Jonathan Rhys Meyers
بطور Ari Ben-Sion (Hans Hoffmann)
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The اسرار film Damascus Cover, starring Jonathan Rhys Meyers, Olivia Thirlby, Jürgen Prochnow, etc., directed by an unlisted director, was released on July 20, 2018 in متحدہ سلطنت یونائیٹڈ کنگڈم. It tells the story of A spy navigates the precarious terrain of love and survival during an undercover mission in Syria. This is a اسرار, سنسنی خیز film with a runtime of 93 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 3,458 viewers.
Jonathan Rhys Meyers
بطور Ari Ben-Sion (Hans Hoffmann)
Olivia Thirlby
بطور Kim Johnson
Jürgen Prochnow
بطور Franz Ludin
Igal Naor
بطور General Fuad
Navid Negahban
بطور Suleiman Sarraj
John Hurt
بطور Miki
Aki Avni
بطور Shaul
Selva Rasalingam
بطور Sabri
Shani Aviv
بطور Rachel Kahtib
Gem Carmella
بطور Sabeen
Tsahi Halevi
بطور Rami Elon
Herzl Tobey
بطور Ehud
Sara von Schwarze
بطور Dr. Rotem
Wolf Kahler
بطور Colonel Ludwig Streicher
Neta Riskin
بطور Yael
Hassani Shapi
بطور Syrian Trade Minister
Hartmut Volle
بطور Heinrich Wolf
Ben Affan
بطور Mustafa
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
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I don't get the low ratings and the hate reviews. It's a good solid spy thriller about intelligence and counterintelligence between the Moussad and the Mukhabarat. Jonathan Rhys Meyers is not exactly Olivier with accents but he's improved over the years and does a pretty good job as an israeli agent. Olivia Thirlby was somewhat plain but also ok. And it's always good to see Jürgen Prochnow, even in such a tiny role. But the real icing on the cake was the wonderful and so dearly missed John Hurt, in his farewell performance. Brilliant and poignant til the very end. Overall, pretty decent entertaiment.
First of all, the voice. For some reason Meyers decided he wanted to try to sound like the dark knight, but ends up sounding like he's got a sore throat throughout the film. He half whispers, half rasps out his lines. Very annoying. Next, the plots/writing/storyline. If you told me that this was a high school credit production, I would believe it. The writing was horrible. Pat, stunted, predictable drivel. Conversation was awkward, story was predictable and characters were transparent and shallow. Was hoping for Tinker, Tailor, Soldier, Spy. Got punk'd.
Seriously!!!! Couldn't they have bothered themselves with 5 minutes of research on google? Being from Damascus, I could not be help being pissed.
As this fine indie film is just out I'm going to hold back on the spoilers until a later update. This film swept the Boston Film Festival: Best Film, Best Director, (Daniel Zelik Berk), best leads, best cast, etc. AND the Manchester International Film Festival: Best Film, Best Actor, Best Editing, etc. Audiences and judges at both of these events are not your common Mike & Ike munching action/adventure aficionados. The judges don't place high value on the latest CGI produced car crashing through a helicopter scene, but have both an understanding of cinematic pacing and a deep appreciation of plot driven storylines. So for all the bleh reviews that compare this finely crafted espionage thriller to the latest Mission Impossible or DieHard V - Skyscraper, they are totally missing the point, the two are apples and oranges. Damascus Cover is a film that requires attention to detail, a film that requires viewers to actively follow the storyline and actually think about what is happening on screen. The result: during my recent viewing the three of us were whispering our third act predictions during the first act, and then changing our predictions during the second. That's the mark of a great thriller - you join with the film and even start thinking ahead. Think about how Alfred Hitchcock built suspense and thrills in his movies. Now compare that to a movie that relies on an unending series of CGI action shots, like Tom Cruise on a mission, impossibly sprinting and jumping from rooftop to rooftop. People do love action movies, but Damascus Cover succeeds in the classic tradition of American and British espionage thrillers; it hooks you into the story, without the artifice of unbelievable action sequences. Besides some fistfights and some realistically done shooting scenes, there's little "action" in the 2018 sense. But don't worry, you'll be plenty thrilled. Set in 1989, after the fall of the Berlin Wall, the film accurately portrays the period, with Israel at great odds with Syria. At the time Syrian backed Hezbollah fighters were finally disengaging from attacking Israel from Lebanon, and Syria was in turn shifting its attention inward. Albeit Casablanca fills in for Damascus, but the feel is right. Other location shots capture the era quite well. Set and location scenes had few anachronisms we could find and shows Director Daniel Berk's fine attention to detail. Also right is casting Sir John Hurt (in his last performance before his recent death) as Miki, a weathered Israeli Mossad clandestine operations director. His performance, as well as Das Boot (1981) German actor Jurgen Prochnow's role as an ex-Nazi hiding in Syria provide two solid anchor points. Lead actors Jonathan Rhys Meyers and Olivia Thirlby create immediate film chemistry that grows as the film proceeds, and becomes more believable straight through to the conclusion. In a spy thriller this connection is hard to achieve, but here it works. The film plays 93 minutes, but the editing and scene progression tell a very complete story, with all the character development and depth of plot one would expect from a much larger feature. If you've read my review this far and get what I am saying you're going to love the movie! Next, pay attention from the beginning, don't arrive late, and realize that in order to be thrilled you have get into the story. There are plot twists, plot misdirection and feints, as well as unexpected turns straight from the 1960's spy genre playbook. The storylines do converge during the third act in a very satisfying, almost Paul Haggis-esque fashion. When you walk out, you say to yourself, "I should have seen that ending coming". But you didn't, and now it makes perfect sense - - and that's why this film has won awards and kudos from true movie aficionados. Congrats to Writer/Director Daniel Berk on a real winner!
I was able to watch it all the way through without regret, which is more than I can say for most movies these days. Nothing great, but not that bad either. I found the sound track kind of weird, the dialogue was so crisp and clear I almost thought it was looped, but I am not sure. It sounded like the mics were almost in the mouth of the characters as they spoke. Kind of off-putting.
I believe the director has no idea about damascus You cant make a film about this city in another place specially the whole environment of the movie doesn't look like levant countries Also during the movie it show huge photo on a bulding for Assad's family the father and his 2 son While this photo in 1989 doesn't exist cause the sons were very young at that time Also when the camera was moving in the streets there were new models car how come ?? And many many other mistakes Horrible
Bad screen writing bad acting bad movie over all. Yes there are worst movie then this but For some reason I thought it would be a good movie . I'm. It sure but I think the director and producer are Jewish just my guess. It was poorly represented from the people to the cultures and characters. Horrible screen writing. What is wrong with the main character why is playing every movie the same . Basically it was the 2 hours waist of time. Good I didn't pay for it otherwise it would be another regret. You
Very rarely are authors satisfied with the film adaptations of their novels. I'm the author of the thriller The Damascus Cover, and Daniel Berk has crafted a fabulous version of my book. I'm particularly thrilled with the acting not only of the superb Jonathan Rhys Meyers, but of the entire supporting cast, particularly Olivia Thirlby whose smile lights up the screen. Thanks to all involved with this. I highly recommend the film.
source: Damascus Cover
Hate to write a bad review as people work so hard on movies. And I am sure it's hard to write a book as well, on which this is based. But it is really below mediocre, and the current 4.3 rating is due to some people give this movie a 10 out of 10...!? Anyway for me it is rather long as a commercial for overpriced watches. Other than that, quite descent actors, except for Mr Meyers, whom besides of being completely miscast (he plays a German/Jewish Mosad agent), is revealing his lack of acting chops in this movie. The only reason to watch this, is it being Mr John Hurt's last performance. No idea what he was thinking in accepting this role, he deserved better. In fact he is also miscast, as he plays the head of the Mossad. So how is John Hurt Jewish? Incredible. As is the whole movie, but then again it's not really a movie, but just a long drawn out commercial for overpriced watches.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
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ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔