Uwe Boll
dans le rôle de Director
English,Filipino,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The action film King Rising 3, starring Dominic Purcell, Ralitsa Paskaleva, Daria Simeonova, etc., directed by Uwe Boll, was released on February 26, 2014 in Canada. It tells the story of Un assassin est embauché pour un dernier travail: kidnapper les enfants d'un homme d'affaires. Les choses se compliquent quand il s'avère qu'il a choisi de retourner au Moyen Âge et de ramener l'ordre dans un royaume en proie au chaos. This is an Action, Adventure, Fantaisie film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.0/10 from 2,574 viewers.
Uwe Boll
dans le rôle de Director
Dominic Purcell
dans le rôle de Hazen Kaine
Ralitsa Paskaleva
dans le rôle de Arabella
Daria Simeonova
dans le rôle de Emeline
Petra Gocheva
dans le rôle de Sophie
Marina Dakova
dans le rôle de Alys
Bashar Rahal
dans le rôle de Ulrich
Nikolai Sotirov
dans le rôle de Tybalt
Marian Valev
dans le rôle de Tervin
Marian Valev
dans le rôle de Ayavlo
Tsvotoluyb Itlev
dans le rôle de Alekandar
Fahradin Fahradinov
dans le rôle de Soldier 1
Shelly Varod
dans le rôle de Ana
Yavor Vasellnov
dans le rôle de Security Guard
Joan Mihailov
dans le rôle de Boy
Tatyana von Pedersen
dans le rôle de Woman
Ivo Tonchev
dans le rôle de Wounded Soldier
Valentin Balabanov
dans le rôle de Kardam
Stefan Spassov
dans le rôle de Andon Rakovski
Anatoli Netchev
dans le rôle de Rakovski Guard
Joel Ross
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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This won't win any awards or any box office weekends but it will keep you entertained. I never saw the original or its first sequel so I can't compare them but I sat there and enjoyed the action sequences and the few comedic lines that were delivered in part 3. The special effects were well done and the acting was better than expected. It's a good and talented cast and I think that helped this movie be better. I recently read that the director wanted an "R" rating for this movie and I kinda wish I saw that version. The action was good but I feel like they could've taken it farther. Still worth a watch however. It feels like the video game film genre is dying out so this movie being made was a real treat for someone who loves the genre like me
Full disclosure: the original In The Name of the King is among my top 5 favorite films of all time, and I've easily watched it over 200 times. With that being said, I still looked forward to this re-interpretation due to my love of the series' antihero main characters (whose legacy had already been profoundly tarnished by the catastrophically misguided sequel) and my admiration of director Uwe Boll's "Bloodrayne" films (as well as his other video game films). Suffice to say, I came into the this one with a bias toward wanting the film to succeed. I'm willing to acknowledge that it may be for this reason that I found this film to be a resounding (if slightly flawed) success. Conversely, it is my belief that a large contingent of overzealous "fans" were hellbent on seeing this film fail, therefore had pre-determined that the movie was trash. How could it possibly withstand several years of unwavering hatred during its production and be given a fair shot? Judging by the middling 3.3 IMDb rating, many people loathed the film just as much as they'd hoped they would. This viewer simply cannot accept that In The Name of the King III is anywhere near as bad as people are rating it. For starters, the film has been bashed mercilessly for idiotically trivial elements such as "His can't ride a horse without help!", "He doesn't ever go to the bathroom!", or worst of all, "I refuse to support a film version of Dungeon Siege". It is my firm belief that all of these criticisms are merely the ravings of closed-minded fan boys who are (bizarrely) searching for the next movie to "ruin their childhood". It's a phenomenon that is baffling and absurd. Anyway, I rated the film 10/10 on IMDb because I wanted the score to weigh heavier in the positive direction. Truth be told, I think the film is a solid 8 and may even grow to become a 9 over time. Of course it's not as good as Boll's original classic, and obviously it's much different in tone. For that I am grateful. I didn't want another movie trying to mimic the satire of the original, nor did I feel that anyone could ever one-up the original film, so why try? There are those that argue that this film should have simply been called something else other than In The Name of the King if it wanted to be so different from the original, and I get that...except the bottom line is few studios will ever green light a multi million dollar film without some kind of name recognition. It's a sad truth. But in utilizing the Dungeon Siege brand name, Boll was given the funding to acquire a brilliant cast and design cutting edge digital effects. In my opinion, a little brand recognition is a fair trade off if it helps the film achieve the look and feel of a high-end fantasy blockbuster. Anyway, I've already babbled several paragraphs longer than I'd intended. The bottom line is you should abandon your preconceptions and watch the movie for what it is: a genuinely smart, heartfelt and wonderfully acted fantasy featuring characters we get to know and love. What's so awful about that?
"You're on the path that you must follow to its end and that end might come sooner then you think." Hazen Kaine (Purcell) is an enforcer for the mob who wants out. After being given one last job he thinks he gets his wish. He is to kidnap the daughters of the royal family and hold them for ransom. When he takes a necklace from one of the kids something strange happens. He is teleported back in time to the dark ages and the only way back is to save the village from a dragon. So...yeah. That is actually what the movie is about. When they tried this plot in the Army Of Darkness it worked. This one did not. To be fair though I didn't like either of the other two so if you did you may like this one. I am not a Uwe Boll fan but after watching and really liking Assault On Wall Street I was hoping for better then this one. But when the main character in your series goes from Jason Statham to Dolph Lundgren to Dominic Purcell there is really only one way the series can go as well. Overall, I have seen worse but it's really time for this series to stop. I give this a C-.
Bon film !
Bon film !
Bon film !
Bon film !
Very low budget Bulgarian made charmer. Dominic Purcell is understated and gives life to a usually cardboard character though he looks a bit worse for wear. This ain't art but it's entertaining enough.
The only thing this film is good at, is being a bad example ... so if you are into learning how NOT to make good films, watch it.
Seriously, Uwe: please stop doing this to us! All of your movies are bad but the "In the Name...." series is the worst of the bunch. At least M. Night Shamilan (sp?) started with something decent before devolving. How can you not improve? Please: stop.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.