Max Lang
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The animation film La Baleine et l'Escargote, starring Diana Rigg, Sally Hawkins, Rob Brydon, etc., directed by Max Lang, was released on October 5, 2021 in Royaume-Uni. It tells the story of A tiny snail goes on an amazing journey by hitching a ride on the tail of a huge humpback whale. Based on the picture book written by Julia Donaldson and illustrated by Axel Scheffler. This is an Animation, Adventure, Comédie film with a runtime of 120 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 1,964 viewers.
Max Lang
dans le rôle de Director
Daniel Snaddon
dans le rôle de Director
Diana Rigg
dans le rôle de Narrator
Sally Hawkins
dans le rôle de Snail
Rob Brydon
dans le rôle de Whale
Cariad Lloyd
dans le rôle de Teacher
Max Lang
dans le rôle de Fish
Arnold Brown
dans le rôle de Other Snails
Emma Tate
dans le rôle de Other Snails
William Barber
dans le rôle de School Child
David Cummings
dans le rôle de School Child
Charlotte Davis-Black
dans le rôle de School Child
Emmy Dowers
dans le rôle de School Child
Mia Wilks
dans le rôle de School Child
Julia Donaldson
dans le rôle de Writer
Axel Scheffler
dans le rôle de Writer
Max Lang
dans le rôle de Writer
Suzanne Lang
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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❤️ cartoon movie
source: The Snail and the Whale
This gives insight into how small we humans are. Shows the big world some of us have never seen. Relaxing, simple, funny, creative. Perfect way for those who don't like reading to remember those books. Could be just the way original author imagined it. Magical like dream insight into world, especially nature and animals. Also the shooting stars. All the beings look alive, active, and human like. Also good insight into sea world, and into life of snail. But still not as magical as The Snowman (1982) .
The seventh was The Snail and the Whale, a tale about a snail on the tail of a whale, traveling the ocean to see the world. Based on the children book with the same name, it was a sweet and happy story. The animation of the ocean was beautiful and spectacular. Also, there was heart in the theme and I appreciate it. 7.5/10.
As with the other stories in the franchise, its simple but effective.
The Snail And The Whale This was a slow burning story. It didn't wow me at any point, but it cruised by gently and took me on a sweet journey along with the Snail and her new Whale friend. It was very sweet without having to be too complicated, which I found refreshing and an escape. It was beautifully drawn and I'm not usually a fan of the Computer Generated cartoons, but because of that, it was able to show such fantastic landscapes and the characters themselves might almost be real animated plasticine, that I could forgive it. I'm not sure that it was necessary to use the celebrity voices of Sally Hawkins or Rob Brydon for the lead characters, but Diana Rigg was a lovely choice as the Narrator. It was a perfectly short and simple gem to watch with the little ones and keep them quiet on a Boxing Day or Bank Holiday. Or alternatively you can watch it with your Mum, because you're both children that never grew up like I did. 740.32/1000.
Gorgeous animation, nice music, and l perfect narration and voices. The little one loves following along with the book, even though it doesn't follow the exact order of all the page illustrations. If only another reviewer that was concerned about the snail drowning, realised it's a sea snail, not a garden snail.
To be honest, I wasn't overly fussed with this one on first viewing, but as I've watched it more and more with my kids, it's become one of my favourite of the Julia Donaldson specials. The animation is fantastic as always, the voice acting perfectly sets the tone, and the music is very tranquil. Rob Brydon's performance as the whale, especially as he's describing the scenery around them as they go around the world is very relaxing, and the scene when he gets beached is gut-wrenching on an almost Pixar level. I must have read the book to my kids a thousand times by now, and I genuinely wondered if they were gonna deviate from the book completely when the villagers (and the snail) rescued him.
This animation company saw great success animating the gruffalo, then the gruffalo's child and have continued the pattern until we are on Julia Donaldson's Snail and The Whale. Here we have characters true to the original illustrations gliding through incredibly animated water in this heartwarming story of a snail who lives on a rock but wants to see the world so gets a lift on the tail of a whale. It's made for small children and is full of innocence and charm and is very very watchable. What's makes Donaldson's books work is her charming simple stories but also her rhythm. The TV show keeps the rhythm but slows it right down to create a peaceful dream like film. They don't overcomplicated it, they just deliver the book and make it cute.
A great addition to the series of Julia Donaldson adaptations. Possibly the best yet.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.