Connor Paolo
dans le rôle de Martin
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drame film Stake Land II, starring Connor Paolo, Nick Damici, Laura Abramsen, etc., directed by an unlisted director, was released on February 7, 2017 in États-Unis. It tells the story of when his home of New Eden is destroyed by a revitalized Brotherhood and its new Vamp leader, Martin finds himself alone in the badlands of America with only the distant memory of his mentor and legendary vampire hunter, Mister, to guide him. This is a Drame, Horreur film with a runtime of 81 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 4,302 viewers.
Connor Paolo
dans le rôle de Martin
Nick Damici
dans le rôle de Mister
Laura Abramsen
dans le rôle de Lady
A.C. Peterson
dans le rôle de Bat
Steven Williams
dans le rôle de Doc Earl
Bonnie Dennison
dans le rôle de Peggy
Kristina Hughes
dans le rôle de The Mother
Zane Clifford
dans le rôle de Juda
Jaime Bird
dans le rôle de Belle
Nicole Garies
dans le rôle de Billie
Blaine Hart
dans le rôle de Karl
Kathryn Bracht
dans le rôle de Jean
Alex Arsenault
dans le rôle de Luke
Dylan Sthamann
dans le rôle de Young Guard
Tim Lynchuk
dans le rôle de Tattoo Face
Larry Fessenden
dans le rôle de Biggs
Trevor Aikman
dans le rôle de Father
Josh Strait
dans le rôle de Brotherhood General
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
This movie is bullshit, I regret watching it
Bon film !
this movie is great
I loved Stakeland, I hated The Stakelander. This film is not totally awful, but it's pretty darn close, and it doesn't hold a candle to the first film. Stakeland was a movie that was lovingly crafted and made well on a limited budget - this is B grade schlock that was clearly rushed and nowhere near the same love and attention was put into it. The acting is not as good, they've stolen concepts straight out of multiple other movies (The Book of Eli, Mad Max: Fury Road, The Road, just to name a few,) and the story is a rushed and incoherent mess. The villain makes little sense, the interesting concepts of the film are woefully underdeveloped and presented in a totally contradictory fashion - we are told that the world has entered a new 'dark ages', but then everyone is still using modern technology likes cars, electricity, modern medicine, military weapons and armaments, etc. And we are introduced to 'the Brotherhood' who are supposed to be a Christian sect who are in league with a vampire and her vampire hoard despite the blatantly obvious fact that she (and her vampire brood) would clearly be considered as demonic minions from the pit of Hell by any such religious group - but hey, there's no need to tell you why this should be or even explain how this partnership came to be because... reasons. But on the bright side, they managed to ham-fistedly shoehorn in a gay couple (did they get some sort of extra funding for the diversity points?) and then they keep labouring the fact that they're a gay couple - just in case you missed it the first time around. When I think about it, this film kind of feels like a cheaply made attempt to make conservatives and Christians look evil and bad while the progressives are the good guys fighting on the side of the angels. In a nutshell: this movie feels like a montage of set pieces and concepts that have been poorly put together, all the while someone forgot to actually write a plot to string all the various pieces (and concepts blatantly stolen from other movies) together as one coherent whole. Zero character development, wholesale abandonment of the lore established by the first movie, zero character arcs, blatant copying of other apocalyptic movies (including it's predecessor), poor acting, poorly executed and contradictory story points, action set pieces were poor imitations of the original, nowhere near the same level of attention paid to costume and world development (don't get me started on that awful and cheap looking fortified compound!), nowhere near as many vampires, the musical score was nowhere near as good as Stakeland (and was it just me, or did it feel like the first 10 minutes of the movie was scored by someone totally different than the rest of the film?) If this movie was a vampire, you wouldn't need to stake it through the heart because it was already dead on arrival. It's a real shame, because the first movie was an absolute unexpected cult classic worthy of all the praise it gets - in fact, if you haven't seen it already, forget this one and go and watch Stakeland instead!
I have mixed feelings about the original STAKE LAND movie: it wowed me when I first saw it, but on a rewatch I was left less than impressed. Perhaps I'm just left feeling increasingly jaded by the over predominance of the post-apocalypse genre, in particular the endless saga of THE WALKING DEAD which ran out of steam a long time ago. This one's set in the same world as the first but tells a new story about a survivor roaming the wilds, encountering both psychotic humans and vampire foes as he explores the terrain. It's all too dark and all too low budget, and even the action sequences fail to impress. Nice to see genre veteran Steven Williams in a small role, though.
watchable, too dark the scenes, was a let down, the first one had so much more too it much more effort put into the first one, also they never focused much on the brotherhood in this one, like you saw them in the film, but you didn't see as much how they were organized in comparison to the first one you had that bald fella, very strong actor. And at the end you couldn't see the fight scenes or what was happening, i was confused for the majority of the film
I get it, people want huge productions and fancy fx but this has none of that. It's just a dreary end of the world vampire movie. The vampires are grotesque, not pretty and sensual. It's the way I think they should be portrayed. They are monsters that use humans as food. Also love the fact they kept the cannibals. Really adds to the fear the movie wants to deliver. Acting is good enough for an apocalyptic flick. There's no stupid decisions by the seasoned characters, like in Walking Dead or other countless movies and shows like this. These characters are rugged, broken and survivalists that count on the same things that have kept them alive as long as it has. I love 30 Days Of Night and would compare Stakeland 1 & 2 to that film. If you prefer nasty vampires that are more animalistic beasts, then you will likely enjoy this.
Stakelands 2: The Stakelander. In this sequel The Brotherhood who see the Vampire Plague as the Lord's Work overrun New Eden. Martin is the only survivor and goes in search of the legendary Vampire Hunter, Mister. Martin makes his way through a savage devastated landscape. He encounters a crazed homicidal old couple, cannibals and slavers on his quest to locate Mister. A rag-taggle team is assembled to battle The Brotherhood and their new She-Vamp leader. Good Vampire/Post-Apocalypse Thriller. The Vampires are more Zombie like apart from their Alphas who retain a more Human appearance. Disturbing and not for the squeamish or faint-hearted. 7/10.
I had fun with this one, mostly of course because it reminded me of the first, a vampire movie with a slightly different approach. It is quite obvious that the horror viewers are begging for anything unusual. As vamp movies go, there are a few with "cojones", like Daybreakers, presenting a complete society or Priest, with a new monster look, a better dystopian background. Now for Stake Land: a nice add-on to the genre, a small movie that was nicely welcomed by anyone. The second part succeeded throughout the movie but failed with the opposite side, where they should have worked just a little more. If that part would have been explored properly, I do believe Stakelander could have been easily just as enjoyable as the first. Nevertheless it is a good movie on its own and I do recommend it. All in all, I do hope for a third part, and with a little more effort, maybe we can have a nicely almost indie trilogy. One to remember! Cheers!
Though I don't feel this movie is quite as good as the first it still is an underrated movie, so was the first as well. The whole vampire category is basically at a parody level thanks to the Twilight movies and while Zombies get to enjoy a huge wave of popularity vampires do not and I feel this movie helps add a new, scary, aspect to the vampire universe of movies and TV. Something it has been lacking badly. The movie isn't the best, some below par acting mainly makes this obvious but for the budget and market it should get more credit.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.