like that the movie is based on a true story, the makers did not hide the fact that the missionaries were going "to spread Christianity" in a "strict Muslim country" and they showed both sides of Afghanistan, kind people who believe in peace and respect to all humans and extremists who use violence for their own benefits. Not here to defend my religion or give lectures about Islam, but it breaks my heart that people might think most of us are extreme, but I wanna thank the makers for showing that being extreme has nothing to do with religions. Also, love the locations and sets, even the editing is fabulous, i felt convinced most of the time. Huge applause for the cast, Hyun Bin sir your dedication to every character never fails to amaze me.
In 2006 a group of South Korean missionaries was taken hostage by the Taliban in Afghanistan. The very conservative moslim Taliban are no friends of anything other than their own belief, and as soon as they find out that the hostages are not volunteers, as they make them believe, they give the other side a hard time to get them released. It results in a complicated poker game of exchanges of hostages, prisoners and money. Hyun Bin is almost like a Korean James Bond involved in this action drama that contains a few very gripping scenes. Especially one pursuit is very well made. The whole story is well told down to every detail.
It's taken a while for this true story about the 2007 hostage crisis in Afghanistan to come to the screen but it was worth the wait. This movie isn't a non stop action thriller like Escape from Mogadishu. It deals realistically with the process of negotiation with the Taliban step by step with mistakes and all the back and forth dealings. This isn't boring - it's fascinating. The acting is fine. As the negotiator Hwang Jung Min is a superb actor totally convincing - check him out in Narco Saints. Hyun Bin looks sufficiently bronzed and bearded to play a Korean who has been there for a while and knows the ways of the country. Although he has one tense action sequence his character is not a superhero here and that's good. He screws up too. When it's a true story like this one you don't need unrealistic heroics. Need to understand missionaries were not welcome there because of the religious aspect but volunteers to help the people were. Production is top notch with on location filming in Jordan and the hellish atmosphere of Afghanistan captured well. You can almost feel the heat and dust. The viewer is brought face to face with the Taliban and that's better than some of the Hollywood treatments of the subject which seem redacted and remote like Zero Dark 30. No torture here or focus on the killings. There is an overwhelming lesson here about not recklessly going into dangerous countries especially when warned. See all the trouble it caused.
Bon film !
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.