Keith Sutliff
sebagai Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The kejahatan film The Refuge, starring Keith Sutliff, Julien Cesario, Matthew Webb, etc., directed by Keith Sutliff, was released on July 22, 2019 in Amerika Serikat. It tells the story of A getaway driver finds himself in harm's way when he gets caught up in a job involving casino heist money leading to a debt over his head. This is a Kejahatan, Drama, Cerita menegangkan film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 2.8/10 from 1,640 viewers.
Keith Sutliff
sebagai Director
Keith Sutliff
sebagai Markus Hunter
Julien Cesario
sebagai Frank
Matthew Webb
sebagai Watts Riley
Cheyenne Buchanan
sebagai Dixon Jones
Tom Conlan
sebagai Virgil
Martin Copping
sebagai Zander
Stefanie Estes
sebagai Rachel
Tien Pham
sebagai Vernon Boyd
Demetrius Stear
sebagai Edwin
Reine Swart
sebagai Staci
Keith Sutliff
sebagai Writer
Ketersediaan dapat berbeda menurut negara, bahasa, dan jendela rilis. Sebagian judul sudah termasuk dalam langganan platform, sementara judul lain mungkin memerlukan penyewaan, pembelian, atau akses melalui aplikasi. Katalog streaming dan perjanjian lisensi diperbarui secara berkala sehingga opsi pemutaran dapat berubah. Untuk pengalaman menonton paling akurat, periksa daftar terbaru pada layanan pilihan Anda dan pastikan dukungan wilayah, opsi subtitle, serta kompatibilitas perangkat sebelum memulai.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 kemenangan & 43 nominasi total
Unduh paket MovieBox terbaru untuk seluler, versi FM, dan APK yang kompatibel dengan TV. Pilih paket yang sesuai dengan perangkat dan wilayah Anda, lalu ikuti panduan instalasi resmi untuk kompatibilitas dan keamanan terbaik.
DO NOT BELIEVE THE RATING. Total rubbish. 1/10 maximum. Writer?/Director?/etc owes me 90 minutes of my life back.
This movie is terrible. Listed today as 7.9/10 with 1,303 votes, this rating is only possible with paid-for ratings. It's not worth explaining how bad it is. Just don't see it.
Simply don't, it's cheesy and boring. The whole film is just the main character (who happens to be the culprit of this disaster of a movie) talking in his phone driving his car.
I was another sucker believing the rating of over 8. The first 13 minutes is a guy driving his car around while the opening credits are being displayed. Then guess what the rest of the movie is predominately the guy driving his car around. I kept skipping forward and still hit him driving again, it is a 0 star movie.
This is absolutely not a 7.5 rated film. It's one of those "written by, directed by, produced by, edited by, casting by, starring.... you guessed it, the same person". Terrible writing, acting. Must be a lot of reviews from the "star's" friends as its a solid 3 star film and worth skipping.
Who ever gave this such a high score must have slept through it or it was given by Keith Sutcliff himself. Avoid at all costs.
It's a decent story and some of the images are gorgeous. But but but .... why oh why why is most of the movie spent on driving for endless stretches of time? How did this boring film score 8.2?
Do yourself a favour, grab an Uber and film it, probably be more interesting. Rubbish Rubbish Do not watch.
Truth is my first, and of all the driver,chauffour and wheelhandler movies ive seen this must be some of the most paralysing and lame events ever. you are for 60 minutes sitting in the backseat of a car listening to a growling engine, making turns and turns over and over. and nothing really happens. the rest is just humbug. ive been scammed thinks the grumpy old man, except for the score that save a bit of the glory of making a feature length film, and its sad to say that is the only interesting part of this flick, and it is a 2 at max.... stay away from this if you consider it,
I, like others, took the (initial) 8.7 rating as being indicative of a quality piece of cinema. In fact, my expectations were such that I, sad to say, watched this entirely from beginning to end. As the movie progressed, through endless and pointless driving scenes and occasionally broken up by new characters woodenly reciting lines that were not only cliched but didn't really help to build up any story, I grew increasingly disbelieving. Surely there would some pivotal moment that would occur to kick things into a higher gear? There was not. Surely there would be a revelation that would give all the proceeding driving / corner turning / gear shifting / checking of traffic / poker-faced acting some context and meaning. There was not. Once I realised that nothing was going to happen I was so close to the end of the movie I thought I might as well keep going. No surprise that the ending is just as terrible as the rest of the movie. Redeeming points - the visuals of LA at night (which is the only state you get to see anything in the movie - it's ALL filmed at night time) are nice. The sound track was pretty good, I thought, and perhaps the sole reason I managed to keep going. Normally I would not leave such a scathing and nasty review, however it's clear from the ratings that 'someone' manipulated things to get it to 8.7 in the first place. As this number is about 7.7 higher than what the actual rating should be, this is a real no-no. Avoid, avoid, avoid, but do keep an eye out for the sound track.
Uraian mendetail tentang perubahan harga terbaru, alasan pengguna mempertimbangkan kembali pengaturan menonton, dan cara mengevaluasi alur alternatif tanpa kehilangan kebiasaan penemuan Anda.
Pelajari alur yang tepat untuk memasang APK Movie Box: dasar-dasar versi terlebih dahulu, lalu langkah pemasangan yang bersih, dan terakhir cara memilih antara jalur TV, iOS, Web, dan penggunaan aplikasi.
Ulasan panjang yang membahas mengapa Project Hail Mary menonjol pada 2026: kualitas adaptasi, penceritaan ilmiah, kedalaman emosional, dan reaksi penonton.
Cerita komedi dirancang untuk menghibur lewat humor. Format populer meliputi komedi situasi, humor ala sketsa, komedi dunia kerja, dan komedi romantis.
Judul aksi menekankan kegembiraan, konflik fisik, tokoh heroik, dan penceritaan yang cepat. Judul petualangan sering menampilkan eksplorasi, bertahan hidup, atau perjalanan epik.
Drama kriminal mengikuti penyidik, detektif, pengacara, atau jurnalis saat memecahkan kasus kriminal. Cerita misteri mendorong penonton mengungkap petunjuk bersama para tokoh.
Fiksi ilmiah mengeksplorasi teknologi futuristik, perjalanan luar angkasa, kecerdasan buatan, realitas alternatif, dan spekulasi ilmiah.
Penceritaan horor menciptakan ketegangan lewat tekanan psikologis, peristiwa supernatural, monster, atau skenario bertahan hidup.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.
Animasi mencakup karya untuk anak-anak, keluarga, dan orang dewasa, mulai dari konten edukatif hingga penceritaan dramatis yang kompleks.
Cerita romantis berfokus terutama pada hubungan, alur cinta, dan perkembangan emosional antartokoh.