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source: Trespass Against Us

Trepass against us, presented at the Toronto Film Festival in 2016, would like to tell so much, without however having the time and the tools to do so. It is unclear what theme the film is about to focus on. The spectator is confronted with the difficulties of nomadic life, father-son relationship, education and redemption, without however finding the time to immerse himself completely in any of them. The film, and often the spectator, feels the weight of two figures, such as Fassbender and Gleeson, who cover the roles of Chad and Colby. It would be understandable if one doubted that the two of were involved in the project to give him a boost (perhaps it needed it) rather than believing that their characters were so articulated that they needed the two actors' talent. Director Adam Smith, at his debut, is capable of talking about chases, sequences of action, and some hint of gangster comedy. It gives the movie adrenaline and the elements to be watchable, but not more than that. Often you are wondering why what you see is so as it is, as you are thinking that some characters have nothing to do with the world they live in. For example Chad. This is due to the rush of the director to arrive at the clue of the story, related to the characterization of the characters, which if is not flat, is mainstream and even trivial. This does not mean that the film is not touching, but it is less reflective than it should, and perhaps it would want to be.

Baffling. Baffling how this film got made, baffling what the director thought he was trying to say, baffling how this script was ever considered adequate and baffling that Fassbender and Gleeson saw fit to have anything to do with this utter turkey. The main problem is that there isn't anything even approaching a sympathetic character - they are all loathsome and thus it is impossible to enjoy a single moment of anything that occurs. A total waste of time and effort.

When writing, we must include ALL of "the 5 'W's": Who What When Where Why Scriptwriters writers left out too many "W's". We don't know WHO these campers are. WHAT is going on or how they got out in the middle of the wilderness without any 4 wheel drive trucks to pull their heavy tag-along camp trailers. We don't know WHERE these people are camping or WHY. No explanation is given leaving viewers wondering why we just wasted 1.5 hours of our lives watching this.

A grotesque film, Trespass Against Us, is a British-American effort directed by Adam Smith and written by Alastair Siddons. Michael Fassbender, Brendan Gleeson, Sean Harris, Lyndsey Marshal, Rory Kinnear, and Killian Scott are all wasted. A comedy without a script. It's only mystery is how it got approved for production, let alone distributed.

Whenever you have the skill-set of Michael Fassbender and Brendan Gleeson at your disposal there's going to be a certain level of expectation attached to your product and while first time director Adam Smith and screenwriter Alastair Siddons story has many possibilities attached to it, this English set family drama that mixes in uneasy crime and comedy undertones is a highly disappointing affair. Trespass Against Us starts out in promising fashion as we're thrust into the caravan lives of the Cutler family led by Gleeson's matriarchal figure Colby, with his right hand man and son coming in the form of Fassbender's Chad, but things within Smith's film start to fall apart as we become aware that the film is finding it unnaturally tough when it comes to balancing the various plot threads and strands that are flowing through the veins of the picture. We're thrown around from random robberies, car chases, family dramas and animal killings without much care for making us in fact care about what's going on and at the end of the day Smith's film that initially seems like something cut from a different cloth ends up being yet another poor criminal trying to be better than his upbringing suggests and also acts out another disappointing experience from Michael Fassbender's recent career lull. A few years ago on the back of breakouts in Hunger and Inglorious Basterds then star making turns in 12 Years a Slave and Shame, Fassbender seemed likely to enter into another stage of his career only to be central to disappointments like Assassin's Creed, Light Between Oceans and The Counselor and while his actual performance as Chad here is one of his best in a few years, it's a shame the talented performer is starting to frequent feature films that are far from matching his undeniable talents as a leading man. Final Say – There's some nice things happening through Trespass Against Us but they're moments that are few and far between when we are emotionally unattached from a majority of the films occurrences and while Fassbender is working hard and Gleeson is as stoic as ever, this small scale family crime drama is a hugely disappointing experience that was disguised as a fresh take on a familiar scenario. 1 ½ fire extinguishers out of 5

This film tells the story of an outcast criminal family, who lives in a trailer park somewhere in the United Kingdom. The main character's life is plagued with problems, as they have a controlling father, a mentally challenged brother and two children who grow up under a dubious environment. "Tresspass Against Us" reminds me of "Captain Fantastic" because of their outcast status and unconventional lifestyle and the focus on the effect on the children's lives. "Tresspass Against Us" tells a more diverse story, as the entire family structure contribute equally to the story. Despite the mostly small time criminality and their obvious disrespect for the authorities, I still have developed much sympathy towards the family's hardship and challenges. I am touched by the Kel' determination for the children to be in school, and by the memorable ending. It is sad that the downfall is brought on by a human trait other than serious criminality. I find this film charming and engaging.

Michael Fassbender and Brendan Gleeson team up as a father and son criminal team with Gleeson being the brains, while Fassbender doing all the leg work. Gleeson as Colby is so deep in the game that he knows nothing else and refuses anything else, an attitude he expects from his son Chad, played by Fassbender but Chad has enough of a foot outside the game to know that he desperately does not want his young son Tyson to follow down this bloodline, even if Colby sees nothing wrong with the hand Jesus gave him (Colby is a God loving crook). The film is about Chad being stuck in his outlaw life style. He wants it to be over but he has no options as he can't read or write, which blows my mind that a man in this day and age has no grasp at all of the language he's speaking, but it happens, and he's doing everything he can to make sure his son is educated. One really cool thing I should mention about the film is the fact that it has some really awesome car chases in it. Not the main purpose of the film but Fassbender does play a getaway driver and his getaway driving was great. It's a great performance piece coming from all the actors with Fassbender and Gleeson leading the charge. It really has that going for it as it's very small and really sweet and met to hit a nerve with those who know what it's like to be stuck and want better but just seem incapable of doing it. http://cinemagardens.com

This is a really tough movie to watch. It's not glitter it's not really made to be epic or anything else. It's a movie that stays low, that deals with a lot of strains, especially concerning family issues. But not just one dimensional ones, rather multiple ones. Blood related family, chosen family and so on. Michael Fassbender and Gleeson are on a rampage acting wise. They really are amazing in this. The story is engaging enough and there is enough to enjoy. But you have to remember this is pretty gloomy. And the characters are not really people you'd necessarily root for in real life. But it's just that some people have to deal with different circumstances ... Not all the characters have to be likable - so just enjoy