Cody Stokes
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The crime film The Ghost Who Walks, starring Garland Scott, Frank Mosley, Alexia Rasmussen, etc., directed by Cody Stokes, was released on August 18, 2020 in États-Unis. It tells the story of An imprisoned criminal rats out his former boss for one last chance to reunite his family and become the father he never was. This is a Crime, Drame film with a runtime of 106 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 562 viewers.
Cody Stokes
dans le rôle de Director
Garland Scott
dans le rôle de Nolan
Frank Mosley
dans le rôle de Stitches
Alexia Rasmussen
dans le rôle de Lena
Gil Darnell
dans le rôle de Donnie
Dasha Nekrasova
dans le rôle de Mitzie
Nattalyee Randall
dans le rôle de Tanya
Linda Kennedy
dans le rôle de Dunya
Peter Mayer
dans le rôle de Monty
Curtis York
dans le rôle de Bull
Dennis Lebby
dans le rôle de Pops
Destiny Bauer
dans le rôle de Amy
Mueen Jahan
dans le rôle de Fazil
Harpinder Singh
dans le rôle de Ameen
Tim Cunningham
dans le rôle de Officer Taylor
Jaye Hodges
dans le rôle de Detective Nunez
Candace Roberts
dans le rôle de Mother
Michael D. Clark
dans le rôle de Kid
Jilanne Marie Klaus
dans le rôle de Waitress
Cody Stokes
dans le rôle de Writer
Ben Bostick
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: The Ghost Who Walks
I wasn't expecting much, but this movie was done pretty well. Good acting from the lead. Some good fights. I liked the story. And the ending, was definitely not what I was expecting. Definitely worth the watch.
I watched up until he found his love interest. Idk about y'all but I'm so tired of seeing black men and women with anybody but black men and women. They could t stand us now it's like we don't even want each other let them tell it. Boring same ole same. His love interest shoulda been a hot African woman with a big ole fro. I'm done with these types of movies
An ambitious crime drama that sits nicely among the backdrop of St. Louis during the festive Christmas season. Director Cody Stokes shows poise and promise. Lead actor Garland Scott will make waves well into the future. Indie movie or not, this one has it's moments when it hits you hard. The art direction and cinematography are wonderful. The cast and crew did an excellent job putting together an art piece so raw and gritty too. This film sheds colorful light and pleasant ambiance on the dark recesses of a tarnished city. The action, the thrills, the character development; all well done in their own right. Minus it's basic and understandable blemishes, it still shines during Christmas time!
Two dimensional characters playing parts in a fictional universe is not recommended.
Interesting low budget indy with pretty good acting. But putting too much plastic where should have been the real thing, don't know if because of the budget of the crews imagination. Anyway, the fast forward did help through it.
Interesting start, then the movie goes no where. Waste of time.
What a piece crap!!! I continued watching this only out of curiosity. The acting was horrendous. The dialogue was terrible. It probably could have been a not too bad movie because the storyline was okay.... but the ACTING!!!??? There was so much unnecessary dialogue. What a waste of time.
Another movie where you can skip reading the "false" positive reviews, trust me on that. While the acting wasn't the worst, the plot was just boring and laughable. It starts promising but quickly it becomes one of those movies you regret you started watching it. The end is even more ridiculous, I won't tell you anything about it as you never know that you still want to watch it. I wished I had read the negative reviews about this one before watching it, it would have saved me two hours of my life that I will never get back.
I was pulled in by the title and the picture I saw on Netflix, but the acting, directing, cinematography, lighting, and story kept me here. A blue tinted look at a cold city story about a man, Nolan, recently released from prison who snitched to get himself out. He wants to find his daughter, Amy, and the woman he loves, Lena, but having snitched complicates things. Lena is with the man who wants him dead to give their daughter a better life and Nolan has a hard time holding onto people who can help him.The ending is open ended enough that we can get hit hard by a sad reality or hope for a sequel. I loved the film. It's powerful and a showcase of talen that mainstream Hollywood is missing out on, like the actress who played the older woman, Dunya, Garland Scott as Nolan, the character actor that is Frank Mosley as Stitches, the actresses who played the sex workers beacause they show what a lack of father can do to you (although, I realize not all sex workers may feel unwanted), all the guys who played the henchmen gangsters (the oder white guy who tried to warn Nolan felt so real and it was hard to tell whose side he was on) who got me worried for Nolan's life, Monty's actor who made this dirty money man feel real, the little actress who plays Amy who made every scene so cute and heartbreaking, and the woman who played Lena so well I wondered if she was good but it became so easy to connect with her choices through this actress. Also, the others, like pops, the taxi driver, the friends of Nolan's in the store, the waitress, and the rest of them helped give the movie a memorable and enjoyable feel.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.