Richard Bates Jr.
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film Tone-Deaf, starring Kim Delaney, Ray Wise, Amanda Crew, etc., directed by Richard Bates Jr., was released on March 10, 2019 in États-Unis. It tells the story of A woman goes to the countryside to spend a quiet weekend after losing her job and having her last complicated relationship implode. She rents a country house from an old-fashioned widower, who struggles to hide his psychopathic tendencies. This is a Comédie, Horreur, Thriller film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.9/10 from 3,342 viewers.
Richard Bates Jr.
dans le rôle de Director
Kim Delaney
dans le rôle de Crystal
Ray Wise
dans le rôle de Michael
Amanda Crew
dans le rôle de Olive
Nelson Franklin
dans le rôle de York
Ray Santiago
dans le rôle de Asher
Pia Shah
dans le rôle de Riki
Hayley Marie Norman
dans le rôle de Lenore
AnnaLynne McCord
dans le rôle de Blaire
Gigi Zumbado
dans le rôle de Frankie
Justin Wade
dans le rôle de Motivational Speaker
Robert Patrick
dans le rôle de Harvey
Christian Calloway
dans le rôle de Abraham
Nancy Linehan Charles
dans le rôle de Agnes
Johnny Pemberton
dans le rôle de Uriah
Heidi Kaufman
dans le rôle de Edith
Ronnie Gene Blevins
dans le rôle de David
Shane Brady
dans le rôle de Ethan
Tate Ellington
dans le rôle de James
Richard Bates Jr.
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Tone-Deaf
The attempts from the director to make Harvey interact with the viewers make this movie long and boring . Characters are not likeable. After 15 minutes you just want to make it stop and take your money and time back.
I liked (a lot) how the creators of Tone-Deaf tried to bend some of the rules of cinema. They break the fourth wall on a few occasions and make some bold narratorial decisions. I also liked the antagonism between Baby Boomers and Millennials and how this encapsualted the impotent rage between the generations. In terms of horror, there we some very creepy moments, some BANGS but it wasn't that scary. All in all, an enjoyable indie-flick, better than US but worse than Get Out.
This film start with a young pianist playing piano, a man helping a woman changing clothes, a grown up pianist "Olive" fire by her boss and she rent a house from a man "Harvey" scene! As turnout, this film is a killing story of a psychopath "Harvey", who also is a millennial hater! Entire film full of mockery scene of Harvey! Super annoying! Harvey keep hallucinate in the film also make audience asleep! Only two killing scene show in detail! First one, Harvey killing an old woman on a bed by stabbing her! Second one, Harvey kill a homeless guy by hitting his head! Barely laughable scene is, at the end, Olive's mother calling 911, and she saying she won't stay on the line, because she will get cancer! At the end, Harvey using an ax to kill a male friend of Olive, her mother arrive and shot Harvey to death! That's it! Completely wasting time to watch!
If you don't like cheese movies If you don't like predictability If you dont like bad comedy attempts dont watch this If you have an open mind If you enjoy B class acting If you have time to kill and want to watch something with no thinking required Watch this 5.6
This...is NOT high art. But it's fun. Robert Patrick really made this movie for me, breaking the 4th wall about Millenials. I'm sure if I really studied this as a metaphor I'd find something to be offended about. Since I see it as great cinema I'm not going to narrow the view on it. Great movie.
I stumbled upon this by accident. Expected some run of the mill modern day horror but was pleasantly surprised. I feel I shouldn't say what I enjoyed and didn't enjoy. I realise this isn't helpful but you should just watch it and decide yourself.
Obviously millennials are not too impressed at the way they are represented in this movie - which is spot on. This is a tongue-in-cheek kind of movie not to be taken too seriously. I found it great to watch - although perhaps I am of a certain age to appreciate the irony. The acting and production - as well as the story - are well done and something different from the usual vacuous horror/comedy designed to appeal to the lowest common denominator.
A girl loses a job, her friend n mom advises her to go outta the city. She rents a country house from a widower who is on the verge of insanity. The widower (Robert Patrick) is suffering from dementia but is able to observe things like a detective n get away clean after committing murders. Our lead girl sleeps with the door open, she gets her toes hit by a tomahawk n she steps on a wooden plank with nails but is healthy chatting n arguing with the attacker even after losing few teeth. The film has some nice dry n bright locations, the acting is good, some violent scenes n a good spider scene. Ther was no need to create suspense when the guy gets out from the car to help fix the tire.
Boring...Boring...Boring except for the parts that Robert Patrick was in...Amanda Crew looked like she never acted in a movie before...And Baby Boomers will not like what she says at the ending...Little bit of gore but not scary at all... It's a big discredit to all of the Millennials that actually think they can act and then find truthful reviews like mine that put them in their place. Robert Patrick is a very good actor and showed that in the Terminator 2 almost stealing the movie from Arnold Schwarzenegger. And Ray Wise a credited actor was very good when his character was shown. But some career advice for Amanda Crew & Hayley Marie Norman..I hear they're hiring at McDonald's. Don't waste your time on this movie..all the good reviews were probably from Amanda's family.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.