Lieu de tournage
127A Smithfield Road, Frederiksted, Virgin Islands
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The action film The Quake, starring an unlisted cast, directed by an unlisted director, was released on December 14, 2018 in Norway. It tells the story of In 1904 an earthquake of magnitude 5.4 on the Richter scale shook Oslo, with an epicenter in the "Oslo Graben" which runs under the Norwegian capital. There are now signs that indicate that we can expect a major future earthquake in Oslo. This is an Action, Drame, Thriller film with a runtime of 106 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.7/10 from 12,360 viewers.
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
source: The Quake
The Norwegian "Skjelvet", a.k.a. "The Quake", is an overrated disaster movie. The special effects are indeed stunning and worthwhile watching, but the predictable storyline and characters are disappointing. Kristian Eikjord is unpleasant and strange and most of the characters have stupid attitudes. The abrupt conclusion is weak. My vote is five. Title (Brazil): Not Available
You watch and can't help wondering why Norwegians never believe it when a natural disaster is coming. Especially the ones who's actual job it is to monitor those things. Their lackadaisical attitude to impending disaster in both films was so astounding that you can't believe people can be this stupid. And the idiot son who was too scared to swim in the prequel is back, and ignores his father's text warning to leave the building in this part making him even dumber than he was in part 1. That aside, the earthquake scenes were great, but it's sad that they have to depict Norwegians as too stupid to live in order to move the plot along. 5 stars for the earthquake scenes.
1h30 of nothing , 30 min on a elevator and an building , all the movie is on the trailor
The prequel of this movie was The Wave (Bolgen) and was slightly better than The Quake (Skjelvet), but I still rate it the same because there are some moments of suspense towards the end even though it were also those same moments that were annoying at some point. Annoying because of the characters having a little chat or emotional moments while the only thing they had to think about was trying to escape death and disaster. It just didn't make any sense and therefor it brings the ratings down. The actors were the same as in The Wave but again I thought they did a better job in the prequel, maybe due to the story telling this time. But if you like disaster movies it's worth watching once. To me it could have been much better if there were more disastrous moments and lesser emotional moments. When you fight for your life there is just no time for sentiments.
Another good norwegian movie with great photography, tension and good acting.
I expected this movie to be better than the first one, The Wave, but I was very disappointed. Most of the movie is boring family drama. Like many other disaster movies, it has a kid who runs away and doesn't do as she's told, which creates even more drama. The buildup to the disaster took too long and when it first started, it was over too fast. There were also a lot of unanswered questions about the storyline. I really wanted this movie to be good and I really thought it would be, because of all the hype and all the positive critics reviews, but I was bored most of the movie.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.