Keith Sutliff
sebagai Ren
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The kejahatan film The Mason Brothers, starring Keith Sutliff, Brandon Sean Pearson, Matthew Webb, etc., directed by an unlisted director, was released on April 14, 2020 in Amerika Serikat. It tells the story of A group of outlaws attempt to reveal their brothers killer from a neighboring gang after being set up during a bank heist. This is a Kejahatan, Drama, Cerita menegangkan film with a runtime of 114 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.3/10 from 1,403 viewers.
Keith Sutliff
sebagai Ren
Brandon Sean Pearson
sebagai Jesse
Matthew Webb
sebagai Gage
Michael Ryan Whelan
sebagai Orion
Julien Cesario
sebagai Fredrick
Tim Park
sebagai Jerry
Gregory R. Gordon
sebagai Diego
Pelé Kizy
sebagai Cyrus
Erica Souza
sebagai Helen
Alex Luna
sebagai Violet
David A. Trevino
sebagai Tony
Nazo Bravo
sebagai Adrian
Steve Bethers
sebagai Lance
Carlotta Montanari
sebagai Allena
Ketersediaan dapat berbeda menurut negara, bahasa, dan jendela rilis. Sebagian judul sudah termasuk dalam langganan platform, sementara judul lain mungkin memerlukan penyewaan, pembelian, atau akses melalui aplikasi. Katalog streaming dan perjanjian lisensi diperbarui secara berkala sehingga opsi pemutaran dapat berubah. Untuk pengalaman menonton paling akurat, periksa daftar terbaru pada layanan pilihan Anda dan pastikan dukungan wilayah, opsi subtitle, serta kompatibilitas perangkat sebelum memulai.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 kemenangan & 43 nominasi total
Unduh paket MovieBox terbaru untuk seluler, versi FM, dan APK yang kompatibel dengan TV. Pilih paket yang sesuai dengan perangkat dan wilayah Anda, lalu ikuti panduan instalasi resmi untuk kompatibilitas dan keamanan terbaik.
source: The Mason Brothers
Short and sweet ... amateurish and effeminate chick flick of a gangster movie.
Do not waste your time! This is some of the worst acting, writing, and directing i have seen in awhile. I gave it 2 stars just for the story, which had potential.
The director who is also the actor in this movie learned film making at a trade school. He self proclaims himself as a visionary director even though he has never made a film before. The movie is bad !! MONEY=WASTED. LESSON= LEARNED 0/5 star
I moved to LA about a year ago and stumbled upon some posts and comments about Keith Sutliff and this film. After seeing some marketing photos/posts with billboards of the poster on city buses I thought "oh geez, another bootleg attempt at trying to be 'Hollywood' and I'm sure this is garbage like most failed attempts at being 'cool' in this industry." I was super surprised at how much I liked this project! Not only does the way the story is presented remind me of Reservoir Dogs, I actually liked the characters and actors. Very impressed by the work by Sutliff and I'm already looking forward to his next flick, which is either in pre-prod or already filming! If you're reading this Keith, great work and great acting! Cheers! -David Thomas Newman
At its core, the story is very similar to Reservoir Dogs, a bank heist goes horribly wrong, a crew man is shot, the bank robbers then seek answers while violently bickering among each other. But there are some key differences. In this film, its another bank robbery crew that violently interrupts the main characters robbery, the characters are also all brothers, plus the film is set in more modern times. But how does it compare to Reservoir Dogs. Well obviously its not nearly as good, but the film is also not bad by any means. With solid acting, writing good enough to keep you interested, an a fantastic musical score. So what was good and what was bad. Well first off some of the acting was good. A few of the actors did a serviceable job portraying their characters, while a few others don't appear to be acting, just being themselves on camera. The musical score was also top notch, I felt like it really complimented the film well. And finally, the writing is moderately good enough to keep me interested in how the story would end. The cinematography was nothing special, very average shooting with little to no artistic direction. So would I recommend this film? I don't really know, i suppose if you like Reservoir Dogs, you might like it, but then again you might not, its up to you.
Overall captivtaing from beginning to end. Fantastic cast with solid acting. Many twists through out the film with visceral intensity.
As soon as the starting credits rolled and I saw Keith Sutliff's name in almost every line, I knew I was in trouble. Actor, producer, writer, director, production manager, editor, location manager, casting director, second unit director, assistant director, production designer, art director, casting department, art researcher, production controller, production coordinator and *whew* finally set decorator Keith Sutliff bit off waaaay more than he can chew. I mean seriously? Look, I get this is a low budget indie film and Kieth is a amateur filmmaker, but had he gone to a good film school, lesson #1 is to spread the talent. There are seasoned filmmakers out there that can't wear more than 3-4 hats, but throwing your name in all these roles is a recipe for disaster. This film is worse than any other C-grade film I've seen. The only surprisingly redeeming quality this film had was the score. It was great in building tension to something.. that never happened. Luckily Keith Sutliff didn't do the score. Everything else about this film was a flop. I don't think I have ever seen any film with such long, dragged out, dumb, irrelevant and useless scenes AND dialogue. What was the point of the girlfriends? Who cares about the trip to Vegas? etc... A 5th grader could've written a much better screenplay. There were more plot issues and holes than in Swiss cheese. Every time one of the leads said "shut up" to the other guys for rambling, I had already said it at least 5 times! The pacing was atrocious. The 114 min length of this film felt like 5+ hours. This film needed to be edited/cut down to a short film 15-25 min long. Keith however did do a decent job with the some of the camera directing, although leaving a camera on a tripod in that coffee table room doesn't need much skill. But he really failed in directing his stale, balding and boring cast. Then the current 5 fake/paid reviews even mentioning any comparison to Reservoir Dogs is an insult to that film and a huge insult to Quentin Tarantino, beyond forgiveness. I'm guessing that Keith Sutliff is simply trying to add credits to his resume, but had he stuck to only directing and maybe acting in this film, and subbed out the rest to more experienced crew, this film would have had a better showing - which is far more important than resume credits towards a flop film. I give him 1 star for his efforts, and another for the only redeeming quality, the score, which was very impressive and better than some B-grade films I've seen lately. Thus it's an honest and generous 2/10 from me.
The Mason Brothers is a well written crime thriller, an overall artistic style with intriguing story telling. The acting is dramatic, the cinematography really brings the audience into every scene and the vivid score is superb. Love the intensity of the music throughout. At times the film seems like a stage play with intimate close up scenes and then it breaks out into dramatic confrontations. Well done film, looking forward to the next.
The Mason Brothers
Uraian mendetail tentang perubahan harga terbaru, alasan pengguna mempertimbangkan kembali pengaturan menonton, dan cara mengevaluasi alur alternatif tanpa kehilangan kebiasaan penemuan Anda.
Pelajari alur yang tepat untuk memasang APK Movie Box: dasar-dasar versi terlebih dahulu, lalu langkah pemasangan yang bersih, dan terakhir cara memilih antara jalur TV, iOS, Web, dan penggunaan aplikasi.
Ulasan panjang yang membahas mengapa Project Hail Mary menonjol pada 2026: kualitas adaptasi, penceritaan ilmiah, kedalaman emosional, dan reaksi penonton.
Cerita komedi dirancang untuk menghibur lewat humor. Format populer meliputi komedi situasi, humor ala sketsa, komedi dunia kerja, dan komedi romantis.
Judul aksi menekankan kegembiraan, konflik fisik, tokoh heroik, dan penceritaan yang cepat. Judul petualangan sering menampilkan eksplorasi, bertahan hidup, atau perjalanan epik.
Drama kriminal mengikuti penyidik, detektif, pengacara, atau jurnalis saat memecahkan kasus kriminal. Cerita misteri mendorong penonton mengungkap petunjuk bersama para tokoh.
Fiksi ilmiah mengeksplorasi teknologi futuristik, perjalanan luar angkasa, kecerdasan buatan, realitas alternatif, dan spekulasi ilmiah.
Penceritaan horor menciptakan ketegangan lewat tekanan psikologis, peristiwa supernatural, monster, atau skenario bertahan hidup.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.
Animasi mencakup karya untuk anak-anak, keluarga, dan orang dewasa, mulai dari konten edukatif hingga penceritaan dramatis yang kompleks.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.