Monica Dolan
dans le rôle de Sue Bagnold
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The comédie film Days of the Bagnold Summer, starring Monica Dolan, Earl Cave, Elliot Speller-Gillott, etc., directed by an unlisted director, was released on February 19, 2021 in Royaume-Uni. It tells the story of Un adolescent passe son été à écouter de la musique heavy metal et à essayer de s'entendre avec sa mère bibliothécaire. This is a Comédie, Drame, Musique film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 2,951 viewers.
Monica Dolan
dans le rôle de Sue Bagnold
Earl Cave
dans le rôle de Daniel
Elliot Speller-Gillott
dans le rôle de Ky
Tamsin Greig
dans le rôle de Astrid
Ony Uhiara
dans le rôle de Esther
Rob Brydon
dans le rôle de Douglas Porter
Paul Michael Bradley
dans le rôle de Teen Server
Alice Lowe
dans le rôle de Carol
Grace Hogg-Robinson
dans le rôle de Katie
Nathanael Saleh
dans le rôle de Alex
George Wilkins
dans le rôle de Jake
Alfie Todd
dans le rôle de George
Tim Key
dans le rôle de Dale
Gurlaine Kaur Garcha
dans le rôle de Receptionist
Sophie Steer
dans le rôle de Waitress
Lesley Harcourt
dans le rôle de Nancy
Indeyarna Donaldson-Holness
dans le rôle de Sophie
Jude Marsh
dans le rôle de Disinterested Boy
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
source: Days of the Bagnold Summer
I thought this was a good realisation of the graphic novel by Joff Winterhart - going back to the book afterwards demonstrated thart a good deal of care had gone into capturing the feel of the novel. There are comedic moments but it is not a comedy and, overall, nothing much happens. Having said that I found it satisfying and, in the end, positive. Strong acting throughout - particularly Monicsa Dolan and. Earl Cave.
Most parents will find something to relate to here. Superb character portrayals. Perhaps rather lacking in plot but it didn't matter as the characters and comedy made it watchable. Good fun!
Monica Dolan and Earl Cave deliver very realistic sparring mother and son details. It is understated, and enjoyable just for that, in a world of car crashes and explosions as entertainment options. There's no real baddie here, just humans finding their way, and it's great for that, both in insight and staging. There are a lot of recognisable details in the mother and son relationship and that's the charm of the film. The hideousness of teenage selfishness and meanness to loving parents (I cringed with knowing guilt a few times), and the sacrifices mums make to carry their kids. A lot of humor in it too. Not a lot happens on the journey and it doesn't really arrive anywhere, and that's probably the main let down here. Daniel does become less of a jerk but there's no realisation or revelation and cause to that character arc other than he just grew up a little. Maybe that's in keep with the life observation aesthetic of the film though. Either way it was a really nice 86 mins and a welcome slice of realness in an overly dramatic world.
I liked some things - characters mostly, the mum in particular, but other than that I didn't feel particularly connected to any of it. It had a feeling of realness about it that kind of took me out of the movie at little. Appears to be rather low budget, and I think it almost certainly is, but the production style was a little too reminiscent of a 1990s British soap opera. As much as I've given it 4 stars I don't think it's bad, but there are too many elements that just didn't work well at all for me. The placement of camera's was one of my main gripes, as if the camera's just happened to be there, and served to make it feel not particularly well directed - then again, I later found out that it was previously a graphic novel - HUH? - so, perhaps some of the shots were directed in such a way that bared close resemblance to areas of the graphic novel. I will never find out - I certainly won't read it. The friend I watched it with loved it, and I was sat with him for his 3rd viewing, and can see other's really liked it. It just wasn't for me. I think it would have been much better with a slightly different approach. Oh another thing that grated on me was the soundtrack, which I thought was awful, the songs especially bad!
This film could have been funny and moving, but failed on both counts. An hour and a half i won't get back. Paint a wall and watch it dry instead.
Expected a lot more as Simon Bird has been involved in some fine comedies as an actor ! This just went nowhere really , just a collection of unexciting events with a miserable kid and his dour mother !
Extremely depressing, deprimating film. You will regret and waste your time if you attemt tonwatch this. I don't realise why and how is it rated so high...
This story is very real and is get relatable to ordinary people. The mother son relationship is realistic, and their transformation is heartwarming. I enjoyed watching it.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.