Jesse Eisenberg
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The comédie film When You Finish Saving the World, starring Julianne Moore, Finn Wolfhard, Billy Bryk, etc., directed by Jesse Eisenberg, was released on July 31, 2023 in États-Unis. It tells the story of Evelyn et son fils inconscient Ziggy se cherchent des remplaçants alors qu'Evelyn essaie désespérément d'élever un adolescent dans son refuge, tandis que Ziggy continue sa poursuite d'une jeune femme brillante à l'école. This is a Comédie, Drame film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 5,776 viewers.
Jesse Eisenberg
dans le rôle de Director
Julianne Moore
dans le rôle de Evelyn
Finn Wolfhard
dans le rôle de Ziggy
Billy Bryk
dans le rôle de Kyle
Alisha Boe
dans le rôle de Lila
Jack Justice
dans le rôle de Jackie
Jay O. Sanders
dans le rôle de Roger
Eleonore Hendricks
dans le rôle de Angie
Catherine Haun
dans le rôle de Cath
Annacheska Brown
dans le rôle de Cyril
Sara Anne
dans le rôle de Becky
Marika Rose Sayers
dans le rôle de Politician
Felipe Jeantete
dans le rôle de Corporate America
Calhoun Koenig
dans le rôle de Emcee
Colin Miller
dans le rôle de Singer
Adrian Mackenzie
dans le rôle de Bandana Guy
Laura-Love Tode
dans le rôle de Barb
Mimi Fletcher
dans le rôle de Leslie
Jordyn Aurora Aquino
dans le rôle de Marci
Jesse Eisenberg
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Like mother, like son, and son and mother don't like each other. Why does it seem that the newfound subgenre "cringeworthy" seems to be relegated to comedy? This one may have broken the mold. When You Finish Saving The World is most certainly a drama, and one that made me want to crawl out of my skin. As two generations of misguided self-do-gooding profiteers of ego poke at each other's motives while simultaneously pretending the other does not exist, the damage they do to themselves and their own self image is a big pill to swallow. This is a well acted, no budget watchable train wreck to which you just might relate. Check it out. It's pretty funny.
source: When You Finish Saving the World
source: When You Finish Saving the World
Bon film !
source: When You Finish Saving the World
Maybe it's because I see a lot of similarities in this movie and the squid and the whale that I "get it". Yeah, it's kind of day in the life and yeah, the main characters aren't very likable but that's kinda the point. Personally I didn't like a single person in this movie. The question is, were you supposed to like them? I don't necessarily think so. I think the mom was overbearing. She reminds me of my mother. She works at a school with autistic / deaf kids. She gets too involved and often gets put in her place by those above her and then gets depressed saying if they'd just let her do her thing the kid would be much better off. Not her place to do it. As for the kid... kids are going to be kids. He's an idiot because he lacks life experience and that's ok. He has worked hard toward his own goals and when others around him aren't terribly impressed by his accomplishments he's sort of floundering and looking for ways to cross over. He realizes a love interest is political so, naturally, now he is going to be. This is being a kid and it's ok. To summarize this movie had two lessons; one person cannot save the world and to know your place in it. The other is a bit more complicated, maybe something like be yourself or realize not being yourself can be very easily spotted and embarrassing. Props to Jesse for this. It wasn't mind blowing but it was quite good.
In low-key, low-budget, character-study drama "When You Finish Saving The World" uptight Julianne Moore (excellent) runs an Indiana shelter for domestic abuse victims who she seems to care more about (especially teen Billy Bryk) than her own wallflower hubbie Jay O Sanders & teen son Finn Wolfhard. The latter's a wannabe online musician struggling with issues of maturity (and a crush on Alisha Boe). Focussing (indirectly and at a distance) on the mother / son relationship this is absolutely not one for adrenaline junkies, but as Jesse Eisenberg's debut as writer / director it's a terrifically performed, quirky, interesting and certainly passable first offering.
There's more here to like than people are saying. It's intentionally aggravating and cringeworthy. It's sad but funny, maddening but hopeful. It has plenty of depth and meaning and it's not so buried that you feel perplexed. Were watching two parallel narcissists trying to find happiness in the only ways they know how and it's hard to watch. When they eventually fail hard enough, they come to their senses and find that they can't be happy without seeing something other than themselves as important. They end up finding each other as well. I would only recommend this movie to indie movie lovers. Subtext, intentionally uncomfortable moments, unlikeable characters, and introspective plot don't go over well with the average movie-goer, but I liked it.
I love this movie. It reminds me of my mother and me. A lot of scenes made me cry because I can totally understand the feelings of the protagonist Ziggy. I also think it's great that political things like climate change and racism were brought in, because unfortunately these things aren't even mentioned in most films. The film also seemed very authentic, which impressed me. Because the school and also residential area were like in real life. Overall I would recommend the film to everyone, especially to people who have problems with their mother (and love music). Ziggy's music was really great! Thanks.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.