Daniel Radcliffe
dans le rôle de Arthur Kipps
English,Filipino,Français,Русский,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film La Dame en noir, starring Daniel Radcliffe, Janet McTeer, Ciarán Hinds, etc., directed by an unlisted director, was released on February 3, 2012 in Royaume-Uni. It tells the story of Un jeune notaire se rend dans un village isolé où il découvre que le fantôme vengeur d'une femme méprisée terrorise les habitants. This is a Drame, Fantaisie, Horreur film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.4/10 from 198,901 viewers.
Daniel Radcliffe
dans le rôle de Arthur Kipps
Janet McTeer
dans le rôle de Mrs. Daily
Ciarán Hinds
dans le rôle de Sam Daily
Emma Shorey
dans le rôle de Fisher Girl
Molly Harmon
dans le rôle de Fisher Girl
Ellisa Walker-Reid
dans le rôle de Fisher Girl
Sophie Stuckey
dans le rôle de Stella Kipps
Misha Handley
dans le rôle de Joseph Kipps
Jessica Raine
dans le rôle de Nanny
Roger Allam
dans le rôle de Mr. Bentley
Lucy May Barker
dans le rôle de Nursemaid
Indira Ainger
dans le rôle de Little Girl on Train
Andy Robb
dans le rôle de Doctor
Shaun Dooley
dans le rôle de Fisher
Mary Stockley
dans le rôle de Mrs. Fisher
Alexia Osborne
dans le rôle de Victoria Hardy
Alfie Field
dans le rôle de Tom Hardy
William Tobin
dans le rôle de Charlie Hardy
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
source: The Woman in Black
I don't normally write reviews but with all the horror films coming out these days and so many opinions about them, I figured it was a good time to start. I think there needs to be clarification about what type of horror movie The Woman in Black really is. It is "Gothic Horror". We, especially those of us in the US, have associate horror with blood, guts and scary monsters. Gothic Horror is dark, suspenseful without the great amount of blood and gore. I've grown up on horror films of all kinds and it is rare that one will make me jump or feel creeped out anymore but The Woman in Black did just that. From the opening scene of the three little girls playing and to the end when, in a ending much like "The Ring", you know it's not over I was engrossed and yes, I jumped quite a few times. The dolls, which were period appropriate for the children of that time, added a good amount of creepiness to this dark story. The acting was well done. I was especially impressed by Daniel Ratcliffe's performance. The location and scenery were very well filmed. I highly recommend this movie, but be sure to go in with the correct expectation. Sometimes the scariest things are not monsters but the things that make us feel the most uncomfortable because we can identify with them.
** out of (****) After the abysmal trainwreck that was "The Devil Inside", I was looking for a decent roller coaster ride of chills and thrills. The hoopla for this movie certainly rose to such gargantuan heights, and a good chunk of top critics took a liking to this, so what went wrong? Everything. "Black" revolves around a young lawyer, who travels to a remote village where he discovers the vengeful ghost of a scorned woman is terrorizing the locals. Being an avid horror fan, especially of the supernatural sub-genre (if you will), this movie basically shot up my adrenaline from the first shot of the trailer 'til the last. I was more than ready for this movie. So automatically, I am disqualified from the "hater bias" bullcrap you IMDb'ers like to toss around when us average Joe's get disappointed by a film, that we were actually rooting for from the start. Well, first off, this film is just not scary. The first half of the film is conducive to cheap and generic jump scares, that just fall flat on their faces. Oh look it's some murky liquid leaking from a dirty faucet! Oh look it's just a bird! It was just all very cheap. From the first half, it is just tedious to endure. We don't establish a sufficient enough amount of character development and we really don't go in-depth with the premise. It is just a very stale first hour or so that's chock-full of filler, so as to consume most of its running time. Just lots of blabber about the town and tons of GOTCHA! moments that don't fully run their course. Then we get to the second half which is a notch better from the first, but still don't bring us anywhere. Here we get even more jump scares, some which prove to be effective and others which are just tedious time-wasters. Here's a lesson to future filmmakers: You can use the cheap thrill tactic maybe about three times at the most. If you abuse your power, you're just downgrading your film and everything else just becomes that much more uninspired. But let's steer clear from my rant of jump scares. The story. From the trailer, the premise sounds bone-chilling and simple enough, right? The film overcomplicates everything and raises too many questions that are left too open-ended. And atop of that, the pacing is just way too slow. The whole film is just a slow-burn effect that amounts to absolutely nothing. And that ending? Oh boy, this movie is just a mess. Well, there are a few good things I can say for "The Woman in Black". For one, the production crew did their homework. A lot of attention to detail is payed when organizing their pops and set designs. This is one of the most visually exciting horror films I've seen. And also, the performances are very strong. Daniel Radcliffe ditches his whole Potter affair and does something very worthwhile here. All in all, "The Woman in Black" is such a huge disappointment. The scares go nowhere and are recycled, the pacing is just too slow and tedious that it's almost a chore to sit through, and the premise is even less than compelling. It's quite a shame considering it looked like a refreshing and nostalgic horror film that could've started '12 on a high note. Unfortunately, any potential it had was wasted. Well, I guess you can say it isn't terrible and actually raises a peak of interest here and there, but that doesn't amount to much when you're paying a hefty price for it.
In London, the lawyer Arthur Kipps (Daniel Radcliffe) still grieves the death of his beloved wife Stela (Sophie Stuckey) on the delivery of their son Joseph (Misha Handley) four years ago. His employer gives a last chance to him to keep his job, and he is assigned to travel to the remote village Cryphin Gifford to examine the documentation of the Eel Marsh House that belonged to the decently deceased Mrs. Drablow (Alisa Khazanova). Arthur befriends Daily (Ciarán Hinds) in the train and the man offers a ride to him to the Gifford Arms inn. Arthur has a cold reception and the owner of the inn tells that he did not receive the request of reservation and there is no available room. On the next morning, Arthur meets the solicitor Jerome that advises him to return to London. However Arthur goes to the isolated manor and soon he finds that the Eel Marsh House is haunted by the vengeful ghost of a woman dressed in black. He also learns that the woman lost her son drowned in the mush and she seeks revenge taking the children of the scared locals. "The Woman in Black" is a dramatic horror film by Hammer with a good ghost story developed at a slow pace. The beginning is very similar to Bram Stoker's Dracula, when the young lawyer Jonathan Harker is sent to a remote village to a real estate business and has a cold reception by the villagers. The vampire is replaced by the evil ghost of a woman in black that takes the children from the dwellers. The conclusion is a little disappointing but the film certainly makes the viewer startle many times along 95 minutes running time. My vote is seven. Title (Brazil): "A Mulher de Preto" ("The Woman in Black")
I saw this movie in a theater and so in two parts. There was hardly any build up in the first half and you would almost forget that this is supposed to be a horror thriller. The second half however seemed very rushed as if the director was running out of film. The scare scenes were fun to watch though in the theater with good sound effects but the thing that bugged me was how unperturbed Radcliffe was at each scare sequence. Spoiler: He doesn't even scream once to things that would make me crap myself if I witnessed in real life. I've heard that British people aren't the most expressive and always try to maintain their composure. But this is ridiculous. I expect good horror movies to have a lot of subtle things apart from the scary scenes that stay with you after watching the movie like the 3:00am from Emily Rose or those faces in the exorcist that would pop up for a second. The story in this movie is nothing new and is very poorly made. It's very similar to Sleepy Hollow (not a good movie either). I gave it a 1/10 because I can't believe it's got a 7.7 which made me go see it. The movie should actually be a 3.5 or 4 out of 10.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.