Oliver Refson
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series Uncle S1-S2, created by Oliver Refson and produced by an unlisted studio, first premiered on December 14, 2012 in Royaume-Uni. The series spans 2 seasons with 22 episodes, featuring the voices of Nick Helm, Elliot Speller-Gillott, Daisy Haggard, and Daniel Lawrence Taylor. It follows the story of An amateur musician of stunted emotional growth is reluctant to take care of his young nephew, but as his reluctance grows, his other emotions begin to follow to the fore, meaning he may even become a better, more-rounded person. This is a Comédie series and has received a rating of 7.8/10 from 4,606 viewers.
Oliver Refson
dans le rôle de Director
Nick Helm
dans le rôle de Andy
Elliot Speller-Gillott
dans le rôle de Errol
Daisy Haggard
dans le rôle de Sam
Daniel Lawrence Taylor
dans le rôle de Bruce
Jorja Rutherford
dans le rôle de Tiffany
Sydney White
dans le rôle de Gwen
Con O'Neill
dans le rôle de Val
Con O'Neill
dans le rôle de Gwen's Dad
Nicholas Burns
dans le rôle de Ben
Esther Smith
dans le rôle de Melodie
Brett Goldstein
dans le rôle de Casper
Nina Toussaint-White
dans le rôle de Shelly
Gemma Whelan
dans le rôle de Veronica
Nick Mohammed
dans le rôle de Roopesh
Nick Mohammed
dans le rôle de Carpet Bros Manager
Raquel Cassidy
dans le rôle de Teresa
Dylan Moran
dans le rôle de Marsh
Martin Trenaman
dans le rôle de George
Lauran Taylor-Griffin
dans le rôle de Ruby
Lewis Reeves
dans le rôle de Ryan
Oliver Refson
dans le rôle de Writer
Lilah Vandenburgh
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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While watching the pilot I couldn't stop thinking about how much it was reminding me of something else - right from the first scene to the last one, simply the whole thing. The story is just so similar to a short movie called Curfew (maybe watch that instead, if you're gonna watch this show), plot and details are almost the same (even the name-giving: Andrew because of his uncle, Sophia because of her uncle's flip-book), but Curfew is in my opinion so much better. In Uncle the only thing that was "missing" was the last scene with another suicidal attempt. But anyway... I'm curious how the show is going to evolve in next episodes and what the story will be like.
This is a super new comedy. Funny, but with great pathos too. Not a situation comedy; more a character comedy. I hadn't heard of Nick Helm before this programme. He's well worth watching. Yes, "Uncle" has similarities to other current comedies about 'loser blokes over forty with no life' (e.g. "Man Down" with Greg Davies) - and the viewer feels for the 'loser' lead character in this programme, just as with the lead in "Man Down" - but, still, it stands its own ground. It's sadder, calmer, & less frenetic than "Man Down", with the characters more believable. "Uncle" touches on reality far more: hence the evoked sympathy with the lead character. Nick Helm gives a depth to the character of 'Andy' the uncle, that other comedians might avoid, or indeed not be capable of eliciting from the character. We see elements of 'Andy' that are likable, as well as the predictable moments when we cringe away from him. From the very first episode there are moments of darkness to his portrayal - tinged of course with just enough of the required humour. Helm builds a solid character in 'Andy', who never veers too much towards, or away from, the 'loser' aspect of the uncle. It would have been all too easy to have become a caricature. The other characters are also nicely played as 3-dimensional & fully human: with the flaws of the average human being, but also the plus-points and all the spectrum/grey areas in between. Con O'Neill is hilarious as the father of 'Andy's' main love interest. His owner of a rock bar with a gay clientèle, and a cross-dressing bewigged owner at that, is so on point. He manages to convey the hilarity of such a character whilst also making us believe his ominous threats to protect his daughter from Nick's repeated advances. Daisy Haggard is also excellent as Andy's sister: a very 'real' portrayal as a committed but isolated single mum. 'Andy's' young nephew - played by Elliot Speller-Gillott - is a budding talent. He plays a nice balance of a little bit geeky & a little bit cute; again a blend that mirrors a genuine 12 year old. In fact, the programme served to remind me that we were all that gawky, difficult age once! Not many comedies bring in that amount of scope. There hasn't been much good new comedy on TV for years, IMHO, so 'Uncle' is happily welcomed. (Too much rubbish "reality TV" is broadcast these days, & the broadcast schedule is sadly getting even more overloaded with these gross & dross programmes. But I digress . . . !) All in all, this is a programme well worth watching. Plus there is the appeal of the quirky musical elements: mock videos - in the style of pop/rock bands - that are performed by 'Andy' and alternating members of the rest of the cast. They are cleverly put together, and - a delightfully surprising bonus! - are a truly musical interlude. A particularly fetching aspect of each episode. The music in the 'videos' being original just adds to this appeal. Not to mention Nick Helm's pleasant voice! An original touch to a comedy programme. In the 'drama' part that is inherent to this comedy, the viewer gets to see the reasons why 'Andy' is not so successful in life, but also we see his kindness - towards his sister, and his growing fondness for his nephew. He is truly a diamond in the rough. Plus the way he shines when he sees the teacher of his nephew, the full-bodied personality of 'Andy' - that otherwise seems to lurk in the shadows - can finally be seen. 'Melodie' already likes him, but can he see what light she is already bringing out in him?! A truly appealing & witty man is there somewhere . . . But 'Andy' does not seem to see how he naturally comes alive around her. The sparks are clearly there. The question is, will 'Andy' also eventually sense this?! I have only seen as far as episode 4 . . . so roll on the next episode; maybe we'll find out if 'Andy' ever realises with whom he truly becomes alive! ~ by SceneByScene (UK) ~
Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.