Doug Lodato
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The action film Ticket Out, starring Ray Liotta, Alexandra Breckenridge, Colin Ford, etc., directed by Doug Lodato, was released on March 8, 2012 in États-Unis. It tells the story of A mother takes her children and flees an abusive ex-husband. This is an Action, Crime, Drame film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.8/10 from 1,291 viewers.
Doug Lodato
dans le rôle de Director
Ray Liotta
dans le rôle de Jim
Alexandra Breckenridge
dans le rôle de Jocelyn
Colin Ford
dans le rôle de DJ
Ciara Bond
dans le rôle de Mary Sue
Billy Burke
dans le rôle de Dennis
Scott Michael Campbell
dans le rôle de Miller
Christopher B. Duncan
dans le rôle de Kemp
Judith Benezra
dans le rôle de Agent Dalrymple
Joel David Moore
dans le rôle de Riley
Christie Lynn Smith
dans le rôle de May
Katherine Ferrand
dans le rôle de Lucille
Eve Brent
dans le rôle de Emma
Michael Shamus Wiles
dans le rôle de Danvers
Clifford Minkoff
dans le rôle de Thompson
Barbara Kingsley
dans le rôle de Millie
Alma Reed
dans le rôle de Consuelo
Mike Tweeton
dans le rôle de Officer Toop
Susan Powell
dans le rôle de Larraine
Suzanne Collins
dans le rôle de Writer
Doug Lodato
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
I went into this movie not expecting much and I like it. It keeps me on my toes. It's good.
If you like Ray Liotta you will like this movie. Good Saturday night flick.
Some actors are just past their prime. The ingredients are their... just not developed properly. A rewrite could do wonders. The child girl actor was great... very rarely does a child actor get me to dislike them so much.
Really average storyline has so many holes annoying child actress it wasn't a total waste of time untill the end so I went to the internet to see if maybe I missed it and I'm not sure I saw the same movie as the other reviewers? Confusing all around.
"Ticket Out" and "Breakout" are the same US TV film. Jocelyn (Alexandra Breckenridge) divorces her husband Dennis (Billy Burke) who she claims abuses her and the son. With no evidence, the judge in town Dennis' family owns, grants joint custody. Jocelyn is offered help by Jim (Ray Liotta) who gets them out of town with dreams of Canada. Made for TV quality. Twist that wasn't that great. Acting and script sub-par.
Predictable? What movie did you watch? There are a few plot twists and I could not guess the ending. You're left hanging? Did you watch the entire film? There's a very definitive conclusion! I've seen similar subject matter previously and this is the best of the lot!
I really enjoyed this film. The cast was great. Billy Burke played Dennis, the abusive, angry father very well. Alexandra Breckenridge (Jocelyn) was also great. She embodied a desperate, grief-stricken, battered wife who knew she had to do anything to protect her children. Last, but not least, while Ray Liota's acting was great, his character was a little confusing. As I understand, he was a bounty hunter who was hired by a governmental agency to capture fugitives. From what I understand he pretended to look out for Jocelyn and her children, even to the point of potentially becoming a love interest for her, but eventually betraying her and bringing her back to Dennis. I don't understand why, when he had the chance, he didn't surrender her to Dennis. I was also disappointed with the ending, as viewers were left hanging and with many questions. I gave the film 8 stars because I would watch it again but was left wondering a lot.
It's not the worst movie I've ever seen. The whole concept of an "Underground Railroad" for abused women and children who the Laws of the Land have let down is unfortunately a believable and actual thing. This movie is a poor example of how that railroad works in comparison to others that I've seen. It does inform the audience that such a thing does exisit and that are real people who help the abused everyday at at huge personal sacrifice/risk. The one thing in this movie that wracked my nerves like fingernails on a chalkboard is the little girl Mary Sue. I don't know the child actor's name but I hope I never see another movie with her in it.
--Caution* Spoiler Alert-- An almost believable plot (until the ending), with believable characters. The ending however leaves the viewer to 'rewind' what did I miss? Even with my search of other viewers comments and reading about the movie, plot and thoughts of others "to find an explanation", I still have no idea-- who is who, why..what's the motive of the father. As he shoot's the very person he hired in the end. Confused? to say the least... The most important part of a movie is the ending. It is where all the twist's and turns (and there are plenty in this movie) are supposed to come to a conclusion, where the viewer is enlightened, mesmerized, and in full understanding of the course of events throughout the film. This movie however packed with excitement, lacks a conclusion. It leaves the viewer either waiting for an explanation through dialog in the very last moments, or a 'stay tuned for part two', of which neither arrived.
This is slightly better than the average score suggests. The only thing that really lets it down is the ending - the audience is left hanging and I hate that. Why bother to tell a story and then deprive us of a satisfactory ending? This really seems to be a problem with film makers, they just seem incapable of rounding things off properly. Other than that I have no real complaints. It has a slight TV Movie feel to it but the leads are very good, and the kids perfectly adequate. The story is interesting if not fully explored, and it moves along at a decent pace. There are a couple of silly moments slotted in for dramatic effect, but they don't overshadow the plot. Anyway the moral of this story is if you have to go on the run, don't take kids with you. And of course the law is an ass, but then we all knew that. Worth a viewing if you're not too critical.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.